(Contemporary Jazz, Modern, Piano) Eric Reed (w. Ben Wolfe, McClenty Hunter) - The Dancing Monk {Savant SCD 2108, USA} - 2011, FLAC (image+.cue) lossless
Eric Reed (w. Ben Wolfe, McClenty Hunter) - The Dancing Monk
Жанр: Contemporary Jazz, Modern, Piano
Страна-производитель диска: USA
Год издания диска: 2011
Издатель (лейбл): Savant Records, Inc.
Номер по каталогу: SCD 2108
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:49:31
Источник (релизер): собственный рип с оригинального CD (Darkman)
Наличие сканов в содержимом раздачи: да (полный набор сканов, 300 dpi)
Треклист:
01. Ask Me Now 4:04
02. Eronel 3:46
03. Reflections 5:51
04. Light Blue 4:47
05. Ruby, My Dear 6:02
06. Pannonica 4:57
07. Ugly Beauty 4:24
08. The Dancing Monk 3:52
09. 'round Midnight 6:58
10. Blue Monk 4:44
Web Site: http://www.ericreed.net/
Biography: http://ericreed.net/biography.php
Recorded at Manhattan Beach Recording, New York, NY on December 16, 2009
Personnel:
Eric Reed - piano
Ben Wolfe - bass
McClenty Hunter - drums
Produced by Eric Reed
Executive Producer: Joe Fields
Engineered, mixed & mastered by Katherine Miller
Liner Notes Author: Eric Reed
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 25. June 2011, 3:39
Eric Reed / The Dancing Monk
Used drive : HL-DT-STDVD-RAM GSA-H54N Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:04.64 | 0 | 18363
2 | 4:04.64 | 3:46.46 | 18364 | 35359
3 | 7:51.35 | 5:51.44 | 35360 | 61728
4 | 13:43.04 | 4:47.63 | 61729 | 83316
5 | 18:30.67 | 6:02.56 | 83317 | 110522
6 | 24:33.48 | 4:57.49 | 110523 | 132846
7 | 29:31.22 | 4:24.71 | 132847 | 152717
8 | 33:56.18 | 3:52.36 | 152718 | 170153
9 | 37:48.54 | 6:58.60 | 170154 | 201563
10 | 44:47.39 | 4:44.30 | 201564 | 222893
Range status and errors
Selected range
Filename C:\EAC\Eric Reed - The Dancing Monk.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 8D1C0B5B
Copy CRC 8D1C0B5B
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
None of the tracks are present in the AccurateRip database
End of status report
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2011
REM DISCID 840B9B0A
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER " Eric Reed"
TITLE "The Dancing Monk"
FILE "Eric Reed - The Dancing Monk.flac" WAVE
TRACK 01 AUDIO
TITLE "Ask Me Now"
PERFORMER " Eric Reed"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Eronel"
PERFORMER " Eric Reed"
INDEX 00 04:00:26
INDEX 01 04:04:64
TRACK 03 AUDIO
TITLE "Reflections"
PERFORMER " Eric Reed"
INDEX 00 07:46:72
INDEX 01 07:51:35
TRACK 04 AUDIO
TITLE "Light Blue"
PERFORMER " Eric Reed"
INDEX 00 13:39:04
INDEX 01 13:43:04
TRACK 05 AUDIO
TITLE "Ruby, My Dear"
PERFORMER " Eric Reed"
INDEX 00 18:26:67
INDEX 01 18:30:67
TRACK 06 AUDIO
TITLE "Pannonica"
PERFORMER " Eric Reed"
INDEX 00 24:29:62
INDEX 01 24:33:48
TRACK 07 AUDIO
TITLE "Ugly Beauty"
PERFORMER " Eric Reed"
INDEX 00 29:26:22
INDEX 01 29:31:22
TRACK 08 AUDIO
TITLE "The Dancing Monk"
PERFORMER " Eric Reed"
INDEX 00 33:51:19
INDEX 01 33:56:18
TRACK 09 AUDIO
TITLE "'Round Midnight"
PERFORMER " Eric Reed"
INDEX 00 37:43:54
INDEX 01 37:48:54
TRACK 10 AUDIO
TITLE "Blue Monk"
PERFORMER " Eric Reed"
INDEX 00 44:43:39
INDEX 01 44:47:39
News & Reviews
http://www.ericreed.net/news.php
Amazon
Editorial Review:
Not only did Ahmad Jamal call Eric Reed "one of my very favorite pianists," not only has he worked with such talents as Wynton Marsalis, Jessye Norman, Patti Labelle, Quincy Jones and others but he has composed film scores for Eddie Murphy and Tim Story and serves as musical director for The Alvin Ailey Dance Theater. Somehow he still finds time to teach, perform and cut his latest disc, "The Dancing Monk." Here the genius of Monk is refracted through the prism of Eric's own creativity resulting in 'thoughts on' rather than a 'tribute to' one of the true titans of jazz.
