(Contemporary Jazz, Post-Bop) Sean Jones - No Need for Words - 2011, WEB, [Mack Avenue: 1057], FLAC (tracks), lossless

sean jones no need for words”He sets the standard for the next generation of jazz musicians... Bravo!” Жанр: Contemporary Jazz, Post-Bop Год издания: 2011 Издатель (лейбл): Mack Avenue Records Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 56:34 Наличие сканов в содержимом раздачи: booklet.pdf Источник (релизер): WEB (я) Треклист: 1. Look and See 2. Olive Juice 3. Momma 4. Touch and Go 5. No Need for Words 6. Obsession (Cloud Nine) 7. Love's Fury 8. Forgiveness (Release)All music by S. Jones, expect 6 - B. Hogans  Исполнители Sean Jones - trumpet Brian Hogans - alto saxophone, strings (7) Orrin Evans - piano, keyboards (7) Luques Curtis - bass Obed Calvaire - drums Khalil Kwame Bell - percussion (2, 7, 8) Matt Stevens - guitar (7) Corey Henry - organ (8)  Лог Audiochecker AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Started at: суббота, 14. 04. 2012. - 0:16.408 files found1 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\01 - Look and See.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.2 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\02 - Olive Juice.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.3 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\03 - Momma.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.4 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\04 - Touch and Go.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.5 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\05 - No Need for Words.flac Extracted successfully Conclusion: this track is CDDA with probability 99% Tempfile successfully deleted.6 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\06 - Obsession (Cloud Nine).flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.7 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\07 - Love's Fury.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.8 -===- C:\Users\пользователь\DoctorWeb\Desktop\Sean Jones - No Need for Words (2011)\08 - Forgiveness (Release).flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.Finished at: суббота, 14. 04. 2012. - 0:22.32 (operation time: 0:05.51)  Reviews  AMGTrumpeter Sean Jones' 2011 studio effort No Need for Words is an engaging and straightforward post-bop affair that showcases Jones' flexible improvisation skills. Having left the Lincoln Center Jazz Orchestra in 2010 to better pursue his solo efforts, Jones set himself up nicely here with an album that certainly reinforces his profile as a bright-toned trumpeter with titanic chops, while also revealing a more intimate, supple horn style and a knack for writing interesting compositions. Opening with the swinging "Look and See," the album also features such stand-out cuts as the expansive Latin number "Olive Juice," the R&B-inflected ballad "Momma," the angular and funky "Touch and Go," and the Miles Davis-influenced title track ballad, among others. Joining Jones here is a stellar cast of like-minded instrumentalists including pianist Orrin Evans, bassist Luques Curtis, drummer Obed Calvaire, saxophonist Brian Hogan, percussionist Kahlil Kwame Bell, organist Corey Henry, and guitarist Matt Stevens. No Need for Words is easily Jones' best small group album to date. ~ Matt Collar  All About JazzTrumpeter Sean Jones has something to say and he says it in his inimitably bright, clear and soaring voice. This is clearly why he is fast becoming associated with the renaissance of the instrument that was brought about by an early mentor, Wynton Marsalis. Jones is a deeply spiritual player. His impulse to adorn notes with joyous phrases and lines comes from gospel roots. He preaches as he lets his trumpet sing and he urges his ensemble of players the laity, so to speak, to respond to the lofty, majestic homilies that seem to be sparked by mighty psalms, couched in simple songs that roar with righteousness. Or they may be melodies that burn with zeal for greater glory, levitating with burnished splendor as they emerge, set free from the gleaming bell of his trumpet, sounding as if from a flaming pulpit. No matter where Jones positions himself, he is always poised to soar into the stratosphere, only to swoop down as if from a silver cloud to gather his congregation and whip up a frenzied fervor among all who would hear him and his ensemble. At other times his music is like a tender caress, stroked out of his benign horn.No Need for Words is a tantalizing paradigm. This very vocal music obviates the need for verbiage that would otherwise describe the experience contained in the songs, no matter the urge for lyrical narratives and lofty sermons. No matter that conventional wisdom might suggest some poetry—even in the vocabularies of music—may be necessary to enable melodies to rise above the prosaic. For instance, a title like "Look and See" might seem to be a call to follow a pointed finger, but not in Jones' book. Here is actually a call to share in a visionary perception that pierces the disappearing horizon as Jones and alto saxophonist Brian Hogans, together with pianist Orrin Evans, ruffle the melodic and harmonic road that leads to a wholly new set of vistas where drummer Obed Calvaire redraws the vanishing points of the song with pomp and circumstance. The emotional windup of the album is reached in the taut tessellations of "Obsession (Cloud Nine)."Along the way, there is plenty of emotion of another kind: the gorgeous, elegiac beauty in the diaphanous beauty of "Momma," especially in the wailing high note that Jones repeats as if to emphasize the depth of his love; and in the edginess and elasticity of "Touch and Go," which stutters and swings around the rattle and swishing of Calvaire's skins and shimmering cymbals before settling down into a tantalizing walking and skipping pace. The gleaming, bronzed beauty of the almost statuesque grace of "No Need for Words" seems almost too much to bear for the trumpeter, as the music is squeezed out of embouchure and bell. The music here seems virtually static at first, only to spin gently around bass and drums. At times breathtaking, No Need for Words is an album of exceeding beauty. ~ Raul d'Gama Rose Шон Джонс - американский трубач и композитор, родился 29 мая 1978 года в Уоррене, шт. Огайо. Первым его приобщением к музыке стало пение в церковном хоре, затем он занимался на ударных, и лишь в пятом классе взял в руки трубу, после того как бабушка рассказала Шону о его деде, который был полковым трубачом в годы Второй мировой. Ну а джазом он увлекся, когда руководитель биг-бэнда, где занимался Джонс, дал ему два диска - "Kind of Blue" и "Tutu". В 2000 году музыкант окончил Youngstown State University, а позднее и Rutgers University, где занимался у профессора William Fielder, бывшего преподавателя Уинтона Марсалиса. В то время Шон уже выступал в качестве сессионного музыканта с Gerald Wilson, Joe Lovano, Tom Harrell, Jon Faddis, Jimmy Heath. В 2004-ом Джонс прошел шестимесячную стажировку в Lincoln Center Jazz Orchestra, после чего Марсалис предложил ему место ведущего трубача, примерно тогда же он стал профессором музыки в Duquesne University, а также записал первый альбом "Eternal Journey" (как и все последующие выпущен Mack Avenue Records). «В высшей степени талантливый, стремящийся к экспериментам, Шон Джонс, воплощает собой идеального джазового музыканта 21-ого столетия; его видение дальнейшего развития джаза и его обнажённая чувствительность способствуют глобальному объединению слушателей» — говорят о трубаче критики. Молодой музыкант дважды получал звание "Rising Star" по опросу критиков журнала Downbeat, был назван лучшим новичком JazzTimes Magazine, номинировался на звание лучшего трубача года Ассоциацией джазовых журналистов США. Ныне проживает в Питтсбурге, является художественным директором Cleveland Jazz Orchestra. "No Need for Words" - шестой диск Джонса. И сказать, что он великолепен мне мешает разве что малое пока количество прослушиваний. На мой взгляд, очень композиторский альбом, музыкально насыщенный, отлично аранжированный, короче, понравилось мне! Надеюсь, не мне одному.