(Ethnic Jazz, World Fusion) [WEB] Omar Sosa Quarteto AfroCubano (feat. Marvin Sewell, Yosvany Terry a.o.) - Ile - 2015, FLAC (tracks), lossless

(Ethnic Jazz, World Fusion) [WEB] Omar Sosa Quarteto AfroCubano (feat. Marvin Sewell, Yosvany Terry a.o.) - Ile - 2015, FLAC (tracks), lossless
Omar Sosa
Quarteto AfroCubano
' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' &... Жанр: Ethnic Jazz, World Fusion
Год издания: 2015
Издатель (лейбл): Ota Records/World Village
Номер по каталогу: OTA1027
Страна исполнителя (группы): Cuba
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 64:20
Источник (релизер): WEB (спасибо mahkitah)
Наличие сканов в содержимом раздачи: нет
01. A Love Lost
02. Momento I
03. 4U
04. Mentiras Enemigas
05. Momento II
06. D Vuelta
07. Old Afro A Baba
08. Dame La Luz
09. Momento III
10. Sad Meeting
11. Momento IV
12. La Tarde
13. Mi Conga
14. A Love Lost Reprise
Лог проверки качества
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build
Copyright (c) 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 14 - A Love Lost Reprise.flac
Size: 18177093 Hash: 92D7BC682AE28CD9D551D40A9852BB4D Accuracy: -m0
Conclusion: CDDA 49%
Signature: 8F3FC221893B3795D79F98DDAFDA5CF64FACB664
FILE: 13 - Mi Conga.flac
Size: 36721020 Hash: 143EF6147C0B08508E3B66753F83ECF2 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 04BB4978A9DCD468585189DA589B072291D237FE
FILE: 12 - La Tarde.flac
Size: 27747259 Hash: 501FAC6B9BB72358501D1DC2CD38DE29 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 2DA717595329E496A6159E17A83C08D5622251EF
FILE: 11 - Momento IV.flac
Size: 17590689 Hash: 484AAB79D6A9FD7B590E0D984AC2E7FD Accuracy: -m0
Conclusion: ???
Signature: 251AF21A592836B9FD9BD230DC52B2A1D94617BA
FILE: 10 - Sad Meeting.flac
Size: 34369762 Hash: 67B5B10336F5E231A0A0BF259265783A Accuracy: -m0
Conclusion: CDDA 99%
Signature: B32C270EFF54A99B3C8D88FD88EEA1B9D97A4D5D
FILE: 09 - Momento III.flac
Size: 18611729 Hash: 2A7D9B4B3766F358E8C70A5DC2B16B1F Accuracy: -m0
Conclusion: CDDA 100%
Signature: 5417D65EF73008307645C78E563B9F0AAE7676E4
FILE: 08 - Dame La Luz.flac
Size: 33098934 Hash: FC6C96E50B32BE5490A0DEC881328AF3 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 54EED2BB49CF543602CB868A2C1BB839E26FED43
FILE: 07 - Old Afro A Baba.flac
Size: 42249322 Hash: 996A7643EB376FE601156C711AEE1234 Accuracy: -m0
Conclusion: CDDA 99%
Signature: 611DB517A59753DC117765D6CCFA86BA18B142A5
FILE: 06 - D Vuelta.flac
Size: 18246675 Hash: 73618E5AC15E8DF7E5135A82E69E907F Accuracy: -m0
Conclusion: CDDA 100%
Signature: 5C7F6D892F133D4040ACBB76CA055D093BF46541
FILE: 05 - Momento II.flac
Size: 21899493 Hash: F20CB9487F42F00428C4B9D061253791 Accuracy: -m0
Conclusion: CDDA 54%
Signature: 9102E1CDC5A2300D9E28E114F6E2034EC71F22F0
FILE: 04 - Mentiras Enemigas.flac
Size: 28947017 Hash: 5EF3001C406E9F317A07C76FB08C1DA3 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 230C3BCA1B68D833AF01ADAF2DC7F335B71E5CDE
FILE: 03 - 4U.flac
Size: 23117430 Hash: 740918723AF600B63F3D9C4EBFB022D2 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 451DBDC31B17F4275CBF9684FA68B5A514076AEF
FILE: 02 - Momento I.flac
Size: 13921175 Hash: A48691C7B4C2B4955C9B0A5D2768BBF1 Accuracy: -m0
Conclusion: CDDA 100%
Signature: A491360DACA146D8E5F76CAA857557497EC9012E
FILE: 01 - A Love Lost.flac
Size: 34624006 Hash: B03EFB47551DF4C99AD093A9440A5E2E Accuracy: -m0
Conclusion: CDDA 100%
Signature: 74A9D8E13F77CE11FD3D2BE503B414078C0C3EDF
Об альбоме
