(Crossover Jazz, Hard Bop, Jazz-Pop) [CD] Hubert Laws - The Rite of Spring - 1971 (1987 US), FLAC (tracks+.cue), lossless
Hubert Laws - The Rite of Spring
Жанр: Crossover Jazz, Hard Bop, Jazz-Pop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 1987
Издатель (лейбл): CBS
Номер по каталогу: ZK 40693
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 30:38
Источник (релизер): Cardinals (what)
Наличие сканов в содержимом раздачи: даТреклист:
01. Pavane (G.Faure) - 7:42
02. The Rite of Spring (I.Stravinsky) - 8:59
03. Syrinx (C.Debussy) - 3:32
04. Brandenburg Concerto No.3, 1st Movement (J.S.Bach) - 5:59
05. Brandenburg Concerto No.3, 2nd Movement (J.S.Bach) - 4:26Состав:
Hubert Laws - flute
Gene Bertoncini - guitar
Stuart Scharf - guitar
Dave Friedman - vibes, percussion
Bob James - piano, electric piano, electric harpsichord
Ron Carter - bass
Jack DeJohnette - drums
Wally Kane - bassoon
Jane Taylor - bassoon
Airto Moreira - percussionRecorded at Van Gelder Studio in June 1971.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 28. April 2015, 12:08Hubert Laws / The Rite Of SpringUsed drive : TSSTcorpCDDVDW SH-S223F Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:41.57 | 0 | 34631 2 | 7:41.57 | 8:58.58 | 34632 | 75039 3 | 16:40.40 | 3:31.47 | 75040 | 90911 4 | 20:12.12 | 5:59.25 | 90912 | 117861 5 | 26:11.37 | 4:26.10 | 117862 | 137821Track 1 Filename I:\CD Audio\Hubert Laws - The Rite Of Spring (1971) [FLAC] {CBS ZK 40693}\01 - Pavane.wav Pre-gap length 0:00:02.00 Peak level 70.2 % Extraction speed 2.1 X Track quality 100.0 % Test CRC 63088672 Copy CRC 63088672 Accurately ripped (confidence 3) [90EAB8C5] (AR v2) Copy OKTrack 2 Filename I:\CD Audio\Hubert Laws - The Rite Of Spring (1971) [FLAC] {CBS ZK 40693}\02 - The Rite Of Spring.wav Pre-gap length 0:00:02.82 Peak level 80.6 % Extraction speed 2.6 X Track quality 100.0 % Test CRC D4E77569 Copy CRC D4E77569 Accurately ripped (confidence 3) [06929E8E] (AR v2) Copy OKTrack 3 Filename I:\CD Audio\Hubert Laws - The Rite Of Spring (1971) [FLAC] {CBS ZK 40693}\03 - Syrinx.wav Pre-gap length 0:00:02.84 Peak level 28.8 % Extraction speed 2.6 X Track quality 100.0 % Test CRC 3E6FE7F4 Copy CRC 3E6FE7F4 Accurately ripped (confidence 3) [3CD2CD96] (AR v2) Copy OKTrack 4 Filename I:\CD Audio\Hubert Laws - The Rite Of Spring (1971) [FLAC] {CBS ZK 40693}\04 - Brandenberg Concerto No. 3 (First Movement).wav Pre-gap length 0:00:00.82 Peak level 60.1 % Extraction speed 2.9 X Track quality 100.0 % Test CRC E4D15334 Copy CRC E4D15334 Accurately ripped (confidence 3) [27307415] (AR v2) Copy OKTrack 5 Filename I:\CD Audio\Hubert Laws - The Rite Of Spring (1971) [FLAC] {CBS ZK 40693}\05 - Brandenberg Concerto No. 3 (Second Movement).wav Pre-gap length 0:00:02.00 Peak level 51.9 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 95BF60F6 Copy CRC 95BF60F6 Accurately ripped (confidence 3) [B9CC2A40] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum AE5A8D0ED8C146AB7B8CF3B09BF05DF5246316017E2205372E64FE9E9EE0A1E3 ====
Содержание индексной карты (.CUE)
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Отчет CUETools
[CUETools log; Date: 29.04.2015 23:42:55; Version: 2.1.5][CTDB TOCID: cWtY5HE96oZZMP4dtJJddRFOWs0-] found.Track | CTDB Status 1 | (2/2) Accurately ripped 2 | (2/2) Accurately ripped 3 | (2/2) Accurately ripped 4 | (2/2) Accurately ripped 5 | (2/2) Accurately ripped[AccurateRip ID: 0006f64c-001fa6a3-2a072d05] found.Track [ CRC | V2 ] Status 01 [e919c24f|90eab8c5] (0+3/3) Accurately ripped 02 [c64ac97f|06929e8e] (0+3/3) Accurately ripped 03 [904aace6|3cd2cd96] (0+3/3) Accurately ripped 04 [27d2adff|27307415] (0+3/3) Accurately ripped 05 [978e9c4b|b9cc2a40] (0+3/3) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 80,6 [C127F2FA] [0541E145] 01 70,2 [63088672] [FF063C37] CRC32 02 80,6 [D4E77569] [157833A7] CRC32 03 28,8 [3E6FE7F4] [C2ACCF85] CRC32 04 60,1 [E4D15334] [839B89A2] CRC32 05 51,9 [95BF60F6] [6F67FCF7] CRC32
Review by Thom JurekLong before Wynton decided he could play classical chops as well as the real long-haired interpreters, even though he was a jazz musician, Hubert Laws and his partners at CTI gave it a run with a jazz twist, and for the most part with a far more adventurous repertoire. Unfortunately, the results were just about as thrilling as Wynton's, with a few notable exceptions. For whatever reason, flutist Hubert Laws, known for his soul-jazz deftness, decided to take on handful of classical texts with the help of Bob James on piano, harpsichord, and electric piano; bassist Ron Carter, who doubles on cello; and drummer Jack DeJohnette, along with percussionists Airto and David Friedman, a pair of classical guitarists, and a trio of bassoonists. The program ranges from Debussy's lovely "Syrinx" and Faure's "Pavane," to Stravinsky on the title cut and two movements of the third Brandberg Concerto by Bach. The problem with so much variation and ambition is that it's bound to get caught up somewhere. That catching place is in the articulation of the actual transcriptions. They are stiff, rigid, oddly intoned, and lackluster -- except in Debussy's "Syrinx," which is gorgeous throughout with its strange meter and lilting cadence. On the rest, the only place the tunes work is in the sections where the players engage in jazz improvisation upon the score, which is a swirling, engaging free-for-all of color, texture, and nuance. But since this happens so irregularly, the pieces just seem to grate on the listener. This is a brave but ultimately failed experiment.