(Contemporary Jazz, Post-Bop) Bill Carrothers - Shine Ball - 2005, FLAC (tracks+.cue), lossless

Bill Carrothers - Shine Ball Жанр: Contemporary Jazz, Post-Bop Страна-производитель диска: Испания Год издания: 2005 Издатель (лейбл): Fresh Sound New Talent Номер по каталогу: FSNT-242 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 58:20 Источник (релизер): alexanarchy (what) Наличие сканов в содержимом раздачи: да Треклист: 01. Shine Ball (3:02) 02. Bourbon (6:23) 03. One Note Samba (2:33) 04. E.T. Phones Home (5:26) 05. Millipede (4:54) 06. Data Has Feelings (1:47) 07. Shoe-In (4:39) 08. Playboy Pinball Machine (2:20) 09. Maelstrom (4:13) 10. FnkzG (3:56) 11. Creep Show (6:35) 12. Made in China (3:26) 13. Watchman, Tell Us of the Night (4:34) 14. El Cocodrilo (4:32) Состав: Bill Carrothers - prepared piano Gordon Johnson - acoustic bass Dave King - drums, waterphone All tunes are spontaneous improvisations by Carrothers, Johnson, King, except #13. Recorded on December 27, 2003 and December 27, 2004 at Wild Sound, Minneapolis, MN. Recorded live with no overdubs, fixes, or discussion. Dave King plays Zildjian cymbals, Ellis drums.   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 27. August 2010, 15:50 Bill Carrothers / Shine Ball Used drive : SlimtypeDVD A DS8A3S Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:02.06 | 0 | 13655 2 | 3:02.06 | 6:22.42 | 13656 | 42347 3 | 9:24.48 | 2:32.57 | 42348 | 53804 4 | 11:57.30 | 5:25.57 | 53805 | 78236 5 | 17:23.12 | 4:53.43 | 78237 | 100254 6 | 22:16.55 | 1:47.32 | 100255 | 108311 7 | 24:04.12 | 4:38.52 | 108312 | 129213 8 | 28:42.64 | 2:20.17 | 129214 | 139730 9 | 31:03.06 | 4:12.46 | 139731 | 158676 10 | 35:15.52 | 3:56.25 | 158677 | 176401 11 | 39:12.02 | 6:34.56 | 176402 | 206007 12 | 45:46.58 | 3:26.05 | 206008 | 221462 13 | 49:12.63 | 4:33.61 | 221463 | 241998 14 | 53:46.49 | 4:31.42 | 241999 | 262365 Track 1 Filename C:\EAC Rips\01 - Shine Ball.wav Pre-gap length 0:00:02.00 Peak level 96.5 % Track quality 100.0 % Test CRC 025B2B14 Copy CRC 025B2B14 Accurately ripped (confidence 2) [4DC7C433] Copy OK Track 2 Filename C:\EAC Rips\02 - Bourbon.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 99.9 % Test CRC 670DB01B Copy CRC 670DB01B Accurately ripped (confidence 2) [416E1F2A] Copy OK Track 3 Filename C:\EAC Rips\03 - One Note Samba.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 99.9 % Test CRC CF34F116 Copy CRC CF34F116 Accurately ripped (confidence 2) [468F0E48] Copy OK Track 4 Filename C:\EAC Rips\04 - e.t. Phone Home.wav Pre-gap length 0:00:06.00 Peak level 61.7 % Track quality 99.9 % Test CRC 4EF6B29F Copy CRC 4EF6B29F Accurately ripped (confidence 2) [3BB6D576] Copy OK Track 5 Filename C:\EAC Rips\05 - Millipede.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC EA919D46 Copy CRC EA919D46 Accurately ripped (confidence 2) [891400E5] Copy OK Track 6 Filename C:\EAC Rips\06 - Data Has Feelings.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC A3E7F78D Copy CRC A3E7F78D Accurately ripped (confidence 2) [D18862F1] Copy OK Track 7 Filename C:\EAC Rips\07 - Shoe-in.wav Pre-gap length 0:00:06.00 Peak level 96.3 % Track quality 100.0 % Test CRC 07986579 Copy CRC 07986579 Accurately ripped (confidence 2) [ABF86FCC] Copy OK Track 8 Filename C:\EAC Rips\08 - Playboy Pinball Machine.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC 41280768 Copy CRC 41280768 Accurately ripped (confidence 2) [EBD83BB9] Copy OK Track 9 Filename C:\EAC Rips\09 - Maelstrom.wav Pre-gap length 0:00:06.00 Peak level 96.6 % Track quality 100.0 % Test CRC 145A43DC Copy CRC 145A43DC Accurately ripped (confidence 2) [8D40C4B8] Copy OK Track 10 Filename C:\EAC Rips\10 - fnkzg.wav Pre-gap length 0:00:06.00 Peak level 96.6 % Track quality 100.0 % Test CRC 3947F346 Copy CRC 3947F346 Accurately ripped (confidence 2) [B30F9DDD] Copy OK Track 11 Filename C:\EAC Rips\11 - Creep Show.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC A1D1E785 Copy CRC A1D1E785 Accurately ripped (confidence 2) [16FC8D00] Copy OK Track 12 Filename C:\EAC Rips\12 - Made In China.