(ecm, avant-garde) Louis Sclavis Atlas Trio - Sources - 2012, FLAC (tracks+.cue), lossless
Louis Sclavis Atlas Trio - Sources
Жанр: ecm, avant-garde
Год издания: 2012
Издатель (лейбл): ecm
Номер по каталогу: 2282
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:58:37
Источник (релизер): jlgt
Наличие сканов в содержимом раздачи: да
Треклист:
01. Près d'Hagondange
02. Dresseur de nuages
03. La Disparition
04. A Road To Karaganda
05. Sources
06. Migration
07. Quai sud
08. Along The Niger
09. Outside Of Maps
10. Sous influencesLouis Sclavis bass clarinet, clarinet
Benjamin Moussay piano, Fender rhodes, keyboards
Gilles Coronado electric guitar
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 9. June 2012, 13:21Louis Sclavis Atlas Trio / SourcesUsed drive : PLEXTOR DVDR PX-L890SA Adapter: 2 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 256 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:09.53 | 0 | 27727 2 | 6:09.53 | 8:19.57 | 27728 | 65209 3 | 14:29.35 | 5:00.22 | 65210 | 87731 4 | 19:29.57 | 8:43.03 | 87732 | 126959 5 | 28:12.60 | 4:10.45 | 126960 | 145754 6 | 32:23.30 | 5:20.49 | 145755 | 169803 7 | 37:44.04 | 4:07.07 | 169804 | 188335 8 | 41:51.11 | 5:45.74 | 188336 | 214284 9 | 47:37.10 | 3:05.55 | 214285 | 228214 10 | 50:42.65 | 7:08.65 | 228215 | 260379Track 1 Filename F:\Flac Rips\01 - Pres D'hagondange.wav Pre-gap length 0:00:02.00 Peak level 99.2 % Extraction speed 3.8 X Track quality 100.0 % Test CRC 3477BD2E Copy CRC 3477BD2E Track not present in AccurateRip database Copy OKTrack 2 Filename F:\Flac Rips\02 - Dresseur De Nuages.wav Peak level 97.6 % Extraction speed 4.6 X Track quality 100.0 % Test CRC 2EFD0999 Copy CRC 2EFD0999 Track not present in AccurateRip database Copy OKTrack 3 Filename F:\Flac Rips\03 - La Disparition.wav Peak level 97.7 % Extraction speed 4.9 X Track quality 100.0 % Test CRC 7EC447A5 Copy CRC 7EC447A5 Track not present in AccurateRip database Copy OKTrack 4 Filename F:\Flac Rips\04 - A Road To Karaganda.wav Peak level 98.0 % Extraction speed 5.7 X Track quality 100.0 % Test CRC BD55B666 Copy CRC BD55B666 Track not present in AccurateRip database Copy OKTrack 5 Filename F:\Flac Rips\05 - Sources.wav Peak level 97.2 % Extraction speed 5.7 X Track quality 100.0 % Test CRC F7DF6580 Copy CRC F7DF6580 Track not present in AccurateRip database Copy OKTrack 6 Filename F:\Flac Rips\06 - Migration.wav Peak level 98.0 % Extraction speed 6.1 X Track quality 100.0 % Test CRC 9AC806B9 Copy CRC 9AC806B9 Track not present in AccurateRip database Copy OKTrack 7 Filename F:\Flac Rips\07 - Quai Sud.wav Peak level 97.8 % Extraction speed 6.2 X Track quality 100.0 % Test CRC D1179E3E Copy CRC D1179E3E Track not present in AccurateRip database Copy OKTrack 8 Filename F:\Flac Rips\08 - Along the Niger.wav Peak level 99.1 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 59FF8B37 Copy CRC 59FF8B37 Track not present in AccurateRip database Copy OKTrack 9 Filename F:\Flac Rips\09 - Outside of Maps.wav Peak level 97.4 % Extraction speed 6.4 X Track quality 100.0 % Test CRC E730232B Copy CRC E730232B Track not present in AccurateRip database Copy OKTrack 10 Filename F:\Flac Rips\10 - Sous Influences.wav Peak level 98.5 % Extraction speed 7.4 X Track quality 100.0 % Test CRC 20B19A8A Copy CRC 20B19A8A Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum 3C557379271E718752DC6F38FFF4137E03CFCF60F2E8728CC061438BB28CDA19 ====
Содержание индексной карты (.CUE)
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Об альбоме (сборнике)Fromhttp://www.ecmrecords.com/:Louis Sclavis’s band of the season is the Atlas Trio, an ensemble with a global reach of reference. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, a bit of everything. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, the album - Louis’s ninth for ECM – features a programme of new Sclavis compositions, and is issued in time for tour dates including a major showcase at the Europa Jazz Festival in Le Mans.Project:In consecutive seasons, French clarinettist Louis Sclavis returns himself to the drawing board. Contemporaries may have long since settled upon a single instrumental style, or a congruent ensemble approach refined over the years, but Sclavis (b. 1953 in Lyon) keeps looking for different angles from which to view improvisation, composition, and musical interaction. In a major interview in France’s Jazz Magazine, looking back over an unorthodox 40-year career, Sclavis allowed that each of his recent ensembles could be considered a “little laboratory”, and perhaps most especially the newest one…The trio with Gilles Coronado and Benjamin Moussay “features an instrumental formula [with electric guitar, piano, clarinet] previously unexplored by me and it has made me question all my compositional reflexes. I have written things for this project which have brought me into regions in which I have never journeyed and in which I’ve had no certitude about direction. But, wanting to play with these musicians, I had