(Contemporary Jazz, Post-Bop) [CD] Jonathan Kreisberg - One - 2013, FLAC (tracks+.cue), lossless
Jonathan Kreisberg - One
Жанр: Contemporary Jazz, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2013
Издатель (лейбл): New For Now Music
Номер по каталогу: NFN0003
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:10
Источник (релизер): embeejay (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Canto de Ossanha (Powell-DeMoraes) - 5:11
02. Summertime (Gershwin-Heyward) - 6:02
03. Without Shadow (Kreisberg) - 1:22
04. Skylark (Carmichael-Mercer) - 5:23
05. Caravan (Tizol) - 5:05
06. Tenderly (Lloyd) - 2:02
07. My Favorite Things (Rodgers-Hammerstein) - 4:05
08. Hallelujah (Cohen) - 5:27
09. E.S.P. (Shorter) - 4:17
10. I Thought About You (Van Heusen-Mercer) - 4:42
11. Escape from Lower Formant Shift (Kreisberg) - 2:34
Состав:
Jonathan Kreisberg - solo guitar
Лог создания рипа
Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 6. January 2016, 8:50
Jonathan Kreisberg / One
Used drive : Optiarc DVD RW AD-7260S Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:11.00 | 0 | 23324
2 | 5:11.00 | 6:02.12 | 23325 | 50486
3 | 11:13.12 | 1:21.65 | 50487 | 56626
4 | 12:35.02 | 5:23.30 | 56627 | 80881
5 | 17:58.32 | 5:04.45 | 80882 | 103726
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7 | 25:04.72 | 4:04.65 | 112872 | 131236
8 | 29:09.62 | 5:26.65 | 131237 | 155751
9 | 34:36.52 | 4:16.70 | 155752 | 175021
10 | 38:53.47 | 4:42.10 | 175022 | 196181
11 | 43:35.57 | 2:33.38 | 196182 | 207694
Track 1
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\01 - Canto de Ossanha.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC DB6862D8
Copy CRC DB6862D8
Accurately ripped (confidence 3) [A28F0F2D] (AR v2)
Copy OK
Track 2
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\02 - Summertime.wav
Peak level 99.6 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 224D3212
Copy CRC 224D3212
Accurately ripped (confidence 3) [444B44EE] (AR v2)
Copy OK
Track 3
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\03 - Without Shadow.wav
Peak level 98.3 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC CD004EA7
Copy CRC CD004EA7
Accurately ripped (confidence 3) [D5F7264C] (AR v2)
Copy OK
Track 4
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\04 - Skylark.wav
Peak level 99.5 %
Extraction speed 3.2 X
Track quality 100.0 %
Test CRC 88305E84
Copy CRC 88305E84
Accurately ripped (confidence 3) [1B2427BB] (AR v2)
Copy OK
Track 5
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\05 - Caravan.wav
Peak level 99.5 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC C2AB3D45
Copy CRC C2AB3D45
Accurately ripped (confidence 3) [914C4131] (AR v2)
Copy OK
Track 6
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\06 - Tenderly.wav
Peak level 91.6 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC 3A83E22B
Copy CRC 3A83E22B
Accurately ripped (confidence 3) [B0B9E2F8] (AR v2)
Copy OK
Track 7
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\07 - My Favorite Things.wav
Peak level 99.5 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 5E105F43
Copy CRC 5E105F43
Accurately ripped (confidence 3) [FE6146E4] (AR v2)
Copy OK
Track 8
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\08 - Hallelujah.wav
Peak level 99.5 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC 89A2F8A3
Copy CRC 89A2F8A3
Accurately ripped (confidence 3) [8AD862D9] (AR v2)
Copy OK
Track 9
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\09 - E.S.P.wav
Peak level 99.5 %
Extraction speed 3.6 X
Track quality 99.9 %
Test CRC E9A2C7A7
Copy CRC E9A2C7A7
Accurately ripped (confidence 3) [8F7A2306] (AR v2)
Copy OK
Track 10
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\10 - I Thought About You.wav
Peak level 99.5 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC 1AD596F5
Copy CRC 1AD596F5
Accurately ripped (confidence 3) [3A2D34FC] (AR v2)
Copy OK
Track 11
Filename C:\!EAC Rips\Jonathan Kreisberg - One (2013) [CD-FLAC]\11 - Escape from Lower Formant Shift.wav
Peak level 82.3 %
Extraction speed 4.0 X
Track quality 100.0 %
Test CRC DD8AA991
Copy CRC DD8AA991
