(female vocal, swing, cabaret, folk, indie pop) [CD] Gabby Young & Other Animals - One Foot in Front of the Other - 2014, FLAC (tracks+.cue), lossless

Gabby Young & Other Animals / One Foot in Front of the Other Жанр: female vocal, swing, cabaret, folk, indie pop Носитель: CD Страна-производитель диска: England Год издания: 2014 Издатель (лейбл): Gift Of The Gab Records Страна: England Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:49:12 Источник (релизер): what.cd (evensteven) Наличие сканов в содержимом раздачи: нет Треклист:01. Sur La Lune (... A French Ditty) (04:02) 02. Time (03:38) 03. Fear Of Flying (03:56) 04. I've Improved (03:47) 05. Another Ship (05:24) 06. Saviour (04:04) 07. Smile (03:11) 08. The Devil Has Moved In (04:08) 09. Back Of The Car (04:16) 10. One Foot In Front Of The Other (04:01) 11. Back Where We Started (04:56) 12. Jessica (03:47)Доп. информация: http://www.tofthegabrecords.com/  Alternate cover  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 29. March 2014, 10:14Gabby Young & Other Animals / One Foot In Front Of The OtherUsed drive : PLEXTOR CD-R PREMIUM Adapter: 4 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 30Overread into Lead-In and Lead-Out : YesFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:02.35 | 0 | 18184 2 | 4:02.35 | 3:38.13 | 18185 | 34547 3 | 7:40.48 | 3:55.50 | 34548 | 52222 4 | 11:36.23 | 3:47.29 | 52223 | 69276 5 | 15:23.52 | 5:24.10 | 69277 | 93586 6 | 20:47.62 | 4:04.03 | 93587 | 111889 7 | 24:51.65 | 3:11.37 | 111890 | 126251 8 | 28:03.27 | 4:07.62 | 126252 | 144838 9 | 32:11.14 | 4:16.28 | 144839 | 164066 10 | 36:27.42 | 4:01.26 | 164067 | 182167 11 | 40:28.68 | 4:56.16 | 182168 | 204383 12 | 45:25.09 | 3:47.08 | 204384 | 221416Track 1 Filename C:\EACRips\01 Sur La Lune (... A French Ditty).wav Pre-gap length 0:00:02.00 Peak level 94.5 % Extraction speed 8.2 X Track quality 100.0 % Test CRC BDB1CD44 Copy CRC BDB1CD44 Track not present in AccurateRip database Copy OKTrack 2 Filename C:\EACRips\02 Time.wav Pre-gap length 0:00:00.88 Peak level 94.5 % Extraction speed 8.9 X Track quality 100.0 % Test CRC 3028A6AA Copy CRC 3028A6AA Track not present in AccurateRip database Copy OKTrack 3 Filename C:\EACRips\03 Fear Of Flying.wav Pre-gap length 0:00:01.24 Peak level 94.4 % Extraction speed 5.9 X Track quality 100.0 % Test CRC C1966683 Copy CRC C1966683 Track not present in AccurateRip database Copy OKTrack 4 Filename C:\EACRips\04 I've Improved.wav Pre-gap length 0:00:01.77 Peak level 94.4 % Extraction speed 8.9 X Track quality 99.9 % Test CRC 0F1D677A Copy CRC 0F1D677A Track not present in AccurateRip database Copy OKTrack 5 Filename C:\EACRips\05 Another Ship.wav Pre-gap length 0:00:01.45 Peak level 94.4 % Extraction speed 11.4 X Track quality 100.0 % Test CRC 153CAC7B Copy CRC 153CAC7B Track not present in AccurateRip database Copy OKTrack 6 Filename C:\EACRips\06 Saviour.wav Pre-gap length 0:00:02.12 Peak level 94.4 % Extraction speed 10.1 X Track quality 99.9 % Test CRC D09197CD Copy CRC D09197CD Track not present in AccurateRip database Copy OKTrack 7 Filename C:\EACRips\07 Smile.wav Pre-gap length 0:00:01.12 Peak level 94.4 % Extraction speed 12.5 X Track quality 100.0 % Test CRC 22A40591 Copy CRC 22A40591 Track not present in AccurateRip database Copy OKTrack 8 Filename C:\EACRips\08 The Devil Has Moved In.wav Pre-gap length 0:00:03.40 Peak level 94.4 % Extraction speed 13.2 X Track quality 100.0 % Test CRC A20EF832 Copy CRC A20EF832 Track not present in AccurateRip database Copy OKTrack 9 Filename C:\EACRips\09 Back Of The Car.wav Pre-gap length 0:00:01.82 Peak level 94.4 % Extraction speed 13.7 X Track quality 100.0 % Test CRC 11EDB933 Copy CRC 11EDB933 Track not present in AccurateRip database Copy OKTrack 10 Filename C:\EACRips\10 One Foot In Front Of The Other.wav Pre-gap length 0:00:01.05 Peak level 94.4 % Extraction speed 11.6 X Track quality 99.9 % Test CRC D44FCC21 Copy CRC D44FCC21 Track not present in AccurateRip database Copy OKTrack 11 Filename C:\EACRips\11 Back Where We Started.wav Pre-gap length 0:00:02.09 Peak level 95.9 % Extraction speed 14.9 X Track quality 100.0 % Test CRC 248808F9 Copy CRC 248808F9 Track not present in AccurateRip database Copy OKTrack 12 Filename C:\EACRips\12 Jessica.wav Pre-gap length 0:00:09.77 Peak level 59.3 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 2D783437 Copy CRC 2D783437 