Ilé couldn’t be more appropriate a name for pianist Omar Sosa’s collection of compositions that oftentimes mine the more celestial aspects of music than the earthy ones. It begs mention, however, that no matter wherever the music comes from, his music is always visceral and hard-hitting. Ilé, with its instinctual energy that always bubbles just beneath the surface, is also unique in that it is an effortless combination of the two aspects of Mr. Sosa’s mystical personality: otherworldly as well as earthy. The pianist impresses further with his effortless tumbao and contrapuntal acuity, singing tone, tightly knot tempo relationships and well-considered embellishments. The lyrical minor-key variations stand out for Mr. Sosa’s subtle and discreetly expressive rubatos. He imbues brisker movements with unusual and persuasive voicings, such as bringing the ballad-like “Momento” suite top notes more to the fore. At times Mr. Sosa’s tempi slightly slows down as a variation unfolds, but it’s true that much of the “Momento” is. The sound here is warm, molten, distinctive and an intelligent of the suite’s narrative.
The poised and stylish Sindo Garay piece, “D Vuelta” highlighted by its light, precipitous finale, leads into the vitality and sagaciousness of “Old Afro A Baba” a song of exquisite mystery. “A Love Lost” and “Dame La Luz” are superbly controlled and organised. The flamenco tinge of the latter adds much duende to this and other pieces on this album. Likewise, the cadenzas on the rest of the “Momento” suite are rhythmically elaborate and the outer sections are appropriately light and soaring. Here Omar Sosa brings impressive sustaining power to the largo sections of the suite, carries on, growing into the more brisk portions of the monumental composition. Again, Mr. Sosa is heard to better advantage when the many members—regular and guesting—of his ensemble offer sharply hones and musically responsive support to his music. And while it may be tempting to single out some of these it would certainly be inappropriate to do so because all of them deliver absolutely exquisite performances to a man (and a woman). Each one’s performance is worth every bit of the applause that should come at the end of the recording.
It is easy to hear how Omar Sosa’s extrovert temperament and big technique has earned him an enviable reputation. His work is shimmering and races out from the starting gate, shaking two-handed virtuosity by the scruff, toying with harmonies, making more melodic sense that usual over blustery trios and octaves that inform his compositions and shading tremolos of something like “La Tarde”, for instance, with maximum variety and beauty. His pianistic prowess suggests that he has comparable technique to rival the best and a greater musical range. Best of all, he orchestrates darker, more savage and thick textures of his music with ravishing tone and cogently contoured lines and links each section of his songs by way of assiduous transitions and unified tempo relationships. Mr. Sosa also imbues his extraordinary music with tremendous colour and poetic sweep in every bar, gilded with changes of voicing and inner lines that evoke memories of the greatest pianists in Cuban music history. (Raul da Gama, latinjazznet.com)

Omar Sosa - grand piano, Fender Rhodes, Motif ES8, samplers, vocal
Leandro Saint-Hill - alto and soprano saxophones, flute, clarinet, vocal
Childo Tomas - electric bass, kalimba, vocal
Ernesto Simpson - drums, vocal, kalimba
Marvin Sewell - guitars (1, 4, 7, 8, 12)
Yosvany Terry - soprano saxophone (2, 5, 9, 11), chekere (5)
Carlos “El Vikingo” Ronda - palmas (1, 4, 8, 11, 12, 13), cajón (1, 11)
Pedro Martinez - percussion (4, 6, 7, 8, 12, 13)
José “El Salao” Martín - vocals (4, 12, 13)
Kokayi - vocals (1, 7)
Zogaros - vocals (1, 6)
Eladio “Don Pancho” Terry - chekere (2, 9)
Download available for power users only.
Нет комментариев. Ваш будет первым!