(ecm, avant-garde, modern creative, world, vocal) Sinikka Langeland - The land that is not (with Arve Henriksen, Trygve Seim ) - 2011, FLAC (tracks+.cue), lossless
Sinikka Langeland - The land that is not
Жанр: ecm, avant-garde, modern creative, world, vocal
Год издания диска: 2011
Издатель (лейбл): ECM
Номер по каталогу: {ECM 2210}
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:53:47
Источник (релизер): emule
Наличие сканов в содержимом раздачи: да
Треклист:1. The Land That Is Not
2. What Is Tomorrow
3. A Strip Of Sea
4. Triumph Of Being
5. The River Murmurs
6. Lucky Cat
7. It’s The Dream
8. The Day Cools
9. The Rose
10. Spring In The Mountain
11. Slowly The Truth DawnsArve Henriksen - trumpet
Trygve Seim - soprano and tenor saxophones
Anders Jormin - double-bass
Markku Ounaskari - drumsНовая ECM-овская работа норвежской фолк-вокалистки с потрясающим джазовым составом.
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 25. October 2011, 18:42Sinikka Langeland / The Land That Is NotUsed drive : Optiarc DVD RW AD-7220S Adapter: 1 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC V1.0 beta 1, Secure Mode, Test & Copy, AccurateRipTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:59.39 | 0 | 35963 2 | 7:59.39 | 4:51.57 | 35964 | 57845 3 | 12:51.21 | 2:31.25 | 57846 | 69195 4 | 15:22.46 | 6:18.30 | 69196 | 97575 5 | 21:41.01 | 3:47.40 | 97576 | 114640 6 | 25:28.41 | 5:01.62 | 114641 | 137277 7 | 30:30.28 | 4:19.49 | 137278 | 156751 8 | 34:50.02 | 5:43.66 | 156752 | 182542 9 | 40:33.68 | 3:16.44 | 182543 | 197286 10 | 43:50.37 | 3:29.04 | 197287 | 212965 11 | 47:19.41 | 6:53.62 | 212966 | 244002Track 1 Filename G:\Blue\My Rips\01 - The Land That Is Not.wav Pre-gap length 0:00:02.00 Peak level 86.5 % Extraction speed 4.5 X Track quality 99.9 % Test CRC 971F5393 Copy CRC 971F5393 Track not present in AccurateRip database Copy OKTrack 2 Filename G:\Blue\My Rips\02 - What Is Tomorrow.wav Pre-gap length 0:00:02.42 Peak level 64.5 % Extraction speed 5.5 X Track quality 100.0 % Test CRC F2D124A1 Copy CRC F2D124A1 Track not present in AccurateRip database Copy OKTrack 3 Filename G:\Blue\My Rips\03 - A Strip Of Sea.wav Pre-gap length 0:00:02.10 Peak level 61.1 % Extraction speed 5.2 X Track quality 100.0 % Test CRC AFC24F87 Copy CRC AFC24F87 Track not present in AccurateRip database Copy OKTrack 4 Filename G:\Blue\My Rips\04 - Triumph Of Being.wav Pre-gap length 0:00:03.51 Peak level 98.5 % Extraction speed 6.4 X Track quality 100.0 % Test CRC 15C6521E Copy CRC 15C6521E Track not present in AccurateRip database Copy OKTrack 5 Filename G:\Blue\My Rips\05 - The River Murmurs.wav Pre-gap length 0:00:02.56 Peak level 96.3 % Extraction speed 6.5 X Track quality 100.0 % Test CRC 3CBF01C3 Copy CRC 3CBF01C3 Track not present in AccurateRip database Copy OKTrack 6 Filename G:\Blue\My Rips\06 - Lucky Cat.wav Pre-gap length 0:00:02.20 Peak level 100.0 % Extraction speed 6.0 X Track quality 99.9 % Test CRC 5F21B75A Copy CRC 5F21B75A Track not present in AccurateRip database Copy OKTrack 7 Filename G:\Blue\My Rips\07 - It's The Dream.wav Pre-gap length 0:00:03.06 Peak level 70.3 % Extraction speed 5.9 X Track quality 99.9 % Test CRC 2D895C37 Copy CRC 2D895C37 Track not present in AccurateRip database Copy OKTrack 8 Filename G:\Blue\My Rips\08 - The Day Cools.wav Pre-gap length 0:00:02.42 Peak level 73.2 % Extraction speed 7.9 X Track quality 100.0 % Test CRC 0A9F52C5 Copy CRC 0A9F52C5 Track not present in AccurateRip database Copy OKTrack 9 Filename G:\Blue\My Rips\09 - The Rose.wav Pre-gap length 0:00:02.42 Peak level 60.4 % Extraction speed 5.9 X Track quality 99.9 % Test CRC 9822D46D Copy CRC 9822D46D Track not present in AccurateRip database Copy OKTrack 10 Filename G:\Blue\My Rips\10 - Spring In The Mountains.wav Pre-gap length 0:00:02.02 Peak level 48.8 % Extraction speed 7.8 X Track quality 100.0 % Test CRC 60457886 Copy CRC 60457886 Track not present in AccurateRip database Copy OKTrack 11 Filename G:\Blue\My Rips\11 - Slowly The Thruth Dawns.wav Pre-gap length 0:00:02.18 Peak level 96.7 % Extraction