(Contemporary Jazz) [CD] Jason Anick - Tipping Point - 2014, FLAC (tracks+.cue), lossless

JASON ANICK TIPPING POINT Жанр: Contemporary Jazz Страна-производитель диска: USA Год издания: 2014 Издатель (лейбл): Magic Fiddle Music Номер по каталогу: MFM-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 67:01 Источник (релизер): спасибо notfake Наличие сканов: нет Треклист: 01. Stomped Out 02. Inspiration Point 03. Maryandra 04. Minor Blues 05. Peace 06. Occupy 07. This One's for You 08. My One and Only Love 09. This I Dig of You 10. Turnaround 11. The Night Has a Thousand Eyes   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 16. October 2014, 19:31 Jason Anick / Tipping Point Used drive : TSSTcorpDVD+-RW TS-H653B Adapter: 2 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:12.50 | 0 | 23449 2 | 5:12.50 | 4:35.69 | 23450 | 44143 3 | 9:48.44 | 5:13.21 | 44144 | 67639 4 | 15:01.65 | 6:14.41 | 67640 | 95730 5 | 21:16.31 | 5:26.44 | 95731 | 120224 6 | 26:43.00 | 7:33.67 | 120225 | 154266 7 | 34:16.67 | 6:32.48 | 154267 | 183714 8 | 40:49.40 | 7:39.58 | 183715 | 218197 9 | 48:29.23 | 4:13.64 | 218198 | 237236 10 | 52:43.12 | 8:16.49 | 237237 | 274485 11 | 60:59.61 | 6:06.59 | 274486 | 301994 Track 1 Filename C:\Jason Anick - 2012 - Tipping Point\01 - Stomped Out.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 170BCFFA Copy CRC 170BCFFA Accurately ripped (confidence 1) [CA17C967] (AR v2) Copy OK Track 2 Filename C:\Jason Anick - 2012 - Tipping Point\02 - Inspiration Point.wav Pre-gap length 0:00:01.26 Peak level 100.0 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 6ADB7EB5 Copy CRC 6ADB7EB5 Accurately ripped (confidence 1) [A08A48EF] (AR v2) Copy OK Track 3 Filename C:\Jason Anick - 2012 - Tipping Point\03 - Maryandra.wav Pre-gap length 0:00:00.44 Peak level 100.0 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 8000D973 Copy CRC 8000D973 Accurately ripped (confidence 1) [94BC940C] (AR v2) Copy OK Track 4 Filename C:\Jason Anick - 2012 - Tipping Point\04 - Minor Blues.wav Peak level 100.0 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 03A23BB8 Copy CRC 03A23BB8 Accurately ripped (confidence 1) [8104F641] (AR v2) Copy OK Track 5 Filename C:\Jason Anick - 2012 - Tipping Point\05 - Peace.wav Pre-gap length 0:00:01.76 Peak level 99.8 % Extraction speed 6.9 X Track quality 100.0 % Test CRC 7019080B Copy CRC 7019080B Accurately ripped (confidence 1) [614488A0] (AR v2) Copy OK Track 6 Filename C:\Jason Anick - 2012 - Tipping Point\06 - Occupy.wav Pre-gap length 0:00:00.24 Peak level 100.0 % Extraction speed 7.7 X Track quality 100.0 % Test CRC 9D0C541C Copy CRC 9D0C541C Accurately ripped (confidence 1) [88EEC639] (AR v2) Copy OK Track 7 Filename C:\Jason Anick - 2012 - Tipping Point\07 - This One's for You.wav Pre-gap length 0:00:00.33 Peak level 100.0 % Extraction speed 8.1 X Track quality 100.0 % Test CRC 4326C1D9 Copy CRC 4326C1D9 Accurately ripped (confidence 1) [D55AF938] (AR v2) Copy OK Track 8 Filename C:\Jason Anick - 2012 - Tipping Point\08 - My One and Only Love.wav Peak level 83.1 % Extraction speed 7.7 X Track quality 99.9 % Test CRC 5FAE2A7E Copy CRC 5FAE2A7E Accurately ripped (confidence 1) [71AFFBDD] (AR v2) Copy OK Track 9 Filename C:\Jason Anick - 2012 - Tipping Point\09 - This I Dig of You.wav Pre-gap length 0:00:00.49 Peak level 100.0 % Extraction speed 8.6 X Track quality 100.0 % Test CRC F4FB726A Copy CRC F4FB726A Accurately ripped (confidence 1) [02530B2D] (AR v2) Copy OK Track 10 Filename C:\Jason Anick - 2012 - Tipping Point\10 - Turnaround.wav Peak level 100.0 % Extraction speed 8.5 X Track quality 99.9 % Test CRC 2142D307 Copy CRC 2142D307 Accurately ripped (confidence 1) [259B579A] (AR v2) Copy OK Track 11 Filename C:\Jason Anick - 2012 - Tipping Point\11 - The Night Has a Thousand Eyes.wav Pre-gap length 0:00:00.40 Peak level 100.0 % Extraction speed 7.3 X Track quality 100.0 % Test