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(Contemporary Jazz, Fusion, Avant-Garde Jazz) [CD] VA - A Day in the Life: Impressions of Pepper - 2018, FLAC (tracks+.cue), lossless

VA - A Day in the Life: Impressions of Pepper Жанр: Contemporary Jazz, Fusion, Avant-Garde Jazz Носитель: CD Страна-производитель диска (релиза): США Год издания: 2018 Издатель (лейбл): Impulse! Номер по каталогу: B0029261-02 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:58:34 Источник: talzer Наличие сканов в содержимом раздачи: нет Треклист: 01. Antonio Sanchez - Sgt. Pepper's Lonely Hearts Club Band (2:53) 02. Mary Halvorson - With a Little Help from My Friends (3:09) 03. Makaya McCraven - Lucy in the Sky with Diamonds (5:57) 04. Wildflower - Getting Better (4:25) 05. Cameron Graves - Fixing a Hole (4:43) 06. Keyon Harrold - She's Leaving Home (5:38) 07. Brandee Younger - Being for the Benefit of Mr. Kite! (6:39) 08. Onyx Collective - Within You Without You (5:17) 09. Sullivan Fortner - When I'm Sixty-Four (3:23) 10. Miles Mosley - Lovely Rita (4:30) 11. Shabaka & The Ancestors - Good Morning Good Morning (5:23) 12. Antonio Sanchez - Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:47) 13. The JuJu Exchange - A Day in the Life (4:50)   Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 4. March 2019, 19:40 - / A Day in the Life: Impressions of Pepper Used drive : Optiarc DVD RW AD-7260S Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:53.36 | 0 | 13010 2 | 2:53.36 | 3:08.53 | 13011 | 27163 3 | 6:02.14 | 5:56.40 | 27164 | 53903 4 | 11:58.54 | 4:24.56 | 53904 | 73759 5 | 16:23.35 | 4:42.52 | 73760 | 94961 6 | 21:06.12 | 5:37.56 | 94962 | 120292 7 | 26:43.68 | 6:38.43 | 120293 | 150185 8 | 33:22.36 | 5:16.63 | 150186 | 173948 9 | 38:39.24 | 3:22.70 | 173949 | 189168 10 | 42:02.19 | 4:30.11 | 189169 | 209429 11 | 46:32.30 | 5:23.19 | 209430 | 233673 12 | 51:55.49 | 1:47.31 | 233674 | 241729 13 | 53:43.05 | 4:49.49 | 241730 | 263453 Track 1 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\01. Antonio Sánchez - Sgt. Pepper's Lonely Hearts Club Band.wav Pre-gap length 0:00:02.00 Peak level 97.9 % Extraction speed 2.1 X Track quality 100.0 % Test CRC D317018C Copy CRC D317018C Accurately ripped (confidence 3) [F9EFB6BB] (AR v2) Copy OK Track 2 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\02. Mary Halvorson - With a Little Help From My Friends.wav Peak level 98.3 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 9DA20D3A Copy CRC 9DA20D3A Accurately ripped (confidence 3) [183D6053] (AR v2) Copy OK Track 3 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\03. Makaya McCraven - Lucy in the Sky With Diamonds.wav Peak level 98.5 % Extraction speed 2.6 X Track quality 99.9 % Test CRC CA813122 Copy CRC CA813122 Accurately ripped (confidence 3) [264C6652] (AR v2) Copy OK Track 4 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\04. Wildflower - Getting Better.wav Peak level 94.8 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 945D235C Copy CRC 945D235C Accurately ripped (confidence 3) [B86E219E] (AR v2) Copy OK Track 5 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\05. Cameron Graves - Fixing a Hole.wav Peak level 90.6 % Extraction speed 3.2 X Track quality 100.0 % Test CRC C8204856 Copy CRC C8204856 Accurately ripped (confidence 3) [7F6E08AD] (AR v2) Copy OK Track 6 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\06. Keyon Harrold - She's Leaving Home.wav Peak level 97.8 % Extraction speed 3.5 X Track quality 100.0 % Test CRC DDEC994C Copy CRC DDEC994C Accurately ripped (confidence 3) [7E04A556] (AR v2) Copy OK Track 7 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\07. Brandee Younger - Being for the Benefit of Mr. Kite!.wav Peak level 98.6 % Extraction speed 3.8 X Track quality 100.0 % Test CRC CF7B06BF Copy CRC CF7B06BF Accurately ripped (confidence 3) [23D21C18] (AR v2) Copy OK Track 8 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\08. Onyx Collective - Within You Without You.wav Peak level 98.8 % Extraction speed 4.0 X Track quality 100.0 % Test CRC B07F1006 Copy CRC B07F1006 Accurately ripped (confidence 3) [059C7999] (AR v2) Copy OK Track 9 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\09. Sullivan Fortner - When I'm Sixty-Four.wav Peak level 94.8 % Extraction speed 3.9 X Track quality 100.0 % Test CRC 8FAB8665 Copy CRC 8FAB8665 Accurately ripped (confidence 3) [37C56855] (AR v2) Copy OK Track 10 Filename D:\Dropbox\EAC\A Day in the Life- Impressions of Pepper (2018) [FLAC]\10. 