(Bossa Nova, Cool) Stan Getz — The Best Of Two Worlds featuring Joao Gilberto (1976) — 1986, FLAC (image+.cue) lossless

Stan Getz — The Best Of Two Worlds featuring Joao Gilberto (1976)Жанр: Bossa Nova, Cool Год издания диска: 1986 Лейбл: Columbia Номер по каталогу: CK 33703 Аудио кодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 43:13 Риппер: ffsf Сканов нетТреклист: 01. Double Rainbow (3:35) 02. Aguas De Março (4:43) 03. Ligia (5:23) 04. Falsa Bahiana (5:07) 05. Retrato Em Branco E Prieto (4:05) 06. Izaura (4:39) 07. Eu Vim Da Bahia (3:56) 08. João Marcello (3:26) 09. É Preciso Perdoar (5:16) 10. Just One Of Those Things (3:03)  Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 26. January 2011, 10:11Stan Getz / The Best Of Two WorldsUsed drive : HL-DT-STDVDRAM GT20N Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceUsed output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:34.45 | 0 | 16094 2 | 3:34.45 | 4:43.32 | 16095 | 37351 3 | 8:18.02 | 5:23.28 | 37352 | 61604 4 | 13:41.30 | 5:06.45 | 61605 | 84599 5 | 18:48.00 | 4:04.47 | 84600 | 102946 6 | 22:52.47 | 4:38.55 | 102947 | 123851 7 | 27:31.27 | 3:56.13 | 123852 | 141564 8 | 31:27.40 | 3:26.15 | 141565 | 157029 9 | 34:53.55 | 5:16.25 | 157030 | 180754 10 | 40:10.05 | 3:03.00 | 180755 | 194479Range status and errorsSelected range Filename D:\EAC\Stan Getz - The Best Of Two Worlds\Stan Getz - The Best Of Two Worlds.wav Peak level 88.6 % Extraction speed 0.2 X Range quality 100.0 % Test CRC CEEC903C Copy CRC CEEC903C Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 6) [40269369]Track 2 accurately ripped (confidence 6) [695B1FB6]Track 3 accurately ripped (confidence 6) [A5FE653C]Track 4 accurately ripped (confidence 6) [F7F07D9F]Track 5 accurately ripped (confidence 5) [D39505C2]Track 6 accurately ripped (confidence 5) [9417B7B0]Track 7 accurately ripped (confidence 5) [4E7D934C]Track 8 accurately ripped (confidence 5) [B7100C08]Track 9 accurately ripped (confidence 6) [1EB29174]Track 10 accurately ripped (confidence 6) [448D0064]All tracks accurately rippedEnd of status report  Об альбоме (сборнике)This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos Jobim (or Tom Jobim), along with the stylish and nonintrusive arrangements of Oscar Carlos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all of the crap falling down around them in the musical climate of the mid-'70s -- fusion, disco, overblown rock, and the serious decline of jazz -- this disc was criminally overlooked at the time. Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Dailey, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto -- who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim -- whose song forms had reached such a degree of sophistication that he was untouchable -- chose to write all of his lyrics in English (songwriter Gene Lees also wrote many in English). This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did. Jobim's poetry on tracks such as "Waters of March," accompanied by Getz's lushly romantic saxophones and Gilberto's crooning nylon-string guitar, are so sensuous they radiate heat and humidity. Elsewhere, on the Lees/Jobim co-write "Double Rainbow," Gilberto's singing carries the soft bossa into the middle of American jazz phraseology and builds a bridge so airy and flexible it can never be undone. There is also a barn-burning samba in "Falsa Bahiana," which slips and shimmies along the 6/8 line and sweeps itself up in couplets in the solos. In all, this is as fine a bossa album as Getz ever recorded, standing among his finest works, and without a doubt equals his earlier collaborations with Jobim and Gilberto.