CRC 2B294BA2 Copy CRC 2B294BA2 Accurately ripped (confidence 1) [65592E66] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 2709795A7282E9C29479040EF9928700621FBF7698C4B847850819B470169248 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2012 REM DISCID 890FBA0B REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Jason Anick" TITLE "Tipping Point" FILE "01 - Stomped Out.wav" WAVE TRACK 01 AUDIO TITLE "Stomped Out" PERFORMER "Jason Anick" ISRC EMIF21300001 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Inspiration Point" PERFORMER "Jason Anick" ISRC EMIF21300002 INDEX 00 05:11:30 FILE "02 - Inspiration Point.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Maryandra" PERFORMER "Jason Anick" ISRC EMIF21300003 INDEX 00 04:35:36 FILE "03 - Maryandra.wav" WAVE INDEX 01 00:00:00 FILE "04 - Minor Blues.wav" WAVE TRACK 04 AUDIO TITLE "Minor Blues" PERFORMER "Jason Anick" ISRC EMIF21300004 INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Peace" PERFORMER "Jason Anick" ISRC EMIF21300005 INDEX 00 06:12:59 FILE "05 - Peace.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Occupy" PERFORMER "Jason Anick" ISRC EMIF21300006 INDEX 00 05:26:26 FILE "06 - Occupy.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "This One's for You" PERFORMER "Jason Anick" ISRC EMIF21300007 INDEX 00 07:33:42 FILE "07 - This One's for You.wav" WAVE INDEX 01 00:00:00 FILE "08 - My One and Only Love.wav" WAVE TRACK 08 AUDIO TITLE "My One and Only Love" PERFORMER "Jason Anick" ISRC EMIF21300008 INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "This I Dig of You" PERFORMER "Jason Anick" ISRC EMIF21300009 INDEX 00 07:39:21 FILE "09 - This I Dig of You.wav" WAVE INDEX 01 00:00:00 FILE "10 - Turnaround.wav" WAVE TRACK 10 AUDIO TITLE "Turnaround" PERFORMER "Jason Anick" ISRC EMIF21300010 INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "The Night Has a Thousand Eyes" PERFORMER "Jason Anick" ISRC EMIF21300011 INDEX 00 08:16:19 FILE "11 - The Night Has a Thousand Eyes.wav" WAVE INDEX 01 00:00:00     Об альбоме One of the Berklee College of Music's youngest instructors, violinist/mandolinist Jason Anick (born 1985) had already made a name for himself in 2008, when at twenty two years of age he was invited to tour with Grammy-winning guitarist John Jorgenson. Anick's tremendous virtuosity was to the fore on the acoustic Rhythm Future Quartet's Sleepless (Self Produced, 2011), a lively gypsy jazz romp—a genre he excels in. Tipping Point, however, showcases Anick's more contemporary songwriting acumen and the numerous stylistic strands that define his voice. Seamlessly fusing swing, bebop, hard-bop, classical, folk, as well as contemporary influences in his playing, it's a vibrant portrait of a colorful musical personality. The eleven tracks are split between Anick's originals and interpretations of jazz standards, with the leader employing two different quartets. On the five originals, Anick switches between violin, acoustic and electric mandolin, showing the sort of form that prompted Christian Howes to hail him as "easily one of the best jazz violinists and mandolinists of his generation." Anick and alto saxophonist Clay Lyons make a striking front-line pairing, alternating between single and dual voices, while bassist Chris Loughman and drummer Mike Connors keep immaculate, swinging time. On the jaunty "Stomped Out" it's Lyons who breaks first from the head to carve a sinewy solo whose final note signals a change of pace, followed by a delicate intervention from pianist Jason Yeager. Throughout the recording Anick's sense of group dynamics is pronounced, directing changes in tempo and combinations of voices with panache. His solo on this opening track is a fluid hybrid of folk fiddle and post-bop jazz—dashing and lyrical. The rhythmically mutating "Inspiration Point" swings between punchy, almost fractured time and free-flowing rhythms