(Flamenco, Spanish Guitar) Niño Josele / Nino Josele - Española / Espanola - 2009, FLAC (tracks+.cue), lossless

Niño Josele / Española Жанр: Nouveau Flamenco, World Fusion, Ethnic Jazz, Spanish Guitar Страна-производитель диска: Spain Год издания: 2009 Издатель (лейбл): Warner Music Spain Номер по каталогу: 2564686065 Страна: Spain Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:43:48 Источник (релизер): вата (благодарности pastafaricubensis) Наличие сканов в содержимом раздачи: даТреклист: 1 Española (Written-By – McCoy Tyner) 7:33 2 ¿Es Esto Una Buleria? 6:47 3 Camino De Lucia (Rondeña) 6:29 4 Gloria Bendita (Rumba) 3:34 5 Waltz For Bill 4:08 6 Zapateado Para Bebo 3:32 7 Balcon De La Luna (Seguiriya) 3:00 8 A Contratiempo (Buleria Y Tumbao) 4:15 9 La Partida 4:31Producer – Fernando Trueba Written-By – Juan José Heredia (tracks: 2 to 9)Доп. информация: Wiki | Official  Лог создания рипа Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 2. March 2012, 21:10Niño Josele / EspañolaUsed drive : TSSTcorpCDDVDW TS-H653N Adapter: 2 ID: 2Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\FLAC -\flac.exeAdditional command line options : -5 -V -T "COMMENT=shared by pastafari" -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%"TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:32.43 | 0 | 33942 2 | 7:32.43 | 6:47.36 | 33943 | 64503 3 | 14:20.04 | 6:29.13 | 64504 | 93691 4 | 20:49.17 | 3:34.15 | 93692 | 109756 5 | 24:23.32 | 4:07.40 | 109757 | 128321 6 | 28:30.72 | 3:32.08 | 128322 | 144229 7 | 32:03.05 | 2:59.52 | 144230 | 157706 8 | 35:02.57 | 4:14.70 | 157707 | 176826 9 | 39:17.52 | 4:30.47 | 176827 | 197123Track 1 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\01 - Española.wav Pre-gap length 0:00:02.00 Peak level 89.2 % Extraction speed 4.7 X Track quality 100.0 % Test CRC 7537360B Copy CRC 7537360B Track not present in AccurateRip database Copy OKTrack 2 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\02 - Es esto una bulería.wav Pre-gap length 0:00:02.04 Peak level 98.3 % Extraction speed 5.6 X Track quality 100.0 % Test CRC 5900F5AF Copy CRC 5900F5AF Track not present in AccurateRip database Copy OKTrack 3 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\03 - Camino de Lucía.wav Pre-gap length 0:00:04.06 Peak level 93.0 % Extraction speed 6.2 X Track quality 100.0 % Test CRC B23F7B67 Copy CRC B23F7B67 Track not present in AccurateRip database Copy OKTrack 4 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\04 - Gloria bendita.wav Pre-gap length 0:00:03.05 Peak level 98.3 % Extraction speed 6.1 X Track quality 100.0 % Test CRC D95A6CFC Copy CRC D95A6CFC Track not present in AccurateRip database Copy OKTrack 5 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\05 - Waltz for Bill.wav Pre-gap length 0:00:05.08 Peak level 98.2 % Extraction speed 6.5 X Track quality 100.0 % Test CRC 3FB12C13 Copy CRC 3FB12C13 Track not present in AccurateRip database Copy OKTrack 6 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\06 - Zapateando para Bebo.wav Pre-gap length 0:00:03.05 Peak level 98.3 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 182C1910 Copy CRC 182C1910 Track not present in AccurateRip database Copy OKTrack 7 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\07 - Balcón de la luna.wav Pre-gap length 0:00:03.05 Peak level 98.2 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 826E8780 Copy CRC 826E8780 Track not present in AccurateRip database Copy OKTrack 8 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\08 - A contratiempo.wav Pre-gap length 0:00:03.05 Peak level 98.3 % Extraction speed 6.0 X Track quality 99.9 % Test CRC AA23838C Copy CRC AA23838C Track not present in AccurateRip database Copy OKTrack 9 Filename C:\pastafari\Niño Josele - Española (2009) [FLAC]\09 - La partida.wav Pre-gap length 0:00:03.05 Peak level 98.2 % Extraction speed 7.7 X Track quality 100.0 % Test CRC C9518ABE Copy CRC C9518ABE Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum C79715F4C93B1ABEFEF658EDE2100ECBFECF1C3C18988E0E95F01C3BA2912654 ====  Содержание индексной карты (.CUE) REM GENRE Flamenco-FusiуnREM DATE 2009REM DISCID 6E0A4409REM COMMENT "ExactAudioCopy v1.0b2"FILE "01 - Espaсola.wav" WAVE TRACK 01 AUDIO INDEX 01 00:00:00 TRACK 02 AUDIO INDEX 00 07:30:40FILE "02 - Es esto una bulerнa.