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The JuJu Exchange - A Day in the Life.wav Peak level 92.6 % Extraction speed 4.7 X Track quality 100.0 % Test CRC B968AD68 Copy CRC B968AD68 Accurately ripped (confidence 3) [23BBE424] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: UKe8AGLj2i.6ZJzV6BwHTkIZua8-] found Submit result: UKe8AGLj2i.6ZJzV6BwHTkIZua8- has been confirmed Track | CTDB Status 1 | (22/22) Accurately ripped 2 | (22/22) Accurately ripped 3 | (22/22) Accurately ripped 4 | (22/22) Accurately ripped 5 | (22/22) Accurately ripped 6 | (22/22) Accurately ripped 7 | (22/22) Accurately ripped 8 | (22/22) Accurately ripped 9 | (22/22) Accurately ripped 10 | (22/22) Accurately ripped 11 | (22/22) Accurately ripped 12 | (22/22) Accurately ripped 13 | (22/22) Accurately ripped ==== Log checksum 2F6920242E25D1194D366E4BCEB02BDA5863B81EF9E9B4D743F2719CD6C63426 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2018 REM DISCID A10DB80D REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Various" TITLE "A Day in the Life: Impressions of Pepper" FILE "01 - Antonio Sanchez - Sgt. 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Pepper's Lonely Hearts Club Band (Reprise)" PERFORMER "Antonio Sanchez" INDEX 01 00:00:00 FILE "13 - The JuJu Exchange - A Day in the Life.wav" WAVE TRACK 13 AUDIO TITLE "A Day in the Life" PERFORMER "The JuJu Exchange" INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 06.03.2019 21:11:08; Version: 2.1.6] [CTDB TOCID: UKe8AGLj2i.6ZJzV6BwHTkIZua8-] found. Track | CTDB Status 1 | (23/23) Accurately ripped 2 | (23/23) Accurately ripped 3 | (23/23) Accurately ripped 4 | (23/23) Accurately ripped 5 | (23/23) Accurately ripped 6 | (23/23) Accurately ripped 7 | (23/23) Accurately ripped 8 | (23/23) Accurately ripped 9 | (23/23) Accurately ripped 10 | (23/23) Accurately ripped 11 | (23/23) Accurately ripped 12 | (23/23) Accurately ripped 13 | (23/23) Accurately ripped [AccurateRip ID: 001c25ce-011d5b51-a10db80d] found. Track [ CRC | V2 ] Status 01 [d4bdd937|f9efb6bb] (0+3/3) Accurately ripped 02 [67baf1d3|183d6053] (0+3/3) Accurately ripped 03 [17928736|264c6652] (0+3/3) Accurately ripped 04 [a6f7328e|b86e219e] (0+3/3) Accurately ripped 05 [6134ceaf|7f6e08ad] (0+3/3) Accurately ripped 06 [56a48d1d|7e04a556] (0+3/3) Accurately ripped 07 [2d61155f|23d21c18] (0+3/3) Accurately ripped 08 [ba353682|059c7999] (0+3/3) Accurately ripped 09 [12712a54|37c56855] (0+3/3) Accurately ripped 10 [d7ad860e|aa65fac9] (0+3/3) Accurately ripped 11 [79571eeb|cf40f623] (0+3/3) Accurately ripped 12 [34f1f0c6|37bb6a0d] (0+3/3) Accurately ripped 13 [d992e33c|23bbe424] (0+3/3) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 98,8 [9BDD53BB] [462B427F] 01 97,9 [D317018C] [106AAFA1] CRC32 02 98,3 [9DA20D3A] [D005DB3E] CRC32 03 98,5 [CA813122] [8D4F862A] CRC32 04 94,8 [945D235C] [DB5CD8CE] CRC32 05 90,6 [C8204856] [D33C9168] CRC32 06 97,8 [DDEC994C] [88B3F5F7] CRC32 07 98,6 [CF7B06BF] [6150D4EA] CRC32 08 98,8 [B07F1006] [025FAFAD] CRC32 09 94,8 [8FAB8665] [0A2768AC] CRC32 10 96,5 [9CCDC36C] [A2746310] CRC32 11 95,9 [4E21125B] [6FBC70A8] CRC32 12 97,3 [3AF1038A] [CDA59FD3] CRC32 13 92,6 [B968AD68] [3F73C9D8] CRC32     Review by Grayson Haver Currin This version of Sgt Pepper’s treats the Beatles' originals like colorful clothes worn by today’s most electrifying jazz musicians, who give these old chestnuts a new body and vitality. Your heroes have covered the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band since they first heard it. Just days after its release in the spring of 1967, Jimi Hendrix shocked a London crowd with the album’s opening theme with half of the Fab Four in attendance. Joe Cocker turned its affable second track, “With a Little Help from My Friends,” into soul-baring treacle a year later, while Elton John shouted out its lysergic third beauty, “Lucy in the Sky with Diamonds,” in the mid-1970s with John Lennon’s help. And so it goes down the tracklist and across generations and genres. At this point, it’s daunting to name an idea more passé than covering these songs, as omnipresent as oxygen or as eternal as Paul McCartney’s avuncular charm. It’s a good thing, then, that A Day in the Life: Impressions of Pepper is not actually a Beatles cover album. Sure, its 13 tracks sync with the sequence of