(Chamber Jazz) [CD] Meg Okura and the Pan Asian Chamber Jazz Ensemble - Naima - 2010, FLAC (tracks+.cue), lossless

Meg Okura and the Pan Asian Chamber Jazz Ensemble - Naima Жанр: Chamber Jazz Носитель: CD Страна-производитель диска: США Год издания: 2010 Издатель (лейбл): Meg Okura Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 52:23 Источник (релизер): aporias (what) Наличие сканов в содержимом раздачи: нетТреклист: 01. Naima (5:50) 02. Hannah's Vocalise (5:27) 03. Caprice (5:36) 04. Afrasia (6:54) 05. San San Nana Byoshi (3:34) 06. Lu Chai I: Empty Mountain (5:21) 07. Lu Chai II: Echo of Voices (7:14) 08. Lu Chai III: Sunlight (8:02) 09. Lu Chai IV: Green Moss (4:25)Состав: Meg Okura - violin, erhu Anne Drummond - flute Jun Kubo - shinobue, flute Rubin Kodheli - cello Mamiko Kitaura - piano Jennifer Vincent - bass Willard Dyson - drums Satoshi Takeishi - percussion Dave Eggar - cello (#5)  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 3. August 2014, 17:31Meg Okura and the Pan Asian Chamber Jazz Ensemble / NaimaUsed drive : TSSTcorpCDDVDW SH-S203B Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:49.49 | 0 | 26223 2 | 5:49.49 | 5:27.26 | 26224 | 50774 3 | 11:17.00 | 5:36.02 | 50775 | 75976 4 | 16:53.02 | 6:54.29 | 75977 | 107055 5 | 23:47.31 | 3:33.60 | 107056 | 123090 6 | 27:21.16 | 5:21.06 | 123091 | 147171 7 | 32:42.22 | 7:13.61 | 147172 | 179707 8 | 39:56.08 | 8:02.24 | 179708 | 215881 9 | 47:58.32 | 4:25.16 | 215882 | 235772Track 1 Filename D:\Rips\01 - Naima.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 315067E1 Copy CRC 315067E1 Track not present in AccurateRip database Copy OKTrack 2 Filename D:\Rips\02 - Hannah's Vocalise.wav Peak level 100.0 % Extraction speed 2.0 X Track quality 99.9 % Test CRC 186B6A95 Copy CRC 186B6A95 Track not present in AccurateRip database Copy OKTrack 3 Filename D:\Rips\03 - Caprice.wav Peak level 100.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 816A10F7 Copy CRC 816A10F7 Track not present in AccurateRip database Copy OKTrack 4 Filename D:\Rips\04 - Afrasia.wav Peak level 100.0 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 98811C3A Copy CRC 98811C3A Track not present in AccurateRip database Copy OKTrack 5 Filename D:\Rips\05 - San San Nana Byoshi.wav Peak level 100.0 % Extraction speed 2.1 X Track quality 99.9 % Test CRC 3D71C87E Copy CRC 3D71C87E Track not present in AccurateRip database Copy OKTrack 6 Filename D:\Rips\06 - Lu Chai Ⅰ. Empty Mountain.wav Peak level 100.0 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 74DC21D3 Copy CRC 74DC21D3 Track not present in AccurateRip database Copy OKTrack 7 Filename D:\Rips\07 - Lu Chai Ⅱ. Echo Of Voices.wav Peak level 100.0 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 534AA151 Copy CRC 534AA151 Track not present in AccurateRip database Copy OKTrack 8 Filename D:\Rips\08 - Lu Chai Ⅲ. Sunlight.wav Peak level 100.0 % Extraction speed 3.5 X Track quality 100.0 % Test CRC 73B39732 Copy CRC 73B39732 Track not present in AccurateRip database Copy OKTrack 9 Filename D:\Rips\09 - Lu Chai Ⅳ. Green Moss.wav Peak level 100.0 % Extraction speed 3.5 X Track quality 100.0 % Test CRC F888D7C5 Copy CRC F888D7C5 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: PY246Vx49AjcwGl_2EPKOUnmILs-] disk not present in database, Submit result: PY246Vx49AjcwGl_2EPKOUnmILs- has been uploaded==== Log checksum 3E44607E52B0F8C4931C25A333B3605B3B933B082A14679A944E6B85C4F683EE ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2010REM DISCID 820C4709REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Meg Okura"TITLE "Naima"FILE "01 - Naima.wav" WAVE TRACK 01 AUDIO TITLE "Naima" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "02 - Hannah's Vocalise.wav" WAVE TRACK 02 AUDIO TITLE "Hannah's Vocalise" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "03 - Caprice.wav" WAVE TRACK 03 AUDIO TITLE "Caprice" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "04 - Afrasia.wav" WAVE TRACK 04 AUDIO TITLE "Afrasia" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "05 - San San Nana Byoshi.wav" WAVE TRACK 05 AUDIO TITLE "San San Nana Byoshi" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "06 - Lu Chai I- Empty Mountain.wav" WAVE TRACK 06 AUDIO TITLE "Lu Chai I: Empty Mountain" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "07 - Lu Chai II- Echo of Voices.wav" WAVE TRACK 07 AUDIO TITLE "Lu Chai II: Echo of Voices" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "08 - Lu Chai III- Sunlight.wav" WAVE TRACK 08 AUDIO TITLE "Lu Chai III: Sunlight" PERFORMER "Meg Okura" INDEX 01 00:00:00FILE "09 - Lu Chai IV- Green Moss.wav" WAVE TRACK 09 AUDIO TITLE "Lu Chai IV: Green Moss" PERFORMER "Meg Okura" INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 18.08.2014 10:10:44; Version: 2.1.4][CTDB TOCID: PY246Vx49AjcwGl_2EPKOUnmILs-] found.Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped 8 | (1/1) Accurately ripped 9 | (1/1) Accurately ripped[AccurateRip ID: 0011b9ba-00827a84-820c4709] disk not present in database.Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [802DC589] [85F7D372] 01 100,0 [315067E1] [899477F3] CRC32 02 100,0 [186B6A95] [6E8BE87A] CRC32 03 100,0 [816A10F7] [34D6FB12] CRC32 04 100,0 [98811C3A] [FC95535D] CRC32 05 100,0 [3D71C87E] [E293FDCB] CRC32 06 100,0 [74DC21D3] [2C3C2695] CRC32 07 100,0 [534AA151] [703BBD5D] CRC32 08 100,0 [73B39732] [E985C981] CRC32 09 100,0 [F888D7C5] [3A17E0F4] CRC32  Review by Raul d'Gama RoseJohn Coltrane's original recording of "Naima" is extraordinarily beautiful, and it's possible that he never envisioned such a breathtaking version being played so many years after it had been composed. So hats off to the Japanese-born violinist and erhu player, Meg Okura, for conjuring up that version. As wave after wave of the song's melody unfolds like repeated sighs that send shivers of emotion down the spine, Okura's violin does the reverse, soaring like it has caught the draft of a hot air thermal and, like the proverbial bird, it now disappears, as if into the azure. While "Naima" does provide a taste of the beautiful music to come, it does not even begin to describe its extent and the intensity with which it is played on Naima, from Okura and her Pan Asian Jazz Ensemble. Okura is an accomplished violinist, with flawless technique like that of a long line of European virtuosos including Stephane Grappelli, Jean-Luc Ponty, Didier Lockwood and the British violinists Nigel Kennedy and Chris Garrick. Her sensibility tends more towards the European style, which is dryer than the American—especially the jazz artists—and she improvises like a magically wrought cadenza, rather than the hot-blooded improvisations of say Billy Bang. But she is sharp, plays with a great deal of expression and carries the flutes of Anne Drummond and Jun Kubo like blithe spirits, melding their woody sounds with the brazenly airy glissandos of her violin. Okura's playing is full of exquisite loops and skids that seem to carry her from one plane to another. Her sharp gliding action is so ethereal that often she appears to come out of another dimension to rejoin the music of this one. Naima is a process that inevitably leads to the magisterial suite, "The Lu Chai Suite," which was inspired by the 8th Century Tang Dynasty poet, Wang Wei, a revered artist in ancient China. As the composer informs via the liner notes, the poem has four lines, each incorporating five characters. Okura's suite follows this format, with each section or movement composed to match the structure of the poem. The first movement, "Empty Mountain," veers from the forbidden to the blissfully peaceful, especially during Okura's erhu solo. This instrument, and Satoshi Takeishi's percussion, gives the music an Oriental flavor, although at the best of times the music incorporates more American folk themes than anything else. The suite is complex, and is written in part using the Phrygian scale, obviating the necessity of the third and seventh notes. Finally in the third and most exciting movement "Sunlight," Okura takes inspiration from the Romantics including Robert Schumann, Anton Dvorak and Claude Debussy. With this album, Meg Okura has established herself as a complete artist and a major one at that, who is unafraid to experiment and weave many musical worlds into one, using a gentle, all encompassing sensibility.