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO INDEX 00 06:43:31FILE "03 - Camino de Lucнa.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO INDEX 00 06:26:09FILE "04 - Gloria bendita.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO INDEX 00 03:29:09FILE "05 - Waltz for Bill.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO INDEX 00 04:04:36FILE "06 - Zapateando para Bebo.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO INDEX 00 03:29:04FILE "07 - Balcуn de la luna.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO INDEX 00 02:56:48FILE "08 - A contratiempo.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO INDEX 00 04:11:66FILE "09 - La partida.wav" WAVE INDEX 01 00:00:00  Об исполнителеТалантливый испанский гитарист и композитор Ниньо Хоселе (урожденный Хуан Хосе Эредиа; род. в Альмерии в 1974 году) относится к так называемой школе «нового фламенко». В 1996 году как один из лучших молодых исполнителей он выиграл приз Севильской биеннале (Young Talents Award of the Sevilla Biennial). Он работал со многими звездами музыки фламенко, среди которых Пако де Лусия (Paco de Lucía), Хавьер Лимон (Javier Limón), Энрике Моренте (Enrique Morente), Диего Эль Сигала (Diego el Cigala), Конча Буйка (Concha Buika), Монтсе Кортес (Montse Cortés) и др. Кроме того, он участвовал в совместных проектах с Ленни Кравицем (Lenny Kravitz), Алишей Киз (Alicia Keys) и Элтоном Джоном (Elton John). В своем творчестве Ниньо Хоселе очень много внимания уделяет джазу – не случайно работа 2006 года «Paz» была посвящена известному джазовому пианисту Биллу Эвансу, а в альбоме «Española», который был номинирован на Latin Grammy Awards 2010, заглавный трек принадлежит авторству другого популярного джазового пианиста – Маккоя Тайнера.Niño Josele (born Juan José Heredia in 1974 in Almería) is a Spanish guitarist, and exponent of the New Flamenco style. His first two albums show a vibrant, pure, modern flamenco style. He then released a tribute to Bill Evans' music via his album Paz, showing his versatility as a musician. Having originated in a flamenco background, Josele adapts to complicated jazz music themes as well as creating his own mixture of various genres in his own compositions. He has participated in the award-winning short film Almendros los Plaza Nueva and "La sombra de las cuerdas" 2009 (By Annabelle Ameline, Benoît Bodlet & Chechu G.Berlanga), a portrait of the guitar genius "El Niño Miguel".  Об альбомеA remarkably coherent blend of flamenco and jazz.Nino Josele is the stage name of guitarist Juan Jose Heredia who was born in 1974 in Almeria, Spain. Although primarily a flamenco guitarist Josele is nothing if not versatile having worked in a variety of contexts ranging from flamenco through classical to jazz and even pop.He has worked with many of the giants of flamenco music including singer Diego El Cigala and fellow guitarist Paco De Lucia. His pop credits include Alicia Keys, Lenny Kravitz and Elton John and in the jazz field he has collaborated with bassist Esperanza Spalding.Josele obviously feels a strong affinity for jazz and his 2006 album “Paz” was a tribute to the music of Bill Evans. This latest album was recorded in Madrid and New York and features several different line ups with the players being drawn from the spheres of flamenco, classical and jazz. The best known jazz names are saxophonists Phil Woods and Ralph Bowen and violinist Mark Feldman.The title track is a solo guitar exploration of a tune by the great pianist McCoy Tyner. Tyner’s jazz piece is delivered as flamenco and it’s immediately obvious that Josele is a highly talented guitarist . All the guitars on the album were recorded live with no editing and he displays the crispness of attack and purity of line that one associates with all the best flamenco players. There’s plenty of flamenco’s choked emotional intensity too making for an impressive start. “Espanola” is the album’s only cover, the remaining eight pieces are all Josele originals.