(Brazilian Jazz, Bossa Nova, Samba) Walter Wanderley - O Samba E Mais Samba com Walter Wanderley - 2002, APE (image+.cue) lossless

Walter Wanderley - O Samba É Mais Samba com Walter Wanderley Жанр: Brazilian Jazz, Bossa Nova, Samba Страна-производитель диска: Brazil Год издания диска: 2002 Издатель (лейбл): EMI / Odeon 100ANOS Номер по каталогу: 541557 2 Аудио кодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 00:29:17 Источник (релизер): barin99 Наличие сканов в содержимом раздачи: даТреклист:01. Labareda 02. Você E Eu 03. Volto Já 04. Eu Nao Tenho Onde Morar 05. Deixa Andar 06. Eu E O Rio 07. A Mesma Rosa Amarela 08. Corcovado 09. Só Vou de Mulher 10. Que Sabe Você De Mim 11. A Nega Se Vingou 12. O Poema Da Vida  Лог создания рипа (EAC Log) Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 1. May 2011, 20:18Walter Wanderley / O Samba E Mais SambaUsed drive : TSSTcorpDVD+-RW TS-U633A Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:34.70 | 0 | 11619 2 | 2:34.70 | 2:09.27 | 11620 | 21321 3 | 4:44.22 | 2:00.70 | 21322 | 30391 4 | 6:45.17 | 2:12.23 | 30392 | 40314 5 | 8:57.40 | 2:18.37 | 40315 | 50701 6 | 11:16.02 | 3:06.50 | 50702 | 64701 7 | 14:22.52 | 3:11.33 | 64702 | 79059 8 | 17:34.10 | 2:06.12 | 79060 | 88521 9 | 19:40.22 | 2:24.53 | 88522 | 99374 10 | 22:05.00 | 2:12.22 | 99375 | 109296 11 | 24:17.22 | 2:44.43 | 109297 | 121639 12 | 27:01.65 | 2:15.57 | 121640 | 131821Range status and errorsSelected range Filename C:\_Arc\BARIN99\Walter Wanderley - O Samba E Mais Samba\Walter Wanderley - O Samba E Mais Samba.wav Peak level 100.0 % Range quality 99.9 % Copy CRC 60D8ADC8 Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseTrack 2 not present in databaseTrack 3 not present in databaseTrack 4 not present in databaseTrack 5 not present in databaseTrack 6 not present in databaseTrack 7 not present in databaseTrack 8 not present in databaseTrack 9 not present in databaseTrack 10 not present in databaseTrack 11 not present in databaseTrack 12 accurately ripped (confidence 1) [1C7DB995] 1 track(s) accurately ripped11 track(s) not present in the AccurateRip databaseSome tracks could not be verified as accurateEnd of status report  Содержание индексной карты (.CUE) REM GENRE "Bossa Nova"REM DATE 1972REM DISCID A506DD0CREM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Walter Wanderley"TITLE "O Samba E Mais Samba"FILE "Walter Wanderley - O Samba E Mais Samba.ape" WAVE TRACK 01 AUDIO TITLE "Labareda" PERFORMER "Walter Wanderley" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Vocк E Eu" PERFORMER "Walter Wanderley" INDEX 01 02:34:70 TRACK 03 AUDIO TITLE "Volto Jб" PERFORMER "Walter Wanderley" INDEX 01 04:44:22 TRACK 04 AUDIO TITLE "Eu Nгo Tenho Onde Morar" PERFORMER "Walter Wanderley" INDEX 01 06:45:17 TRACK 05 AUDIO TITLE "Deixa Andar" PERFORMER "Walter Wanderley" INDEX 01 08:57:40 TRACK 06 AUDIO TITLE "Eu E O Rio" PERFORMER "Walter Wanderley" INDEX 01 11:16:02 TRACK 07 AUDIO TITLE "A Mesma Rosa Amarela" PERFORMER "Walter Wanderley" INDEX 01 14:22:52 TRACK 08 AUDIO TITLE "Corcovado" PERFORMER "Walter Wanderley" INDEX 01 17:34:10 TRACK 09 AUDIO TITLE "Sу Vou de Mulher" PERFORMER "Walter Wanderley" INDEX 01 19:40:22 TRACK 10 AUDIO TITLE "Que Sabe Vocк De Mim" PERFORMER "Walter Wanderley" INDEX 01 22:05:00 TRACK 11 AUDIO TITLE "A Nega Se Vingou" PERFORMER "Walter Wanderley" INDEX 01 24:17:22 TRACK 12 AUDIO TITLE "O Poema Da Vida" PERFORMER "Walter Wanderley" INDEX 01 27:01:65  AMG"Walter Wanderley was a talented and gifted organist with an acute ear for new harmonies. With 46 recorded solo albums in his entire career, both in Brazil and the U.S., he reached number 26 on the Billboard pop charts in September 1966, opening a large pathway of success only menaced by himself and his complex character. Ten years after his death from cancer, with a new fad coming, he was repackaged by the entertainment industry as a mere lounge player, carrying his record sales even further and sending the cost of his out-of-print albums to the stratosphere, but all at the cost of minimizing his significance. It is forgotten that the time lag worked against him and what today is lounge music was then innovative and revolutionary. With all those fans of samba-canção divas feeling personally insulted by those percussive rhythms reminiscent of a Brazilian black tradition that was not dear to the average Brazilian, it has to be