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: 2tT9pwEAHzP_zEnj8p3zsmmW028-] found, Submit result: 2tT9pwEAHzP_zEnj8p3zsmmW028- has been confirmed[3fc6e430] (1/1) Accurately ripped==== Log checksum 8AB1D3FCE9A704FBB880A2BEBD9D904DFEEB79FC47EF80ADD6A450A3F2103A08 ====  Содержание индексной карты (.CUE) REM GENRE IndieREM DATE 2014REM DISCID B30B880CREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Gabby Young & Other Animals"TITLE "One Foot In Front Of The Other"FILE "01 Sur La Lune (... A French Ditty).wav" WAVE TRACK 01 AUDIO TITLE "Sur La Lune (... A French Ditty)" PERFORMER "Gabby Young & Other Animals" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Time" PERFORMER "Gabby Young & Other Animals" INDEX 00 04:01:44FILE "02 Time.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Fear Of Flying" PERFORMER "Gabby Young & Other Animals" INDEX 00 03:36:70FILE "03 Fear Of Flying.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "I've Improved" PERFORMER "Gabby Young & Other Animals" INDEX 00 03:53:67FILE "04 I've Improved.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Another Ship" PERFORMER "Gabby Young & Other Animals" INDEX 00 03:45:70FILE "05 Another Ship.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Saviour" PERFORMER "Gabby Young & Other Animals" INDEX 00 05:22:01FILE "06 Saviour.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Smile" PERFORMER "Gabby Young & Other Animals" INDEX 00 04:02:69FILE "07 Smile.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "The Devil Has Moved In" PERFORMER "Gabby Young & Other Animals" INDEX 00 03:08:07FILE "08 The Devil Has Moved In.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Back Of The Car" PERFORMER "Gabby Young & Other Animals" INDEX 00 04:06:00FILE "09 Back Of The Car.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "One Foot In Front Of The Other" PERFORMER "Gabby Young & Other Animals" INDEX 00 04:15:24FILE "10 One Foot In Front Of The Other.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Back Where We Started" PERFORMER "Gabby Young & Other Animals" INDEX 00 03:59:19FILE "11 Back Where We Started.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Jessica" PERFORMER "Gabby Young & Other Animals" INDEX 00 04:46:33FILE "12 Jessica.wav" WAVE INDEX 01 00:00:00  Об исполнителеGabby Young’s twisting roots have carried her and that stunning voice from her native Wiltshire around the UK to land with a bang at the centre of London’s music scene. The youngest ever recruit to the National Youth Choir at the age of 12, Gabby was on track to become an opera singer until Jeff Buckley and the jazz greats inspired her to switch teams. ‘My family was equestrian and sporty, but I liked being by myself – a bit of a recluse, really. Still, I did all the styles from goth to hippy to punk.’Whilst still in her teens Gabby frequented open mic nights and played with a spectrum of bands before recording her first solo record in her bedroom before she turned 21. Gabby’s unique perspective of the world around her is inspired as much by imagination as real events, but when thyroid cancer threatened to take her classically trained voice at the age of 22, she got serious about recording her stories. Using her recovery time to pen her melodies, Gabby took in global influences to fuel her heartfelt emotion which shines through her beautifully haunting songs. ‘I feel blessed rather than afflicted,’ she says simply.Gabby promoted gigs at and built up audience at the Ear Music nights at Monkey Chews, the infamous Kentish Town pub where she met drummer and guitarist (and beau) Stephen Ellis.In 2008 Gabby formed the 8-piece band who complete the magical musical fairground we know today, using a wide range of instruments, most notably trumpet, trombone, piano and clarinet. Young’s avant-garde fusion of globally-influenced folk combines Balkan brass, jazz and swing in an aural antiques shop from the future to produce what has been affectionately dubbed Circus Swing by those who realised there was no existing genre to encompass Young’s sound.It was crowd-funding her first album that really put her on the map: Gabby started a “Become An Animal” page – which offered fans the chance to ‘invest’ in their favourite new band: for £12.50 you could become a ‘mole’ (T-shirt, gig ticket & album) , £25 a ‘bear’ (same + signed album, photos), £65 a tiger (all of above + meeting the band, personal video message, VIP tickets). The Evening Standard ran a story on it, and the piece was picked up across the board – with an interview even on Sky News. The album then topped both Amazon UK’s folk and rock download charts during June 2010 as part of the ‘Storm the Charts’ campaign. Positive coverage appeared in many of the UK’s major newspapers, including The Guardian, The Sunday Times and the London Evening Standard. The Guardian named the band in the list “Our anti-tips for 2010: the acts who deserve to be heard.’ Clearly not a case of style over substance but, like many a frontwoman before her, Gabby loves to play dress up – and as her double page spread in Artrocker magazine, titled “How to dress like Gabby Young” will attest, there are plenty of women out there who find her charismatic looks as inspiring as her music. Last year she set up Gabberdashery, a collective of creatives: artists, designers, milliners and other talented people selling there wares at gigs and events: ‘it’s important to support up and coming British designers,’ she says. The band spent summer 2010 touring UK festivals, including Glastonbury. After headlining KOKO last October, Gabby was asked to headline and curate New Year’s Eve at the South Bank.‘Touring and travelling the world has changed me as a writer: before gigs is often when the kernel of a song comes to me. Also meeting so many different people and experiencing their cultures has changed my outlook on life – especially in Japan, Australia and Germany.’In 2012, with a list of accolades as long as a pair of stripy tights, Gabby Young And Other Animals, (otherwise known as the “World’s Finest Purveyors of Circus Swing” – Clive Anderson, Loose Ends, R4) released their new highly anticipated album, ‘The Band Called Out For More’, on 11th June in the UK. Written by Gabby (and her partner Stephen Ellis, who also produces), this 13 track work represents a giant sonic step forward. Its colourful avant-garde sound, with lush orchestration, horns and quiet melodies, exudes the best bits of music hall, burlesque, 1920s flapper music, Nouvelle Vague cinema and torch songs. Indeed, Gabby comes across like Rufus Wainwright’s energetic younger sister – bred perhaps on a diet of Bjork, Imogen Heap, and Joanne Newsom – as she sets out winningly to reinvent her own genre, Circus Swing. ‘My sound’s matured,’ is all she’ll say. ‘I’ll admit that. I’ve honed my craft. I’m very happy and settled where I wasn’t before. ‘ Lead single ‘In Your Head’ (also out June 11) allows fans to connect with the upbeat party tempo of the first album. Its witty animated interactive promo video, in which you can ‘choose’ which animal to be saved from an evil ringmaster, was produced by Gabby’s friend Georgina Hurcombe (Lovelove Films). So is it all a metaphor for music industry? ‘Perhaps,’ sighs Gabby, with a smile. Where the first album was more uniform in style, ‘The Band…’ cleverly juxtaposes both tempos and themes. ‘Goldfish Bowl’s jauntiness belies its feelings of ‘being trapped’ (‘one look takes me down a peg and breaks me’), whilst the catchy horn-infused ‘Walk Away’, Gabby’s first song written on piano, builds to a celebratory climax: ‘I woke up one morning at 6am,’ she says, ‘and this came out, lyrics and all, in 5 minutes. It was something I really needed to say to my Dad.’The slower tracks stand out particularly. There’s The Answer’s In The Question’s incessant analysis of a relationship; the contemplative trumpet-tinged ‘Honey,’ Gabby’s personal favourite (another love song, but this time about the insecurities at the beginning); and, most impressively, ‘Male Version Of Me’, a quiet accordion-tinged paean to finding a soulmate, with touches of musical theatre and backing vocals from Gabby’s partner Stephen. ‘It’s about being yourself around someone so much that they start to feel like a part of you.’But fear not, there are hoedown moments aplenty too: ‘Horatio’ is one such, pure and simple. ‘It was written a while ago for the first album but never made the cut, and now it’s bigger and better. It’s a favourite live, and a lot of fun to perform.’ Closing track ‘The Band Called Out For More’ marries Gabby’s music hall credentials with a barely repressed urge to morph into some crazed Edith Piaf. ‘I am so happy to have this on the album as it’s the opera side of me. It’s about someone who wouldn’t stop dancing – I know a few people with endless energy and I’m insanely jealous of them.’And it’s worth rhapsodizing over the album’s two masterpieces: the first is ‘Segment’, which opens quietly before building into an almighty strings-charged Arcade Fire-style workout. ‘I wrote it whilst twiddling about with some shapes on the guitar; Stephen Ellis came up with the rest of the tune and the main riff – and turned my ditty into an epic.’The second is the serpentine ‘Neither Beginning Nor The End’, a spine-tingling mid-tempo classic that opens with the lines: ‘I’m a grandfather clock. I slow down every day…’ It builds to a plea – ‘don’t let me down’ – complete with operatic flourishes, before an abrupt finish leaving the listener needing more. ‘After a period of writer’s block I started writing furiously. Some of my songs have meanings that not even I am clear about – and this is one of them. It has images of religion, things breaking, but I’m pretty sure that when I start playing this live I’ll discover its true meaning.’Gabby smiles. ‘Indecision is a common thread in my songs and this title fits in rather nicely.’ It’s also an apt – if rather understated – phrase for where this big UK talent is in her career.http://www.tofthegabrecords.com/bio/  Об альбоме“She has the power, clarity and precision of an opera diva” 4*s The Guardian“Gabby Young is distinctive” MOJO“A sense of a second-hand jumble worked up into something vital and new is matched in the tapestry of their sound.” THE SUNDAY TIMESOn the 28th April 2014, the exquisite Gabby Young & Other Animals return, with their anticipated third album, ‘One Foot In Front of The Other’ out on Gift of the Gab Records.‘One Foot In Front of the Other’ still covers the musical styles her fans will be accustomed to, and like her previous two albums, continues to defy labels, effortlessly moving between moments of jazz, opera, folk and cabaret. However, the production has never sounded better – overflowing with lush instrumentation it feels like her most polished work to date, thanks to stellar production by fellow Animal Stephen Ellis, engineered by Dave Moore (The Laurel Collective/ Empirical) Jake Gordon (Naughty Boy/Professor Green).‘The songs are very personal. There are some things I’m singing about here I wouldn’t talk about to my closest friends, which I know is silly, as I’m telling everyone…’There are too many highlights, including the haunting seascape ‘Another Ship,’ an epic lament on longing to go home – featuring keys from Bill Laurence (from 2014 Grammy winning band Snarky Puppy). Then there’s the perfect love song ‘Saviour’ written with and about partner and producer, Stephen Ellis, followed by the ever pretty ‘Smile,’ showcasing Gabby’s continually impressive vocal range over ukulele, toy piano and muted drums, a song she’s confident sums up her whole goal in life. ‘I want to make everyone smile, it’s the main reason I write songs and perform, so this is a pinnacle song for me.’‘I never want to write purely sad music,’ says Gabby. ‘All my songs have to have hope in them. With this album I’d written the majority and realised it was mainly downbeat. But I always strive for the right amount of light and shade, so I worked on adding more upbeat songs.’So fear not, the ‘circus swing’ (Clive Anderson BBC Radio 2) moments are still here, with the Animal’s brass section still being put through their paces. There’s the infectious ‘I’ve Improved,’ the vibrant first single out 24 February, written after a moment of enlightenment on the band’s Middle Eastern tour, plus tracks like the Balkan-flavoured ‘Time’ and ‘The Devil Has Moved In’ both complete with wild trumpets, keys and percussion aplomb.‘One Foot In Front of The Other’ is the follow up to the critically acclaimed 2012 album, ‘The Band Called Out For More.’ This saw Gabby featured everywhere from The Metro and The Independent, to a page interview and 4-star review in The Sun’s Something For The Weekend, with further 4-star reviews in the likes of The Guardian, FT and Mirror. The band’s first album, ‘We’re All In This Together’ was equally as lauded. On its release in 2010 it won over most of the UK’s major newspapers, including The Guardian, The Sunday Times and the Evening Standard.‘I just really hope our fans will connect with it in the same way. The ones that have got to know us since the beginning, and have supported us throughout, they’re the ones we really want to reach.’