(Contemporary Jazz, Post-Bop) Eric Reed - The Baddest Monk - 2012, FLAC (tracks+.cue), lossless
Eric Reed - The Baddest Monk
Жанр: Contemporary Jazz, Post-Bop
Страна-производитель диска: США
Год издания: 2012
Издатель (лейбл): Savant
Номер по каталогу: SCD 2118
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 53:35
Источник (релизер): drvolks (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Rhythm-a-ning (Monk) - 5:08
02. Epistrophy (Monk) - 7:13
03. Green Chimneys (Monk) - 6:19
04. Monk's Mood (Monk) - 4:07
05. 'Round Midnight (Monk) - 8:22
06. Evidence (Monk) - 9:12
07. Monk Beurre Rouge (Reed) - 5:59
08. Bright Mississippi (Monk) - 3:29
09. The Baddest Monk (Reed) - 3:46
Состав:
Eric Reed - piano
Etienne Charles - trumpet
Seamus Blake - tenor saxophone
Matt Clohesy - bass
Henry Cole - drums
Jose James - vocal (#5)
Recorded at Dubway Studios, New York on December 5, 2011.
Лог создания рипа
X Lossless Decoder version 20120609 (141.0)
XLD extraction logfile from 2012-08-21 19:26:08 -0400
Eric Reed / The Baddest Monk
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8 | 46:21:71 | 03:28:66 | 208646 | 224311
9 | 49:50:62 | 03:45:65 | 224312 | 241251
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Содержание индексной карты (.CUE)
TITLE "The Baddest Monk"
PERFORMER "Eric Reed"
REM GENRE "Jazz"
REM DATE "2012"
REM DISCID 740C9009
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Review by Steve Greenlee
Eric Reed is making a habit of covering Thelonious Monk. A year after releasing The Dancing Monk, the pianist has issued another album of Monk tunes. The Baddest Monk includes seven of the bebop father’s tunes and two Monk-ish originals. In doing so, Reed proves that there is always something new to say about, and through, Monk’s music.
The core of the band is the rhythm section, with Matt Clohesy on bass and Henry Cole on drums. Tenor saxophonist Seamus Blake appears on four tunes and trumpeter Etienne Charles on three. When the whole quintet plays, it gets into some spirited grooves. The funky bop of a rearranged “Rhythm-a-Ning” sets up Reed’s solo nicely; he smooths Monk’s jagged edges even as he lets a hail of notes fly. After horn solos on “Epistrophy” marked by crisp staccatos (Charles) and winding, curving figures (Blake), Reed plays contrapuntally and counter-rhythmically as he sinks his claws into the chord changes.
By itself the trio is equally powerful. “Green Chimneys” features an unusual rhythm, one that feels drawn from bebop, marches and West African music. Indeed, Cole’s masterful drumming is the focus; the melody disappears beneath the beat, the blistering bass and the piano’s flurry. The three are reflective on a soft rendition of “Monk’s Mood,” and they gallop through “Evidence,” with Reed taking a long workout of a solo. Reed’s originals—“Monk Beurre Rouge,” which seems to interpolate part of “Crepuscule With Nellie,” and the title track, a bluesy piano solo—fit in perfectly. The disc’s literal and figurative center is “’Round Midnight,” a vocal performance by José James, who revamps the melody with his velvety baritone, Reed comping behind him.