(Flamenco, Classical, Andalusian music, Baroque) [WEB] Euskal Barrokensemble, Enrique Solinis - El Amor Brujo, Esencias de la música de Manuel de Falla - 2017, FLAC (tracks), lossless

Euskal Barrokensemble, Enrique Solinis / El Amor Brujo, Esencias de la música de Manuel de Falla Жанр: Flamenco, Classical, Andalusian music, Baroque Носитель: WEB Год издания: 2017 Издатель (лейбл): Alia Vox Номер по каталогу: AV9921 Страна исполнителя (группы): Spain Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 51:21 Источник (релизер): 7digital Наличие сканов в содержимом раздачи: нет Треклист: 01. Taranta de la Siega (3:25) 02. Canción del Amor Dolido (3:33) 03. Danza Ritual del Fuego (3:56) 04. Concierto de Aranjuez: Allegro (6:15) 05. Concierto de Aranjuez: Adagio (5:21) 06. Circulo Mágico (1:46) 07. Sonata, K. 32 (1:36) 08. Sonata, Kk. 141 (2:11) 09. Escena Bestenigar (7:28) 10. Pantomina (3:00) 11. Canción del Fuego Fatuo (2:53) 12. Capriche Árabe (5:41) 13. Danza del Juego del Amor (3:03) 14. Campanas del Amanecer (1:08)  О релизеContrabass – Pablo Martín Caminero Ensemble – Euskal Barrokensemble Flute – Vicente Parrilla Guitar, Lute, Music Director, Producer – Enrique Solinis Lyre – Stelios Petrakis Percussion – David "Chupete", Ziya Tabassian Sackbut – Elies Hernándis Violin – Miren Zeberio Vocals – María José PérezIn composing El amor brujo (Love, the Magician) Manuel de Falla took his inspiration from the old gypsy legends and songs collected by the flamenco singer and dancer Pastora Imperio and her mother, creating a unique distillation of the essence of Andalusian music with its various palos or styles – seguiriyas, soleares, polos, martinetes and zambras, by incorporating their spirit into his own musical language. A performance of Manuel de Falla’s music by a Baroque ensemble may at first seem rather odd, but if we bear in mind Falla’s own aesthetic intentions it should come as no surprise. Our admiration for Andalusian song, which coincides with Falla’s admiration for the newly emerging flamenco song of his day, amply justifies the idea of including a cantaora in the version presented in this recording. In an ensemble such as ours, the cantaora‘s alternately soft or heartrending voice incomparably brings to life the composer’s original intention. As we listen to the sound of the lyra, the lavta and Persian percussion, we can appreciate that it is in perfect harmony with what Falla was aiming to reflect at various points in his score.The pieces in this recording reflect their respective composers’ admiration of tradition and a desire to draw inspiration from its uniqueness, recognizing the value of the character stamped on the musical heritage by generation upon the past – their concept of structure, their skill in thematic development and their sensibility. Then, having steeped themselves in the lifeblood of tradition, they raise their own musical voices. In a sense, that is what Falla, Rodrigo and Tárrega set out to do and so brilliantly achieved. AllMusic Review by Blair Sanderson:Euskal Barrokensemble's 2017 album El Amor Brujo should not be mistaken for Manuel de Falla's 1915 ballet of the same name, even though it has been included here in a chamber arrangement by leader Enrike Solinís, interspersed with his versions of pieces by Joaquín Rodrigo, Domenico Scarlatti, Dimitrie Cantemir, and Francisco Tárrega. This recording ostensibly explores the Andalusian tradition that inspired Falla, as well as the emergence of flamenco style in his music. While this program captures something essential in Spanish folk music, particularly in the duende vocals of María José Pérez and an old-world instrumental group consisting of Baroque violin, recorder, sackbut, lute, guitar, contrabass, and assorted percussion, it only reveals part of Falla's influences. Considering his lush orchestration and strong emphasis on exoticism, Falla was equally an heir to the European concert tradition and the musical nationalism that sprang up in the 19th century, and even though his works have obvious folk antecedents, their orchestral sonorities and sophisticated forms are just as important. As a result, listeners may need some familiarity with Falla's El Amor Brujo, Rodrigo's Concierto de Aranjuez, or Tárrega's Capricho Árabe, or else they may miss the connections. Still, this is an interesting study of cultural currents, and it is especially recommended for fans of Spanish music and classical crossover.  Лог Audiochecker AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-=== DO NOT EDIT THIS FILE! ===-Path: ...\Euskal Barrokensemble, Enrike Solinis - El Amor Brujo; Esencias de la Musica de Manuel de Falla (2017) FLAC01 -=- 01 - Taranta de la Siega.flac -=- CDDA (100%)02 -=- 02 - Cancion del Amor Dolido.flac -=- CDDA (100%)03 -=- 03 - Danza Ritual del Fuego.flac -=- CDDA (100%)04 -=- 04 - Concierto de Aranjuez; Allegro.flac -=- CDDA (100%)05 -=- 05 - Concierto de Aranjuez; Andante.flac -=- CDDA (100%)06 -=- 06 - Circulo Magico.flac -=- CDDA (100%)07 -=- 07 - Sonata, K. 32.flac -=- CDDA (100%)08 -=- 08 - Sonata, K. 141.flac -=- CDDA (99%)09 -=- 09 - Escena Bestenigar.flac -=- CDDA (100%)10 -=- 10 - Pantomina.flac -=- CDDA (100%)11 -=- 11 - Cancion del Fuego Fatuo.flac -=- CDDA (100%)12 -=- 12 - Capricho Arabe.flac -=- CDDA (100%)13 -=- 13 - Danza del Juego del Amor.flac -=- CDDA (100%)14 -=- 14 - Campanas del Amanecer.flac -=- CDDA (99%)Summary 99,86% CDDA33260900