to invent music which might ‘justify’ the association.”Initial response to that music was puzzlement. “When I presented it to them I saw a huge question mark rising above their heads. Even I was unsure whether we’d be able to play the pieces. Then we got down to work and collectively once again the music took shape. It doesn't resemble anything else, it’s really music conceived for this group and which couldn’t exist until we’d played it. Now I find that the more we play this repertoire live the more we explore the countless pathways it opens up, the more freedom we find despite its formal rules, and the music gains in consistency and coherence. But this wasn’t clear from the outset. It’s one of the most original groups I could have imagined both in terms of orchestration and aesthetical orientation... Yet at the same time, because we have found the way of travelling together, it's a formation in which every member has the possibility of finding expressive freedom.”The Atlas Trio is clearly a group that has found its own language with a global reach of reference. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, and much more. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, the album – Louis’s ninth for ECM – features a programme of new Sclavis compositions, plus a concluding piece by Gilles Coronado.Artists:Louis Sclavis, born 1953 in Lyon, has brought new impulses to jazz in Europe. He has been an ECM artist since 1991, when “Rouge” was recorded. Subsequent albums for the label are “Acoustic Quartet”, “Les Violences de Rameau”, “L’affrontement des prétendants”, “Dans la nuit”, “Napoli’s Walls”, “L’imparfait des langues” and “Lost on the Way”. The observations of US critic Gary Giddins, made almost a decade ago in the Village Voice, still hold true: “Louis Sclavis has become an increasingly uncategorizable light in European jazz, devoting as much energy to seamless composition as to extended improvisation, breaking down rhythms so that swing or rock or a kind of static Morse-code repetition are options designed to stimulate specific emotional grounding, and exploring the often neglected legacy of French music; he is staking out his own precinct from which to pursue the jazz muse… He has yet to repeat himself in the ECM cycle.”Gilles Coronado has collaborated with Sclavis previously in the project Signes Exterieurs with saxophonist Matthieu Metzger and choreographer Mathilde Monnier and her dancers. Much of his work has been between the genres. Current projects include membership of Francois Merville’s Quartet, whose album “O Mago Hermeto” pays tribute to the music of Hermeto Pascoal, and he is also playing in the quartet Thôt. Previous associations include his own band Urban Mood (1994/2003), Marc Ducret, Bruno Chevillon, Aka Moon, Daunik Lazro, Barre Phillips, Alain Joule, Philippe Deschepper, Benoît Delbecq, Geoffroy De Masure, Steve Argüelles, Thierry Madiot, Steve Coleman, and many others.Benjamin Moussay studied physics before committing himself full-time to music, subsequently studying in Strasbourg and Paris with pianist Hervé Sellin and bassist J-F Jenny-Clarke. He has since played with Dave Liebman, Archie Shepp, Glenn Ferris and many others. He leads his own trio which has recorded for the Laborie label, and plays in duo with singer Claudia Solal.***Commentary fromhttp://www.amazon.co.uk/:Product Description
CD DescriptionLouis Sclavis's band of the season is the Atlas Trio, an ensemble with a global reach of reference in which the French clarinettist is partnered by Benjamin Moussay on keyboards and Gilles Coronado on electric guitar. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, a bit of everything. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, Sources - Louis's ninth album for ECM - features a programme of new Sclavis compositions, and is issued in advance of a major showcase at the Europa Jazz Festival in Le Mans and other touring. Louis Sclavis, born 1953 in Lyon, has brought new impulses to jazz in Europe. He has been an ECM artist since 1991, when Rouge was recorded. Subsequent albums for the label are Acoustic Quartet, Les Violences de Rameau, L'affrontement des prétendants, Dans La Nuit, Napoli's Walls, L'imparfait des langues and most recently Lost on the Way. The observations of US critic Gary Giddins, made almost a decade ago in the Village Voice, still hold true: "Louis Sclavis has become an increasingly uncategorizable light in European jazz, devoting as much energy to seamless composition as to extended improvisation, breaking down rhythms so that swing or rock or a kind of static Morse-code repetition are options designed to stimulate specific emotional grounding, and exploring the often neglected legacy of French music; he is staking out his own precinct from which to pursue the jazz muse…He has yet to repeat himself in the ECM cycle." Personnel: Louis Sclavis (clarinets), Benjamin Moussay (piano, Fender rhodes, keybord), Gilles Coronado (electric guitar)