(Contemporary Jazz, Fusion) [CD] Nate Radley - The Big Eyes - 2011, FLAC (tracks+.cue), lossless
Nate Radley - The Big Eyes
Жанр: Contemporary Jazz, Fusion
Носитель: CD
Страна-производитель диска (релиза): Испания
Год издания: 2011
Издатель (лейбл): Fresh Sound New Talent
Номер по каталогу: FSNT 395
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:03
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: даТреклист:
01. Boo (Radley) - 6:17
02. January (Radley) - 7:00
03. Ascent (Radley) - 7:09
04. Silver Lining (Radley) - 5:06
05. Archipelago (Radley) - 5:38
06. The Big Eyes (Radley) - 10:04
07. Wise River (Radley) - 7:04
08. Blue Square (Radley) - 7:42
09. All That's Solid (Radley) - 6:03Состав:
Nat Radley - guitar
Loren Stillman - alto saxophone
Pete Rende - Fender Rhodes
Matt Pavolka - bass
Ted Poor - drumsRecorded at Exile Recording, Long Island City, NY on September 21-22, 2010.
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016EAC extraction logfile from 26. January 2017, 20:58Nate Radley / The Big EyesUsed drive : hp DVD-RAM GHB0N Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:16.63 | 0 | 28262 2 | 6:16.63 | 7:00.30 | 28263 | 59792 3 | 13:17.18 | 7:08.43 | 59793 | 91935 4 | 20:25.61 | 5:06.19 | 91936 | 114904 5 | 25:32.05 | 5:37.59 | 114905 | 140238 6 | 31:09.64 | 10:03.43 | 140239 | 185506 7 | 41:13.32 | 7:04.27 | 185507 | 217333 8 | 48:17.59 | 7:41.62 | 217334 | 251970 9 | 55:59.46 | 6:03.16 | 251971 | 279211Track 1 Filename C:\Users\Maison\Downloads\Rips\01 - Boo.wav Pre-gap length 0:00:02.00 Peak level 96.0 % Extraction speed 1.7 X Track quality 99.9 % Test CRC 44F2EDF3 Copy CRC 44F2EDF3 Accurately ripped (confidence 1) [2C84F24D] (AR v2) Copy OKTrack 2 Filename C:\Users\Maison\Downloads\Rips\02 - January.wav Peak level 96.0 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 39220637 Copy CRC 39220637 Accurately ripped (confidence 1) [531DF090] (AR v2) Copy OKTrack 3 Filename C:\Users\Maison\Downloads\Rips\03 - Ascent.wav Peak level 96.0 % Extraction speed 2.2 X Track quality 99.9 % Test CRC 1055A725 Copy CRC 1055A725 Accurately ripped (confidence 1) [2B54C52B] (AR v2) Copy OKTrack 4 Filename C:\Users\Maison\Downloads\Rips\04 - Silver Lining.wav Peak level 96.0 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 09C7C0D3 Copy CRC 09C7C0D3 Accurately ripped (confidence 1) [50251E9D] (AR v2) Copy OKTrack 5 Filename C:\Users\Maison\Downloads\Rips\05 - Archipelago.wav Peak level 96.0 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 588A360E Copy CRC 588A360E Accurately ripped (confidence 1) [2E4016A6] (AR v2) Copy OKTrack 6 Filename C:\Users\Maison\Downloads\Rips\06 - The Big Eyes.wav Peak level 95.9 % Extraction speed 2.9 X Track quality 99.9 % Test CRC A2093C97 Copy CRC A2093C97 Accurately ripped (confidence 1) [FD24A3A9] (AR v2) Copy OKTrack 7 Filename C:\Users\Maison\Downloads\Rips\07 - Wise River.wav Peak level 94.9 % Extraction speed 3.5 X Track quality 100.0 % Test CRC 5B025E33 Copy CRC 5B025E33 Accurately ripped (confidence 1) [C5D7F302] (AR v2) Copy OKTrack 8 Filename C:\Users\Maison\Downloads\Rips\08 - Blue Square.wav Peak level 96.0 % Extraction speed 3.1 X Track quality 99.9 % Test CRC DBC783FD Copy CRC DBC783FD Accurately ripped (confidence 1) [1AEF5731] (AR v2) Copy OKTrack 9 Filename C:\Users\Maison\Downloads\Rips\09 - All That's Solid.wav Peak level 96.0 % Extraction speed 3.1 X Track quality 99.9 % Test CRC E829F63F Copy CRC E829F63F Accurately ripped (confidence 1) [856F2D3E] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.6[CTDB TOCID: SlfjVzHtrgk030HoOEusIqIM3Is-] disk not present in databaseSubmit result: SlfjVzHtrgk030HoOEusIqIM3Is- has been uploaded==== Log checksum 334ED5672C4E49365E43B1496A817475BF1BBD706A8F4A902665EDEAF312B8C5 