Customer Review:
5.0 out of 5 stars - superb monk interpretations, March 5, 2011
By: Oldnslow (Seattle, Washington USA)
This wonderful recording by Eric Reed and his trio accomplish a very difficult feat---making Monk's tunes sound like Monk, but also offering original takes on the music. What we have here is a trio at the top of their game--great music, fantastic swinging improvisations, and heartfelt ballads. My only complaint is that the CD could have accomodated a few more tunes. Super playing and the sound, by Katherine Miller, is top notch. One of the best Monk tributes I have heard.
AAJ
All About Jazz
Review:
By GREG SIMMONS, Published: March 20, 2011
Eric Reed: The Dancing Monk (2011)
Every jazz pianist stands somewhere in the shadow of Thelonious Monk (1917-1982), and Eric Reed has embraced that shadow, with The Dancing Monk.
Interpreting the near-mythic pianist/composer's music—let alone making an entire album of his tunes—poses significant challenges to any modern musician, and especially for a pianist. First, Monk's compositions are, indeed, challenging, in and of themselves; full of odd meters, syncopations, and some of the most counter-intuitive melodies ever written. Second, Monk's flat-fingered keyboard work was completely unique and uniquely intertwined with his music. His piano playing was an integral part of those songs and very much one of the major components of his greatness. It is difficult to imagine one without the other.
Therein rests the conundrum. A modern pianist interpreting this music is faced with the daunting task of separating Monk's music from his piano playing, retaining the compositions, and then bringing something new to the party. The alternative is to risk simply making an analogue copy of performances that are now between forty and sixty years old. It takes real sensitivity to play this music in a fashion that retains what is great about the compositions, without butchering the performance with incongruous pianism. Of course, it is likely this exact challenge that keeps musicians regularly attempting this musical feat, with widely varying degrees of success.
Happily, The Dancing Monk is largely successful. Reed is a technically gifted player—which can be dangerous when over-employed on Monk's odd compositions—but he manages to compliment the songs with performances that are sensitive to the material as well as being beautifully played. On "Eronel," he plays subtly rubato, adding a very Monk-like quality to the performance without directly imitating the source—a very nice touch. "Light Blue," finds the piano in the background for a time, comping the melody as stated ably by bassist Ben Wolfe, before reemerging to take a smooth, flowing workout. On, "Ugly Beauty," drummer McClenty Hunter adds a very subtle Latin overtone, leaving the framework of the original intact, but adding a completely new flavor.
Reed contributes exactly one original to the date, the title track, where, ironically, he most closely imitates Monk's playing style. It would be highly believable if presented as a long-lost Monk original but, as-is, it is a well-crafted homage to a genius. In the end, The Dancing Monk works because it takes a canon of unique and highly identifiable music and compliments it rather than trying to completely rework it. In the process, Reed has managed to make these songs sound fresh and interesting, and that might be the highest compliment that can be given to an entire album dedicated to the compositions of someone as singular as Thelonious Monk.
Back
Inside
... Отличный альбом ... Tribute to Thelonious Monk ...