Accurately ripped (confidence 3) [4B3FAC57] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum 2EC2C88092655FDCC355D15AAF635D8D3EA13E0661E5BAB3B55B0306D5F245B3 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2013
REM DISCID 900AD10B
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Jonathan Kreisberg"
TITLE "One"
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FILE "07 - My Favorite Things.wav" WAVE
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FILE "08 - Hallelujah.wav" WAVE
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FILE "11 - Escape from Lower Formant Shift.wav" WAVE
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PERFORMER "Jonathan Kreisberg"
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Отчет CUETools
[CUETools log; Date: 25.01.2016 14:15:58; Version: 2.1.5]
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Review by John Kelman
The liner notes may say no overdubs or loops were used, but Jonathan Kreisberg might just as easily have included that "No guitars were harmed in the making of ONE." Beyond work with artists like vibraphonist Joe Locke on Sticks and Strings (Music Eyes, 2007) and organist Dr Lonnie Smith on Spiral (Palmetto, 2010), the guitarist has slowly built a personal discography that includes the particularly impressive The South of Everywhere (Mel Bay, 2007) and Shadowless (New for Now, 2011). Kreisberg may come from a progressive rock background but has, over the past fifteen years, evolved into a virtuoso guitarist who, nevertheless, never substitutes style for substance.
Still, it's a ballsy move to turn to that most exposed of contexts—the solo recital—and to do so without the looping and overdubbing so often used to allow others access to more expansive sound worlds. ONE covers considerable territory with nothing more than one man, one guitar and, on a couple tracks, some effects to broaden Kreisberg's palette.
It's hard not to think of seminal solo guitar innovator Joe Pass on Kreisberg's bright take on Juan Tizol's "Caravan," and a set-defining, similarly acoustic look at saxophonist Wayne Shorter's "E.S.P." that combines high-velocity, cascading phrases with ethereal abstractions, only to resolve into an unexpectedly Latin-esque main section. Kreisberg's language is, however, more modernistic, and here—and throughout the album—Kreisberg creates an impression of multiple guitarists by combining instrumental mastery with sleight-of-hand, effortlessly moving between bass, chordal and melodic roles to simultaneously imply all three.
Kreisberg resorts to a clean, warm, hollowbody electric tone on Baden Powell/Vinicius De Moraes's classic "Canto De Ossanha"—one of a number of ONE's covers that have been recorded almost ad nauseum, but which Kreisberg makes his own through distinctive arrangements and melodic invention. Kreisberg nails Leonard Cohen's often-covered "Hallelujah," combining respect and irreverence as, in an extended coda, he layers dissonances that, nevertheless, remain completely in context—Cohen's melody lines are largely intact but moved a half step or three away from the tune's harmonic center, their tension finally resolved as Kreisberg returns to consonance to finish the tune with some impressive finger-picking.
Kreisberg kicks in more overt effects on ONE's two originals. On the serpentine "Without Shadow," his guitar sounds more like an organ," while on the dark- hued "Escape From Lower Formant Shift," Kreisberg's heavily overdriven tone harkens back to his pre-jazz days. But in a set that also includes other chestnuts like "Skylark" and "Summertime," Kreisberg's originals serve notice of his broader concerns.
Kreisberg may love standards like "Tenderly" and "My Favorite Things," but what he does with them is never less than thoroughly contemporary. ONE may be 46 minutes of one man, one guitar, but in Kreisberg's hands it becomes a master class in just how unlimited that seemingly reductionist context can be. Truly solo jazz guitar recordings are few and far between, but with ONE, Kreisberg not only pays homage to past masters like Pass, George Van Eps and Lenny Breau, he makes clear that here, in the new millennium, he's unequivocally worthy of being mentioned in the same breath.