(Bop, Stride, Piano Jazz) [CDR] Mary Lou Williams - Live at the Cookery (with Brian Torff) - 1976, CD 1994, FLAC (tracks+.cue), lossless

Mary Lou Williams / Live at the Cookery (with Brian Torff) Жанр: Bop, Stride, Piano Jazz Носитель: CDR Страна-производитель диска (релиза): USA Год издания: 1976, CD 1994 (+3 tracks) Издатель (лейбл): Chiaroscuro Records Номер по каталогу: CR (D) 146 Страна исполнителя (группы): USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:08:41 Источник (релизер): kapplejacks @ what.cd Наличие сканов в содержимом раздачи: да Треклист: 1. Praise The Lord (6:06) 2. Blues For Peter (6:50) 3. I Can't Get Started (5:50) 4. Roll 'Em (6:25) 5. The Jeep Is Jumping (3:28) 6. My Funny Valentine (5:04) 7. Waltz Boogie (3:10) 8. The Surrey With The Fringe On Top (4:21) 9. The Man I Love (5:58) 10. All Blues (4:47) 11. Mack The Knife (5:11) 12. A Grand Night For Swinging (7:52)  Лог создания рипа X Lossless Decoder version 20141129a (148.2)XLD extraction logfile from 2015-10-06 18:00:08 -0500Mary Lou Williams / Live At The CookeryUsed drive : MATSHITA DVD-R UJ-857E (revision ZF1E)Media type : CD-RecordableRipper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 102Max retry count : 100Gap status : Analyzed, Appended (except HTOA)TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 05:55:15 | 0 | 26639 2 | 05:55:15 | 06:56:00 | 26640 | 57839 3 | 12:51:15 | 05:54:57 | 57840 | 84446 4 | 18:45:72 | 06:32:68 | 84447 | 113914 5 | 25:18:65 | 03:50:05 | 113915 | 131169 6 | 29:08:70 | 05:23:57 | 131170 | 155451 7 | 34:32:52 | 03:23:30 | 155452 | 170706 8 | 37:56:07 | 04:41:65 | 170707 | 191846 9 | 42:37:72 | 07:57:65 | 191847 | 227686 10 | 50:35:62 | 04:46:48 | 227687 | 249184 11 | 55:22:35 | 05:11:02 | 249185 | 272511 12 | 60:33:37 | 08:07:53 | 272512 | 309089List of alternate offset correction values # | Absolute | Relative | Confidence ------------------------------------------ 1 | 285 | 183 | 4AccurateRip Summary (DiscID: 001e5f5c-0118e1a6-a110190c) Track 01 : OK (v2, confidence 2/6) Track 02 : OK (v2, confidence 2/6) Track 03 : OK (v2, confidence 2/6) Track 04 : OK (v2, confidence 2/6) Track 05 : OK (v2, confidence 2/6) Track 06 : OK (v2, confidence 2/5) Track 07 : OK (v2, confidence 2/6) Track 08 : OK (v2, confidence 2/6) Track 09 : OK (v2, confidence 2/6) Track 10 : OK (v2, confidence 2/6) Track 11 : OK (v2, confidence 2/6) Track 12 : OK (v2, confidence 2/6) ->All tracks accurately ripped.All Tracks Album gain : 2.49 dB Peak : 0.920349 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 01 Filename : /Users/kevin/Music/XLD Conversions/Mary Lou Williams - Live At The Cookery (1976) [FLAC]/01 Praise The Lord.flac Pre-gap length : 00:02:00 Track gain : 1.85 dB Peak : 0.732330 CRC32 hash (test run) : 913462FE CRC32 hash : 913462FE CRC32 hash (skip zero) : 287DEEE1 AccurateRip v1 signature : 7D5D34A2 AccurateRip v2 signature : 708B28F4 ->Accurately ripped (v2, confidence 2/6) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 02 Filename : /Users/kevin/Music/XLD Conversions/Mary Lou Williams - Live At The Cookery (1976) [FLAC]/02 Blues For Peter.flac Track gain : 4.37 dB Peak : 0.577423 CRC32 hash (test run) : 937300E2 CRC32 hash : 937300E2 CRC32 hash (skip zero) : 8A61DD5F AccurateRip v1 signature : F4C83D82 AccurateRip v2 signature : BB50C653 ->Accurately ripped (v2, confidence 2/6) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 03 Filename : /Users/kevin/Music/XLD Conversions/Mary Lou Williams - Live At The Cookery (1976) [FLAC]/03 I Can't Get Started.flac Track gain : 4.46 dB Peak : 0.781708 CRC32 hash (test run) : 434E8113 CRC32 hash : 434E8113 CRC32 hash (skip zero) : 4E624AF1 AccurateRip v1 signature : 687A5641 AccurateRip v2 signature : DD6DED72 ->Accurately ripped (v2, confidence 2/6) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 04 Filename : /Users/kevin/Music/XLD Conversions/Mary Lou Williams - 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Although for decades she was often called jazz's greatest female musician (and one has to admire what must have been a nonstop battle against sexism), she would have been