speed 8.9 X Track quality 100.0 % Test CRC 54373662 Copy CRC 54373662 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum DBA22D9F57522C5C00DBEF915E10F2D6A0E0EEB036080BDF47F3F9F165600FA4 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 2011REM DISCID 840CB50BREM COMMENT "ExactAudioCopy v1.0b1"PERFORMER "Sinikka Langeland"TITLE "The Land That Is Not"FILE "01 - The Land That Is Not.wav" WAVE TRACK 01 AUDIO TITLE "The Land That Is Not" PERFORMER "Sinikka Langeland" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "What Is Tomorrow" PERFORMER "Sinikka Langeland" INDEX 00 07:56:72FILE "02 - What Is Tomorrow.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "A Strip Of Sea" PERFORMER "Sinikka Langeland" INDEX 00 04:49:47FILE "03 - A Strip Of Sea.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Triumph Of Being" PERFORMER "Sinikka Langeland" INDEX 00 02:27:49FILE "04 - Triumph Of Being.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "The River Murmurs" PERFORMER "Sinikka Langeland" INDEX 00 06:15:49FILE "05 - The River Murmurs.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Lucky Cat" PERFORMER "Sinikka Langeland" INDEX 00 03:45:20FILE "06 - Lucky Cat.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "It's The Dream" PERFORMER "Sinikka Langeland" INDEX 00 04:58:56FILE "07 - It's The Dream.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "The Day Cools" PERFORMER "Sinikka Langeland" INDEX 00 04:17:07FILE "08 - The Day Cools.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "The Rose" PERFORMER "Sinikka Langeland" INDEX 00 05:41:24FILE "09 - The Rose.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Spring In The Mountains" PERFORMER "Sinikka Langeland" INDEX 00 03:14:42FILE "10 - Spring In The Mountains.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Slowly The Thruth Dawns" PERFORMER "Sinikka Langeland" INDEX 00 03:26:61FILE "11 - Slowly The Thruth Dawns.wav" WAVE INDEX 01 00:00:00
infoFive years after her stunning ECM debut recording, here is a sequel with the same highly creative Norwegian-Finnish-Swedish personnel, once more engaged in adventures at the interstices of folk song, literature, and jazz-rooted improvisation, On “The Land That Is Not”, Norwegian singer and kantele player Sinikka Langeland builds upon the blueprint established with “Starflowers”. As the Irish Times’s Ray Comiskey noted of the earlier disc: “Sinikka Langeland is a gifted folk singer, but not one stifled by tradition. Her ability to work seamlessly with jazz musicians, as she does so memorably here, is part of the reason for the success of this marriage of folk, jazz and poetry. Individually and collectively, the quintet is superb, Henriksen and Seim play brilliantly off the voice and each other, while the group catches a variety of moods persuasively; they can groove with understated power”. All of which applies with equal pertinence to “The Land That Is Not”.Indeed, the band is stronger now, the musicians having played concerts with Sinikka in the intervening years in diverse permutations and also strengthening their improvisational understanding with shared work in other contexts – Henriksen playing in Seim’s large ensemble, for instance, Seim and Ounaskari working together in Iro Haarla’s group, and so on, the circle of influence continuing to widen. And Anders Jormin, who has been Sinikka’s preferred bassist since the mid-1990s, also contributes as co-composer of two pieces here.For their new quintet recording, Sinikka takes as her inspirational starting point poetry of Edith Södergran (1892-1923) and Olav Håkonson Hauge (1908-1994). Södergran, Swedish-speaking poet in Raivola, near St Petersburg, counts now as one of the pioneers of modernist Swedish poetry, but in a brief life terminated by tuberculosis lived to see little recognition for her work. “The Land That is Not” (“Landet som icke är”) was amongst her last poems, and has been compared to Chuang-Tzu’s “Homeland of Nothing Whatsoever”, a work of spiritual detachment, claiming its distance from the chaos of human society.
