(Experimental, Avant-Garde) VA (Cathy Claret, David Fenech, General Alcazar, Jac Berrocal, Kawaii, Pierre Bastien, Richard Pinhas) - Assemblage de pieces comeladiennes du plus bel effet (A Tribute to Pascal Comelade) - 2009, MP3, 192 kb

Assemblage de pièces comeladiennes du plus bel effetA Tribute to Pascal Comelade Жанр: Experimental, Avant-Garde Страна исполнителей: International Год издания: 2009 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: 192 kbps Продолжительность: 01:13:57 Наличие сканов в содержимом раздачи: Front 01 - My Fovourite Sideburns Orchestra - The Skatalan Logicofobism (Pascal Comelade) 03:01 Recorded and mixed by R. Lacoste at La Féline Production, 2008 02 - Pierre Bastien - Dos Soleares para Ti (Pierre Bastien) 03:51 Recorded and mixed by Pierre Bastien at G.E.K. Rotterdam, 2008 03 - DIY-note - L'équilibriste (D. Loth and Y. Ponvianne) 02:32 Recorded and mixed by Y. Ponvianne in Nancy and Strasbourg, 2008 04 - 60 étages - The Blank Invasion of Schizofonics Bikinis (Pascal Comelade) 02:58 Recorded and mixed by François Dietz at the CCAM Studio, Vandoeuvre-Les-Nancy, 2007 05 - Faust - Für den der Niche Gestorben Ist (Z.W. Diermaier and J.H. Péron) 03:12 Recorded and mixed by Faust in Schiphorst, 2008 06 - Witold Bolik Project - Comme la sérénade (Partie 1) (François Doreau) 00:31 Recorded and mixed by François Doreau in Clermont-Ferrand, 2004 07 - David Fenech - Un train direct pour Charenton (Aller-retour) (Pascal Comelade) 02:23 Recording, reverberation, and editing by David Fenech in Malakoff, 2007 08 - Kawaii - I Wanna Be Your Dog (D. Alexander, R. Asheton, S. Asheton and I. Pop) 02:50 Recorded and mixed by G. Monginod in La Rochelle, 2007 09 - Général Alcazar - L'Instigateur du Système (Pascal Comelade) 02:36 Excerpt of "Le Rude et le Sensible," Le Chant du Monde/Harmonia Mundi Recorded by P. Verdier at Studio ANK'honk and mixed by J. Vicente at Studio des Aviateurs, 2002 10 - Convolution - El Peon Caminero (M. Cunningham and S. Mestres) 01:35 Recorded and mixed by M. Cunningham at Spookysound, 2007 11 - Jac Berrocal, Laurent Chambert - Aether (Jac Berrocal and Laurent Chambert) 04:23 Recorded and mixed by L. Chambert, 2007 12 - Witold Bolik Project - Comme la sérénade (Partie Deux) (François Doreau) 00:32 Recorded and mixed by François Doreau in Clermont-Ferrand, 2004 13 - Tycho Brahé - Je suis un homme (J. Miller and S. Winwood) 02:13 Recorded and mixed by G. Séré in Nancy, 2007 14 - Chapi Chapo & les Petites Musiques de Pluie - BUZHUG (Patrice Elegoet) 04:19 Recorded and mixed by P. Elegoet in Saint-Eloy, 2007 15 - Cathy Claret - Churumbeles (Cathy Claret) 02:49 Recorded and mixed by C. Claret in Barcelona, 2007 16 - Orso Jesenka - Love Too Soon (Pascal Comelade and P.J. Harvey) 03:29 Recorded and mixed by J. Rochedy in Marseille, 2008 17 - Otomo Yoshihide, Naoko Eto, Sachiko M - Miyagetegoran Yoruno Hoshiwo/Stars (I. Taku, E. Rokusuke, and Otomo Yoshihide) 05:19 Recorded and mixed by Otomo Yoshihide at GRID605 Studio, Tokyo, 2008 18 - Witold Bolik Project - Comme la sérénade (Partie 3) (François Doreau) 00:32 Recorded and mixed by François Doreau in Clermont-Ferrand, 2004 19 - Toupidel Limonade - Souvenir de Vernet-les-Bains (Pascal Comelade) 03:34 Recorded by J. Caël and D. Tagu between Rennes and Saint Cyr, 2007-2008 20 - Lionel Fondeville - METRONIT (Lionel Fondeville) 02:52 Recorded and mixed by L. Fondeville in Mainvilliers, 2007 21 - Les Indes Noires - Paganini (David Simonetta) 02:53 Recorded and mixed by D. Simonetta in Paris, 2008 22 - Yeepee - MELODECA (Emmanuel Pidoux) 03:26 Recorded and mixed by E. Pidoux in Paris, 2008 23 - Richard Pinhas - Super Manon Looking At E.T.'s Eyes - KW 17 (Richard Pinhas) 12:34 Recorded and mixed by R. Pinhas at Heldon Studio, Paris, 2007-2008   О сборнике This curiously named production is a tribute, or perhaps rather a testimony, to the works and spirit of French composer Pascal Comelade, described in one place as someone who "specializes in a progressive-rock format with childish nuances such as toy instruments". From what I can gather this disc consists partially of his own works covered by a variety of artists and partially by original works made in the spirit of this French composer. The end result is a challenging affair, of the kind that challenges the listener's opinion about what can be described as music, with creations ranging from naivistic experiments with a barrage of toys and toy instruments to distinctly jazz-oriented pieces with musical elements added from less likely sources of musical input. With detours to cacaphonic noise collages as well as the last piece - a dreamy, space-tinged synth affair with noises of more or less unknown origin coming and going in the back of the mix while the floating textures gradually are lifted more and more to the front of the mix, creating the illusion of the sound level increasing. A production most of interest to those who appreciate and enjoy the works of Comelade and similar artists, and I presume it'll be a good introduction to this particular part of the progressive musical universe for those who enjoy having their musical perceptions challenged. This curiously named production is a tribute, or perhaps rather a testimony, to the works and spirit of French composer Pascal Comelade, described in one place as someone who "specializes in a progressive-rock format with childish nuances such as toy instruments". From what I can gather this disc consists partially of his own works covered by a variety of artists and partially by original works made in the spirit of this French composer. The end result is a challenging affair, of the kind that challenges the listener's opinion about what can be described as music, with creations ranging from naivistic experiments with a barrage of toys and toy instruments to distinctly jazz-oriented pieces with musical elements added from less likely sources of musical input. With detours to cacaphonic noise collages as well as the last piece - a dreamy, space-tinged synth affair with noises of more or less unknown origin coming and going in the back of the mix while the floating textures gradually are lifted more and more to the front of the mix, creating the illusion of the sound level increasing. A production most of interest to those who appreciate and enjoy the works of Comelade and similar artists, and I presume it'll be a good introduction to this particular part of the progressive musical universe for those who enjoy having their musical perceptions challenged. Windhawk