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 2011REM DISCID 920E8A09REM COMMENT "ExactAudioCopy v1.3"PERFORMER "Nate Radley"TITLE "The Big Eyes"FILE "01 - Boo.wav" WAVE TRACK 01 AUDIO TITLE "Boo" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "02 - January.wav" WAVE TRACK 02 AUDIO TITLE "January" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "03 - Ascent.wav" WAVE TRACK 03 AUDIO TITLE "Ascent" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "04 - Silver Lining.wav" WAVE TRACK 04 AUDIO TITLE "Silver Lining" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "05 - Archipelago.wav" WAVE TRACK 05 AUDIO TITLE "Archipelago" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "06 - The Big Eyes.wav" WAVE TRACK 06 AUDIO TITLE "The Big Eyes" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "07 - Wise River.wav" WAVE TRACK 07 AUDIO TITLE "Wise River" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "08 - Blue Square.wav" WAVE TRACK 08 AUDIO TITLE "Blue Square" PERFORMER "Nate Radley" INDEX 01 00:00:00FILE "09 - All That's Solid.wav" WAVE TRACK 09 AUDIO TITLE "All That's Solid" PERFORMER "Nate Radley" INDEX 01 00:00:00
Review by Dan BilawskyJazz musicians often emphasize the importance of having big ears when finding a place in the music, but big eyes are equally important. Tunnel vision and a general lack of ability to see the big picture have plagued many a musician, but guitarist Nate Radley needs no corrective musical lenses. Radley's panoramic outlook and long range sight give him a unique perspective that's on display for all to hear on his debut recording.
Radley has been building his sideman portfolio over the past few years, appearing on impressive dates with the likes of trombonist Alan Ferber, vibraphonist Matthias Lupri and saxophonist Loren Stillman, but he's finally putting his own music first. The guitarist penned all nine compositions that appear on the album and the majority of the music speaks to his fondness for long lines, dynamic development and gray-streaked atmospheres. Traces of Mike Moreno, Radiohead, Bill Frisell and Adam Rogers are noticeable at various times and in various ways, but Radley's in no danger of being dubbed a clone of anyone on this list.
His music moves from quirky and energetically off-centered ("Boo") to curious and contented ("The Big Eyes"), but a common thread can be found in most of this work. These songs tend to take form around shifting tides of energy, with Radley and drummer Ted Poor controlling the power output for the entire working unit. Radley is a mood architect who's able to move from states of desolation to anger to repose with relative ease and Poor is his perfect drumming mate. He has an effortless sense of groove, but he's one of the least pattern-driven players on the scene. Poor puts a steady, never-moving backbeat into play when needed, but he sounds best when he adjusts to the ever-changing topographical needs of the music.
While the rest of the band isn't as instrumental in directing the flow of the music, they're indispensable ingredients in Radley's recipes. Stillman proves to be a simpatico frontline mate for the guitarist, since both men prefer overcast skies to blue horizons, and bassist Matt Pavolka provides a sense of stability at every turn. Pete Rende's Fender Rhodes is often unobtrusive, but he makes his mark on the bristling "Ascent" and the slow roaming "All That's Solid."
Radley's music, by and large, is driven by personalities rather than theories or concepts and that seems to work just fine. The Big Eyes isn't melodic ear candy or chops galore, but it's thoroughly engrossing and wholly unique in its design. This may be a first effort, but it certainly doesn't sound like one.