[DSD][OF] Arne Domnerus - Jazz At The Pawnshop 2 - 1976/2016 (Jazz)
Arne Domnérus / Jazz At The Pawnshop 2
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2016
Жанр: Jazz
Издатель(лейбл): 2xHD - Naxos
Продолжительность: 00:59:53
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - The Wizard of Oz (inst): Over The Rainbow (7:09)
02 - Gubben och Kallingen (7:25)
03 - In a Mellotone: In A Mellow Tone (10:58)
04 - Nancy (with the Laughing Face): Nancy With The Laughing Face (6:30)
05 - High Life (Take 2) (5:48)
06 - The Big Show: Poor Butterfly (3:56)
07 - Exactly Like You (5:59)
08 - Things Ain't What They Used To Be (8:50)
09 - It Don't Mean A Thing (3:17)
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 1 Bit/5,6 MHz
Формат: DSD128
Количество каналов: 2.0
Official DR value: DR16
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1
log date: 2016-08-10 20:00:50
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Analyzed: Arne Domnerus / Jazz At The Pawnshop 2
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DR Peak RMS Duration Track
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DR15 0.00 dB -18.21 dB 7:09 01-The Wizard of Oz (inst): Over The Rainbow
DR16 -2.49 dB -22.57 dB 7:25 02-Gubben och Kallingen
DR16 -0.60 dB -20.29 dB 10:58 03-In a Mellotone: In A Mellow Tone
DR18 -3.14 dB -25.78 dB 6:30 04-Nancy (with the Laughing Face): Nancy With The Laughing Face
DR17 -0.01 dB -20.94 dB 5:48 05-High Life (Take 2)
DR15 -1.19 dB -19.95 dB 3:56 06-The Big Show: Poor Butterfly
DR15 0.00 dB -18.19 dB 5:59 07-Exactly Like You
DR16 0.00 dB -19.36 dB 8:50 08-Things Ain't What They Used To Be
DR18 -0.01 dB -22.69 dB 3:17 09-It Don't Mean A Thing
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Number of tracks: 9
Official DR value: DR16
Samplerate: 5644800 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 11290 kbps
Codec: DSD128
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Спектр частот
Состав
Arne Domnerus, alto saxophone, clarinet
Bengt Hallberg, piano
Georg Riedel, bass
Egil Johansen, drums
Lars Erstrand, vibes
Об альбоме (сборнике)
This album embodies Volume 2 of the great event which was recorded in December 1976 over two nights at the intimate Pawnshop jazz club in Stockholm and considered one of the most famous audiophile recording in music. Both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!
Источник (релизер): HDtracks