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC 3391AA76 Copy CRC 3391AA76 Accurately ripped (confidence 2) [6FB4121A] Copy OK Track 13 Filename C:\EAC Rips\13 - Watchman, Tell Us Of The Night.wav Pre-gap length 0:00:06.00 Peak level 96.5 % Track quality 100.0 % Test CRC BB7C00FA Copy CRC BB7C00FA Accurately ripped (confidence 2) [6E2D5E49] Copy OK Track 14 Filename C:\EAC Rips\14 - El Cocodrilo.wav Pre-gap length 0:00:06.00 Peak level 65.8 % Track quality 100.0 % Test CRC 94D2EFE8 Copy CRC 94D2EFE8 Accurately ripped (confidence 2) [EB47CBD6] Copy OK All tracks accurately ripped No errors occurred End of status report     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2005 REM DISCID CC0DAA0E REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Bill Carrothers" TITLE "Shine Ball" FILE "01 - Shine Ball.wav" WAVE TRACK 01 AUDIO TITLE "Shine Ball" PERFORMER "Bill Carrothers" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Bourbon" PERFORMER "Bill Carrothers" INDEX 00 02:56:06 FILE "02 - Bourbon.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "One Note Samba" PERFORMER "Bill Carrothers" INDEX 00 06:16:42 FILE "03 - One Note Samba.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "E.T. 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Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped 8 | (1/1) Accurately ripped 9 | (1/1) Accurately ripped 10 | (1/1) Accurately ripped 11 | (1/1) Accurately ripped 12 | (1/1) Accurately ripped 13 | (1/1) Accurately ripped 14 | (1/1) Accurately ripped [AccurateRip ID: 001d7cb9-013a89ae-cc0daa0e] found. 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He's already released I Love Paris (Pirouet), a mainstream look at songs from the 1920's through the 1940s, and Civil War Diaries: Solo Piano (Illusions Music), where he took even greater liberties with American Civil War songs previously covered on The Blues and the Greys (Bridgeboy, 1997). The key to their success was Carrothers' liberal approach to the tunes—many of which may not be known by name, but feel familiar on an instinctive level. Still, Carrothers' openmindedness is nothing new to those familiar with earlier records like the dark trio record Ghost Ships (Sketch, 2003) and the sweepingly ambitious Armistice 1918 (Sketch, 2004)—one of last year's best albums. Shine Ball—an album almost entirely comprised of free improvisations—is a logical next step for Carrothers, a trio record that affirms him as one of America's most sadly underappreciated talents. Bassist Gordon Johnson's is equally undervalued, but in a career stretching back thirty years he's played with a breadth of artists from Maynard Ferguson and Chuck Mangione to Greg Brown. Dave King is best known as the drummer for The Bad Plus, but on albums by Craig Taborn and the free-bop group Happy Apple he's shown capabilities that extend well beyond TBP's rather singular focus. Free improvisation can often seem amorphous, but Carrothers, Johnson, and King prove it doesn't have to be. While their approach is different, the trio shares a similar ambition to pulling shape out of the ether that pianist Paul Bley did on his outstanding Not Two, Not One (ECM, 1999). Carrothers is less idiosyncratic, although in his use of prepared techniques he shares a similar belief that the instrument can be expanded well beyond its traditional confines. Similarly, King finds ways to take his drum kit beyond the norm, leaving Johnson as the only player whose instrument remains unaltered. That's not to say that Shine Ball doesn't feel like a piano trio, but Carrothers' and King's explorations of expanded texture lend it a unique complexion. Still, the broadest palette in the world would mean nothing if it weren't for the trio's unerring chemistry. Whether mining the bleakest of territories on "Bourbon, where Carrothers proves there's beauty in darkness, or the aptly-titled "One Note Slamba, with Johnson and King pushing a fast swing over Carrothers' repeated triplet, there's an underlying sense of focus that makes this free music with a distinct purpose. "Data Has Feelings is more jaggedly chaotic, but it's clear everyone is heading in one direction, equally so on "Millipede, sounding like a skewed version of Peanuts music, and "Maelstrom, which begins spaciously but ultimately moves to a place more appropriate to its name. Free music involves risk by definition, but Carrothers demonstrates that a firm meeting of the minds can truly build something out of nothing. Shine Ball is spontaneous composition of the highest order—an album that, had it been released earlier, would no doubt have appeared on many of the year's top ten lists.