(Cool, Hard Bop) Miles Davis - Someday My Prince Will Come - 1961 (1990 Japan Edition), FLAC (tracks+.cue), lossless

Miles Davis - Someday My Prince Will Come Жанр: Cool, Hard Bop Страна-производитель диска: Япония Год издания: 1990 Издатель (лейбл): CBS/Sony Номер по каталогу: CSCS-5143 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 42:16 Источник (релизер): JJKWCD (what) Наличие сканов в содержимом раздачи: даТреклист: 01. Someday My Prince Will Come (Churchill-Morey) - 9:10 02. Old Folks (Hill-Robison) - 5:21 03. Pfrancing (Davis) - 8:36 04. Drad-Dog (Davis) - 4:34 05. Teo (Davis) - 9:40 06. I Thought About You (Mercer-Van Heusen) - 4:55Состав: Miles Davis - trumpet Hank Mobley (#1-4), John Coltrane (#1,5) - tenor saxophone Wynton Kelly - piano Paul Chambers - bass Jimmy Cobb - drumsRecorded at Columbia 30th Street Studio, New York on March 7 (#3,4), March 20 (#1,2) and March 21 (#5,6), 1961.  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 18. September 2013, 18:01Miles Davis / Someday My Prince Will ComeUsed drive : HL-DT-STDVDRAM GH24NS50 Adapter: 2 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Program Files\FLAC\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:09.52 | 0 | 41226 2 | 9:09.52 | 5:20.60 | 41227 | 65286 3 | 14:30.37 | 8:35.50 | 65287 | 103961 4 | 23:06.12 | 4:34.10 | 103962 | 124521 5 | 27:40.22 | 9:39.43 | 124522 | 167989 6 | 37:19.65 | 4:55.27 | 167990 | 190141Track 1 Filename D:\01 - Someday My Prince Will Come.wav Pre-gap length 0:00:02.00 Peak level 82.8 % Extraction speed 1.4 X Track quality 100.0 % Test CRC 6A8B408F Copy CRC 6A8B408F Accurately ripped (confidence 2) [9FA98769] (AR v2) Copy OKTrack 2 Filename D:\02 - Old Folks.wav Pre-gap length 0:00:03.10 Peak level 58.8 % Extraction speed 1.5 X Track quality 100.0 % Test CRC F9D768AB Copy CRC F9D768AB Accurately ripped (confidence 2) [355854BA] (AR v2) Copy OKTrack 3 Filename D:\03 - Pfrancing.wav Pre-gap length 0:00:03.62 Peak level 85.5 % Extraction speed 1.8 X Track quality 100.0 % Test CRC CDBE724E Copy CRC CDBE724E Accurately ripped (confidence 2) [6C2E106C] (AR v2) Copy OKTrack 4 Filename D:\04 - Drad-Dog.wav Pre-gap length 0:00:03.27 Peak level 55.2 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 8F4CB9A7 Copy CRC 8F4CB9A7 Accurately ripped (confidence 2) [ED4D4873] (AR v2) Copy OKTrack 5 Filename D:\05 - Teo.wav Pre-gap length 0:00:03.07 Peak level 82.0 % Extraction speed 2.1 X Track quality 100.0 % Test CRC DB1D2BFA Copy CRC DB1D2BFA Accurately ripped (confidence 2) [E04944DD] (AR v2) Copy OKTrack 6 Filename D:\06 - I Thought about You.wav Pre-gap length 0:00:03.40 Peak level 88.1 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 7E7419EF Copy CRC 7E7419EF Accurately ripped (confidence 2) [B2643DC2] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: z2w4n7MqN_EDDOzUBQkPAYgX87E-] found, Submit result: z2w4n7MqN_EDDOzUBQkPAYgX87E- has been confirmed[5c7fcd7d] (2/3) Differs in 4 samples @00:39:44,04:43:17[7b25708e] (1/3) Accurately rippedYou can use CUETools to repair this rip.==== Log checksum D7262AAB8FFBB475F2A276E41809E11879F56E87C660B6F2C8340FBB05D7CB3C ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1961REM DISCID 4A09E706REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Miles Davis"TITLE "Someday My Prince Will Come"FILE "01 - Someday My Prince Will Come.wav" WAVE TRACK 01 AUDIO TITLE "Someday My Prince Will Come" PERFORMER "Miles Davis" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Old Folks" PERFORMER "Miles Davis" INDEX 00 09:06:42FILE "02 - Old Folks.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Pfrancing" PERFORMER "Miles Davis" INDEX 00 05:16:73FILE "03 - Pfrancing.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Drad-Dog" PERFORMER "Miles Davis" INDEX 00 08:32:23FILE "04 - Drad-Dog.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Teo" PERFORMER "Miles Davis" INDEX 00 04:31:03FILE "05 - Teo.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "I Thought About You" PERFORMER "Miles Davis" INDEX 00 09:36:03FILE "06 - I Thought About You.wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 23.09.2013 15:27:34; Version: 2.1.4][CTDB TOCID: z2w4n7MqN_EDDOzUBQkPAYgX87E-] found.Track | CTDB Status 1 | (2/4) Accurately ripped, or (2/4) differs in 4 samples @00:39:44,04:43:17 2 | (4/4) Accurately ripped 3 | (4/4) Accurately ripped 4 | (4/4) Accurately ripped 5 | (4/4) Accurately ripped 6 | (4/4) Accurately ripped[AccurateRip ID: 000a938a-0037c81c-4a09e706] found.Track [ CRC | V2 ] Status 01 [527e3281|9fa98769] (2+2/9) Accurately ripped 02 [20e0757f|355854ba] (2+2/9) Accurately ripped 03 [9aafaecc|6c2e106c] (2+2/9) Accurately ripped 04 [bfac209d|ed4d4873] (2+2/9) Accurately ripped 05 [0bb21c4d|e04944dd] (2+2/9) Accurately ripped 06 [4beeac35|b2643dc2] (2+2/9) Accurately rippedOffsetted by 607: 01 [5864e601] (0/9) No match (V2 was not tested) 02 [71d0df5f] (0/9) No match (V2 was not tested) 03 [ba1212d9] (0/9) No match (V2 was not tested) 04 [76657fa8] (0/9) No match (V2 was not tested) 05 [e8819e6a] (0/9) No match (V2 was not tested) 06 [28f4d4e6] (0/9) No match (V2 was not tested)Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 88,1 [65AF2A0D] [477FC521] 01 82,8 [6A8B408F] [3572D526] CRC32 02 58,8 [F9D768AB] [696974E4] CRC32 03 85,5 [CDBE724E] [6E276F47] CRC32 04 55,2 [8F4CB9A7] [E680E921] CRC32 05 82,0 [DB1D2BFA] [7AB17D2A] CRC32 06 88,1 [7E7419EF] [E6C6A83A] CRC32  Review by Thom JurekAfter both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else. Mobley's real moment on the album is on the next track, "Old Folks," when he doesn't have Coltrane breathing down his neck. Mobley's soul-stationed lyricism is well-suited to his soloing here, and is for the rest of the album except, of course, on "Teo," where Coltrane takes him out again. The closer on the set, "Blues No. 2," is a vamp on "All Blues," from Kind of Blue, and features Kelly and Chambers playing counterpoint around an eight bar figure then transposing it to 12. Jones collapses the beat, strides it out, and then erects it again for the solos of Davis and Mobley. This is relaxed session; there are no burning tracks here, but there is much in the way of precision playing and a fine exposition of Miles' expansive lyricism.