“Es Esto Una Buleria?” asks the question “Is This A Buleria”. It starts out conventionally enough with more solo guitar but after a couple of minutes Josele introduces a strong jazz flavour into the mix by unleashing a posse of jazz players among them Woods on alto sax and Bowen on soprano. We also hear from trumpeter Michael Philip Mossman, trombonist Douglas Purviance plus the rhythm section of John Benitez (bass) and Dafnis Prieto (drums). The juxtaposition of styles works remarkably well thanks to the skilful arrangement and there are incisive solos from both Woods and Bowen.“Camino De Lucia” is another beautiful solo guitar piece, this time in the Rondena form. I’d hazard a guess that the title, literally “Road To Lucia” is a homage to his mentor and sometime colleague Paco De Lucia, still Josele’s primary influence.The rumba “Glorio Bendita” is another fusion of Spanish music with jazz elements. Angel “Papo” Vazquez’s trombone is prominent in the arrangement and also features as a solo instrument. Vazquez’s playing is enjoyable and infectious and there are also powerful contributions from Benitez and Prieto with Pedro Martinez adding extra colour with his energetic extra percussion.“Waltz For Bill” is an enchanting dedication to the late Evans and teams Josele with Woods’ dry but compassionate alto. Benitez and Prieto lend suitably sympathetic support, the drummer turning in some delightfully detailed and delicate brushwork.The brief but impressive solo guitar piece “Zapateado Para Bebo” pays tribute to the Cuban pianist and band leader Bebo Valdes with whom Josele once worked.“Balcon De La Luna”, a tune in the Seguiriya form, unveils yet another line up with electric bassist Alain Perez sharing the limelight with Josele. Javier Colina’s acoustic bass can also be heard with drummer Prieto and percussionist Pirana adding extra colour and rhythmic impetus. It’s a bizarre mix of almost caricatured flamenco and Jaco Pastorius style electric bass yet somehow it manages to work.“A Contratiempo” is the album’s second Buleria and again features the distinctive trombone sound of Vazquez alongside the leader’s dazzling guitar. Benitez, Prieto and Martinez add energetic and colourful rhythmic support.The closing “La Partida” teams Josele with a string quartet consisting of Joyce Hammann (violin), Lois Martin (viola), Erik Friedlander (cello) together with jazz violinist Mark Feldman from John Abercrombie’s band. Colina and drummer Guillermo McGuill complete an unusual line up. There is no conventional soloing here, the concentration is on ensemble colour and texture. The strings add a sombre tinge to the piece and the string players play both with the bow and pizzicato. It’s an elegant way to end a surprisingly impressive album.I’m in no way a flamenco purist and doubt whether I’d enjoy a release that stuck rigidly to that agenda. However the skill with which Josele blends his various sources and influences together makes“Espanola” a thoroughly engaging listen. Despite the changes between tracks of both line up and style the album still hangs together remarkably well as a coherent whole. This is almost entirely due to Josele who subtly dominates proceedings throughout. His playing is at the heart of everything and he demonstrates an easy virtuosity, assured and confident but never “show offy”.“Espanola” is an album to be proud of and one that deserves gain Josele greater attention from jazz audiences. -- thejazzmann.com