considered a major artist no matter what her sex.Just the fact that Williams and Duke Ellington were virtually the only stride pianists to modernize their style through the years would have been enough to guarantee her a place in jazz history books. Williams managed to always sound modern during a half-century career without forgetting her roots or how to play in the older styles.Born Mary Elfrieda Scruggs (although she soon took the name of her stepfather and was known as Mary Lou Burley), she taught herself the piano by ear and was playing in public at the age of six. Growing up in Pittsburgh, Williams' life was always filled with music. When she was 13, she started working in vaudeville, and three years later married saxophonist John Williams. They moved to Memphis, and she made her debut on records with Synco Jazzers. John soon joined Andy Kirk's orchestra, which was based in Kansas City, in 1929. Williams wrote arrangements for the band, filled in for an absent pianist on Kirk's first recording session, and eventually became a member of the orchestra herself. Her arrangements were largely responsible for the band's distinctive sound and eventual success. Williams was soon recognized as Kirk's top soloist, a stride pianist who impressed everyone (even Jelly Roll Morton). In addition, she wrote such songs such as "Roll 'Em" (a killer hit for Benny Goodman) and "What's Your Story Morning Glory" and contributed arrangements to other big bands, including those of Goodman, Earl Hines, and Tommy Dorsey.Mary Lou Williams stayed with Kirk until 1942, by which time she had divorced John Williams and married trumpeter Harold "Shorty" Baker. She co-led a combo with Baker before he joined Duke Ellington. Williams did some writing for Duke (most notably her rearrangement of "Blue Skies" into a horn battle called "Trumpets No End") and played briefly with Benny Goodman's bebop group in 1948. She had gradually modernized her style and by the early to mid-'40s was actively encouraging the young modernists who would lead the bebop revolution, including Thelonious Monk, Bud Powell, Tadd Dameron, and Dizzy Gillespie. Williams' "Zodiac Suite" showed off some of her modern ideas, and her "In the Land of Oo-Bla-Dee" was a bebop fable recorded by Gillespie.Williams lived in Europe from 1952-1954 and then became very involved in the Catholic religion. She retired from music for a few years before appearing as a guest with Dizzy Gillespie's orchestra at the 1957 Newport Jazz Festival. Williams returned to jazz and by the early '70s sounded more like a young modal player (clearly she was familiar with McCoy Tyner) than a survivor of the 1920s. Although she did not care for the avant-garde, she occasionally played quite freely, although a 1977 duo concert with Cecil Taylor was a complete fiasco. Williams wrote three masses and a cantana, was a star at Benny Goodman's 40th-anniversary Carnegie Hall concert in 1978, taught at Duke University, and often planned her later concerts as a history of jazz recital. By the time she passed away at the age of 71, she had a list of accomplishments that could have filled three lifetimes.Mary Lou Williams recorded through the years as a leader for many labels including Brunswick (a pair of piano solos in 1930), Decca (1938), Columbia, Savoy, extensively for Asch and Folkways during 1944-1947, Victor, King (1949), Atlantic, Circle, Vogue, Prestige, Blue Star, Jazztone, her own Mary label (1970-1974), Chiaroscuro, SteepleChase, and finally Pablo (1977-1978). http://www.allmusic.com/artist/mary-lou-williams-mn0000859820/biography  Об альбоме (сборнике)AllMusic Review by Scott Yanow This CD gives one a definitive look at talented pianist Mary Lou Williams in her later years. In these duets with bassist Brian Torff, Williams essentially takes listeners on a trip through the history of jazz, from hymns and blues to stride, swing, and bop (including "All Blues"). The CD reissue adds three fine performances to the original program. Recommended. http://www.allmusic.com/album/live-at-the-cookery-mw0000091515  СоставMary Lou Williams - piano; Brian Torff - bass