Södergran, isolated by circumstance, turned her loneliness to artistic advantage in her verse. The Norwegian Olav Håkonson Hauge, who similarly influenced a line of modern writers, was also a poet of solitude with an affinity for far eastern verse, and the way in which he can convey a landscape in a few words has some of the taut economy of the Zen poets. Hauge, who lived his whole life in Ulvik, supporting himself as a fruit farmer, began to publish poems in the 1940s. With both Södergran and Hauge, in the verses set to music here, there are thematic connections to Hans Børli, the lumberjack poet of the Norwegian forest, whom Sinikka celebrated on “Starflowers”. In these recordings independent voices answer to independent voices…and there is a freedom in the moments when Sinikka is alone and unaccompanied, just as there is in the group improvising that arises so naturally out of the song structures.*
Born in 1961 in Finnskogen, Sinikka Langeland has been playing the kantele, the Finnish table harp, since the early 1980s when she began to expand her ‘folk’ repertoire to include rune songs, incantations, and old melodies from Finland and Karelia, as well as medieval ballads and religious songs. Recognising early on some affinities between the “sense of space and nature and timelessness” in new Nordic jazz improvisation and her own quest for a rooted original music incorporating folk elements, she has also remained alert to the characteristics that separate the genres, as she pointed out when “Starflowers” was released: “One of the central issues of working with jazz musicians as opposed to traditional folk musicians is the different feeling for time. The pulsations of the old folk music, the organic, breathing, asymmetric rhythms that we have in the polskas are quite different from modern popular music which is nearly all in 2 or 4. So a lot of adjustment is necessary. Anders Jormin is very aware of this, and Markku Ounaskari is coming closer and closer to the true pulsations of the polskas, remarkably close for a jazz player. But at the same time I want to allow myself to be influenced by his way of hearing and feeling the music”.All participants have had ECM projects of their own since “Starflowers”. Markku Ounaskari recently issued “Kuára”, featuring his new trio with Samuli Mikkonen and Per Jørgensen in improvisations on Russian psalms and Fenno-Ugrian folk songs. Trygve Seim’s last disc was “Purcor” with pianist Andreas Utnem, cross-referencing improvised church music with folk music and theatre music. Arve Henriksen’s “Cartography” proposed an even broader map of moods and sounds, embracing everything from medieval song to sampling and sound-processing. Anders Jormin, meanwhile, has a newly-recorded project based around ancient Latin texts. Every one of these players has travelled quite some distance from conventional definitions of jazz tradition.The third of her ECM releases, Sinikka’s “The Land that is Not” follows “Starflowers” (recorded 2006) and “Maria’s Song” (2008), the latter with Langeland in the company of two distinguished classical musicians, violist Lars Anders Tomter and organist Kåre Nordstoga, on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of Johann Sebastian Bach, and drawing on the Gospel of St Luke for her images of the Holy Mother. Like “Starflowers” well-received by the international press, “Maria’s Song” brought Langeland’s music to a new audience and was an Editor’s Choice selection in Classic FM magazine.
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