Sgt. Pepper’s, and you can hear traces of that totemic record in every piece here. But A Day in the Life is instead a full-length interpretation of Sgt. Pepper’s, rendered by some of the most captivating young musicians in the modern jazz orbit. Rather than offering obvious renditions of these standards, the likes of Makaya McCraven, Mary Halvorson, Shabaka Hutchings, and Sullivan Fortner reimagine them in the grandest jazz tradition—as fodder and grist, inspiration for making something else entirely. From sweeping solo piano vamps to cinematic takes bordering on post-rock, these versions treat the originals like colorful clothes worn by today’s most electrifying jazz musicians, who give these old chestnuts a new body and vitality. Halvorson exemplifies the idea early “With a Little Help from My Friends.” She often plays the guitar in rhythmic and melodic tangles, so that a simply stated theme begins to fold onto itself until it shapes a dense thicket. As she mimics Ringo Starr’s voice with her inimitable tone, the phrases split and tumble until she seems to lose the line. Each time it happens, though, drummer Tomas Fujiwara rushes in to reaffirm the shape. Likewise, harpist Brandee Younger passes on the obvious, harp-laced “She’s Leaving Home” for a complex, intimate arrangement of “Being for the Benefit of Mr. Kite!” Using the original only as a suggestive framework, Younger turns her harp into the lace between darting flutes and skittering drums. Her take ferries mystery. Surrounded by a lissome mix of vibraphone, electric guitar, and keyboard, McCraven powers through “Lucy” like he’s trying to find the peak for one of his fabled jam sessions, his kit an escape vehicle for his band’s collective transcendence. For his dazzling spin through “When I’m Sixty Four,” Fortner harnesses the same mix of erudition and élan heard on his tremendous work with Cécile McLorin Salvant. Recognizing that tabla and sitar are dated signifiers for rock bands hoping to convey a worldly sense of exotica, New York’s Onyx Collective reimagines the hovering drone of “Within You Without You” as a patchwork of astral synthesizers and distorted bass. Saxophonist Isaiah Barr toys with George Harrison’s vocal line, slowing it down and examining its contours in search of more than novelty. It is hypnotic, beautiful, and—you wish—infinite. The interpretive nature of A Day in the Life eclipses mere musical form, too, with some of the best pieces here working as emotional transformations—a risky but thrilling proposition for pieces so deeply lodged in our culture. After half a century, “Getting Better” has grown bathetic from the cheery ubiquity of television commercials and grocery-aisle soundtracks, the equivalent of a Lifetime movie playing on a loop in another room. So the savvy London trio Wildflower furrows its brow at McCartney’s wide-eyed grin, the muscle-bound rhythm section and Idris Rahman’s exasperated saxophone tone asking when, exactly, it all gets better. They turn the song inside out, looking for an answer that has yet to appear. And every time the melody of “Fixing a Hole” begins to flicker too brightly, pianist Cameron Graves stomps out the flame either with a pounding left hand that lands like heavy boots on concrete or discursive right-hand fantasies that spin like a ceiling fan. He wordlessly emphasizes the lyrics’ torment—the hell of other people, “the silly people [that] run around”—that is largely cloaked by the mirth of a harpsichord and Ringo’s swing. It’s tempting to uphold A Day in the Life as some sort of yearbook or capstone achievement for this tremendously creative moment in jazz, a genre that’s been pronounced dead and then resurrected so many times it could be a major world religion. And in a sense, sure, it is: As with McCraven’s own Universal Beings, A Day in the Life does put many of the people that have made this loose movement so exciting in one breathless sequence. You could even imagine them all pasted onto the cover—Felix Pastorius in the place of Albert Einstein, Ravi Coltrane lording over it all like Edgar Allen Poe. Instead, this album is a wonderful expression of possibility. They take ownership of these standards—not as grails deserving fealty, but instead as another piece of the musical vernacular, motifs absorbed and repurposed inside an idiom they’ve helped invigorate.
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