stressed that the bossa nova movement, and Wanderley within it, had the role of affirming Brazilian identity in a broader cultural industry which was developed out of the folkloric redoubts. In fact, he also has an upbeat production full of that energy provided by his distinctive staccato stuttering style, immediately reminiscent of authentic Brazilian rhythmic and percussive impetus. He also improvised extended melodic solos without reheated licks, but that was obviously also left out of his most popular albums. At five, he was already playing the piano. At 12, he attended the Licee of Arts for a year of theory classes, later studying harmony and arranging. Beginning his professional career while still in Recife, a most lively city with a vibrant cultural life, he worked every night either at the piano or at the organ. At 26, in 1958, he moved to São Paulo and immediately became an active player in nightclubs such as the Claridge, the Captain's Bar, and Oásis. Wanderley's first recording was in August 1959 for Odeon, with Carlos Lyra's 'Lobo Bobo.' Backing his wife, Brazilian singer Isaurinha Garcia (with whom he had a daughter, Monica), he recorded for the second time one month later. At that time, he was Garcia's accompanist and arranger. He would record another six LPs accompanying Garcia and another 19 solo albums in Brazil for several labels; he was left out of some of the credits because of his contract with Philips. Wanderley became known on the artistic scene for recording young artists, like Marcos Valle, Tom Jobim, João Donato, and others, until then with no expression out of the little nightclubs in which they performed on a nightly basis. But as the tunes and arrangements were fun to dance to, the albums sold very well. João Gilberto's João Gilberto (later reissued as O Mito in Brazil and as The Legendary João Gilberto in the U.S. in 1990 by World Pacific) from 1961 also had Walter in it. An impatient Wanderley then bent under Gilberto's oppressive, meticulous direction on March 10. That was the third album Gilberto was recording for Odeon and would be the last. Until then, Gilberto had Tom Jobim as pianist and Aluísio de Oliveira as producer. In spite of his frequent discussions with de Oliveira, the producer was the person who mediated Gilberto's hard relationship with Jobim. But de Oliveira had left Odeon the previous September, and Jobim didn't want to be scheduled for that recording. Gilberto, not knowing how to write music, insisted on expressing his musical vision of overall arrangements by singing, and that not only included the tones themselves, but the expression, timbre, and articulation. This drove Wanderley mad, especially with a certain sound effect of a boat's siren for 'O Barquinho' ('Little Boat'), which was never good enough for Gilberto. The next day, Gilberto interrupted the recording of that album, only resuming it five months later with Jobim as musical director. Wanderley went on with his career and life, beginning an association with singer Claudette Soares in 1963, as an arranger and accompanist. His marriage was broken at this period. He also recorded for several renowned Brazilian singers in that time, among them Dóris Monteiro and Geraldo Vandré. It was when Tony Bennett saw Wanderley during a Brazilian tour and was taken by his playing. He urged Wanderley to move to the U.S. and, he himself talked about him to Verve Records producer Creed Taylor, also giving Taylor some of Wanderley's albums. After some insistence, Taylor sent contracts for Wanderley and his trio to record a single. So in 1966, they recorded brothers Marcos and Paulo Sérgio Valle's 'Samba de Verão' ('Summer Samba'). It was an instant success, with radio stations playing it four or five times per hour. In that same year, the LP Rain Forest came out, also selling very well and was certified platinum (one million units sold) in two years. The trio accompanied Astrud Gilberto on her A Certain Smile, a Certain Sadness album, also in 1966. He would record six more solo LPs or singles for Verve until the next year, and ten more in his career in the U.S. He always sold well and had a full performing schedule, in which local presentations at the San Francisco area were interspersed with some tours to Mexico. He never did return to Brazil after moving to the U.S. and he went on with his life until death caught up with him."