dictated by fast-walking bass and ticking ride cymbal. Lyons spars playfully with Anick, whose stylish electric mandolin solo sings like Wes Montgomery. Yeager's freer playing over a repeating saxophone/mandolin motif contrasts with the leader's measured elegance that precedes it. Acoustic mandolin and arco combine on the pretty intro to "Maryandra," though a skipping drum rhythm soon sets the tone. Yeager and Anick both delight on extended solos before a quasi-baroque waltz between bass, piano and mandolin asserts a more stately tone. The other two self-penned compositions serve up contrasting moods: The contemporary-sounding "Occupy"—which won third prize in the jazz category of the International Songwriting Competition 2013—stems from a simple bass ostinato and a gently seductive mandolin melody. A quickening bass pulse ushers in greater collective impetus, with piano and mandolin riffing powerfully. Yeager dabbles in a swirling, Don Pullen-esque improvisation before a lulling mandolin melody restores calm. "This One's For You" gathers momentum surreptitiously, with Anick at his most compelling; unequivocal lyricism lies at the heart of his dancing improvisation. The half dozen non-originals have all been around the block a few times but Anick's smart arrangements—and vibrant playing from the second quartet—animate these old chestnuts. Anick leads the jazz manouche charge on Django Reinhardt's classic "Minor Blues," with pianist Matt DeChamplain, bassist Adam Cote and Anick all stretching out. Pianist and violinist engage in a lively to and fro that gives way to the head once more. A fine balladeer, Anick's emotive playing on the late Horace Silver's "Peace" provides an album highlight. The quartet has the wind in its sails on Hank Mobley's much-covered "This I Dig of You." Anick evokes the former Jazz Messenger's warm, mellow tone, and on the whole appears at least as much influenced by saxophonists as by Stephane Grappelli, Joe Venuti et al. Anick on electric mandolin, tenor saxophonist Kris Jensen and guitarist Lee Dynes sound the melody of Ornette Coleman's "Turnaround," before each in turn unleashes boppish solos laced with the blues, carried by Loughman and Connor's in the pocket groove. The great American Songbook inspires Anick and quartet to some of their finest playing: on Guy Wood and Robert Mellin's ballad "My One and Only Love" Anick and DeChamplain craft achingly beautiful solos, molding and embellishing the melody tenderly. Jerry Brainin and Buddy Bernier's "The Night Has a Thousand Eyes" is executed with brio. DeChamplain and Anick both enjoy racing solos as Cote's fast-walking bass and Connor's light but propulsive rhythms drive the quartet. Anick saves his best for last, gliding effortlessly at pace through constantly inventive melodic figures. A salsa piano motif and riffing violin provide a final flourish. A fine interpreter and captivating soloist, Anick's essentially melodic narratives draw from an extensive vocabulary, wedding lyricism and verve. The covers may stand out for their familiarity, but Anick's originals contain their own charms and warrant repeat listenings. On tunes old and new, Anick's snappy arrangements bring the best out of the first rate musicians, who contribute much to the success of the music. The CD title suggests Anick is leaning towards the direction he wants to take; on this evidence, Tipping Point could be the start of a beautiful adventure. 4/5 stars (Ian Patterson, AllAboutJazz)     Состав Tracks 1, 2, 3, 6, 7: Jason Anick - violin, acoustic & electric mandolin Jason Yeager - piano Clay Lyons - alto sax Greg Loughman - bass Mike Connors - drums Tracks 4, 5, 8, 9, 11: Jason Anick - violin Matt DeChamplain - piano Adam Cote - bass Mike Connors - drums Track 10: Jason Anick - electric mandolin Lee Dynes - electric guitar Kris Jensen - tenor sax Greg Loughman - bass Mike Connors - drums