(Bop, Hard Bop, Soul Jazz) Joey DeFrancesco - Part III (1991, Columbia), FLAC (tracks+.cue) lossless

Joey DeFrancesco - Part III (1991, Columbia) Жанр: Bop, Hard Bop, Soul Jazz Страна исполнителя: U.S.A. Запись: at Vintage Recorders, Phoenix, Arizona Год издания: 1991 Страна - производитель диска: U.S.A. Издатель (лейбл): Columbia Номер по каталогу: CK 47063 Аудио кодек: FLAC (*.flac) Тип рипа: (tracks + .cue) Корректность рипа: EAC ripped, correct read offset, test and copy Битрейт аудио: lossless Наличие сканов в содержимом раздачи: full scans, png, 300 dpi Продолжительность: 71:43 Источник (релизер): Моя коллекция, мой рип Трэклист: Состав: 1. Dr. JEKYLL (5.52) J. McLean Joey DeFrancesco—Organ; Glenn Guidone—Tenor Saxophone; Robert Landham—Alto Saxophone; J.R. "Big Jim" Henry—Trumpet, Flugelhorn; Paul Bollenback—Guitar; Byron "Wookie" Landham —Drums 2. The End Of A Love Affair (5:28) F.C. Redding Joey DeFrancesco—Organ; Paul Bollenback —Guitar; Byron "Wookie" Landham —Drums 3. O.E.I. (7:04) J. DeFrancesco Joey DeFrancesco—Acoustic Piano, Trumpet; Christian McBride—Acoustic Bass; Byron "Wookie" Landham—Drums 4. RHYTHM-A-NING (6:25) T. Monk Joey DeFrancesco—Organ; Glenn Guidone—Tenor Saxophone; Robert Landham—Alto Saxophone; J.R. "Big Jim" Henry—Trumpet, Flugelhorn; Paul Bollenback—Guitar; Byron "Wookie" Landham —Drums 5. Wookie's Corner (8:20) Joey DeFrancesco Joey DeFrancesco—Organ; Glenn Guidone—Tenor Saxophone; Robert Landham—Alto Saxophone; J.R. "Big Jim" Henry—Trumpet, Flugelhorn; Paul Bollenback—Guitar; Byron "Wookie" Landham —Drums 6. What I See (3.15) J. DeFrancesco Joey DeFrancesco—Organ, Trumpet; Glenn Guidone—Tenor Saxophone; Robert Landham—Alto Saxophone; J.R. "Big Jim" Henry—Lead Trumpet, Trumpet Solo; Paul Bollenback—Acoustic Nylon String Guitar; Ted Moore—Percussion; Byron "Wookie" Landham—Drums 7. Don't Stop Me Now (7:49) S. Lukather-D. Paich Joey DeFrancesco- ENSONIQ EPS-M, Trumpet; Paul Bollenback—Guilar; Byron "Wookie" Landham —Drums; 8. If I Were A Bell (6:30) F Loessier Joey DeFrancesco—Acoustic Piano; Christian McBride—Acoustic Bass; Byron "Wookie" Landham —Drums 9. Waltz For Dad (6:19) Joey DeFrancesco Joey DeFrancesco—Organ; Robert Landham—Alto Saxophone; Paul Bollenback—Guitar; Byron "Wookie" Landham—Drums 10. Blue In Green (8:29) M. Davis Joey DeFrancesco—Organ; Paul Bollenback—Guitar; Byron "Wookie" Landham —Drums 11. Gut Bucket Blues (6:14) Joey DeFrancesco John DeFrancesco—Organ; Paul Bollenback—Guitar; Byron "Wookie" Landham —Drums All songs arranged by Joey DeFrancesco with the exception of "The End Of A Love Affair" which was arranged by Paul Bollenback. The organ used is a Hammond C-3 modified by Joey DeFrancesco. Joey DeFrancesco plays ENSONIQ Keyboards (EPS, EPS-M, SQ-80, VFX, VFX-SD) Рейтинг: 1991 - Billboard Top Jazz Albums #2   Несколько слов на английском The topic that invariably comes up in a discussion of Joey DeFrancesco is his age. This is understandable yet unfair. Obviously his talent is quite exceptional in one so young, but just as clearly he neither wants nor needs to be evaluated simply as a teenaged prodigy. In recent years there has been an increasing number of cases in which unusual artistry has emerged at a very early age. Wynton Marsalis and several of Wynton's sidemen were in full bloom before their teen years were over. The Thelonious Monk Contest, in which Joey tied for third place in 1987 (an event that led to his being signed by Columbia Records) produced an amazing trumpeter in 1990, a first place winner at 17 (against competitors whose age ranged up to the early 30s). Jazz is that unique art form in which generation gaps seem not to exist. At jazz parties, often at festivals and concerts, young men like Joey DeFrancesco interact successfully with artists old enough to be their great-grandparents. In fact, there are now as many octogenarian geniuses as teenage wonders. Among them is the bassist Milt Hinton, who played on the big-band cuts on Joey's last album. Sometimes the arrival of young talents can be ascribed to the vastly improved scope of jazz education. Often, though, inherited ability, or exposure to the music virtually from birth, is the key. If you are going to become a jazz organist, it is wise to select a jazz organist as your father. Such was the case with Joey. "My father doesn't play professionally any more," he told me recently. "He's an electrician now, but he was a full-time keyboard player, and I was fascinated with the sound of his Hammond B-3 organ. I started playing when I was four years old, and by the time 1 was seven I knew a lot of the jazz standard tunes." Parental encouragement clearly was a major factor in Joey's development; his father took him to hear Jack McDuff and others in various Philadelphia clubs. Joey was born April 10,1971, in Springfield, PA, and educated in Philadelphia schools. While he was at the High School for Creative and Performing Arts, Joey's trio won a student competition. Not long afterward, he was on a television show where Miles Davis was a guest. Impressed, he asked for Joey's phone number. Everything soon fell into place: victory in the Philadelphia Jazz Society's McCoy Tyner Scholarship competition; the Monk contest; the Columbia Records deal; and a call from Miles Davis that resulted in his touring Europe with him, (Joey played on one track of Davis's Amandla album.) Along the way he has developed impressive gifts as a composer and even as a trumpeter. The group he heads on most cuts on the present album consists of musicians who have been working on his gigs as a leader. Trumpeter J.. R. "Big Jim" Henry is from Boston, but now lives in Arizona. Sharing the front line with him are two promising saxophonists: Glenn Guidone on tenor ("He's from Queens, and still lives there," says Joey) and Robert Landham on alto. Landham, 27, is the brother of the drummer, 20-year-old Byron "Wookie" Landham. The guitarist is the remarkable Paul Bollenback, whom Joey and 1 both heard for the first time when he took part with Joey in a concert in Washington. That night also marked my first in-person exposure to Joey. To hear him driving relentlessly through chorus after chorus of the blues was an experience far beyond my expectations. More recently, during another visit to Washington (when Joey played piano while the judges were busy deliberating the results of the trumpet contest), we had a little time to get together and 1 learned the details of the Part 111 album. The opening cut, "Dr. Jekyll," was originally recorded as "Dr. Jackie" when Jackie McLean wrote and recorded it as a sideman on a 1955 record date with Miles Davis. It's a Bird-like line, a blues in Fy taken at an obscenely fast tempo, The head is played twice, once in unison, then voiced for the horns. In addition to the leader's phenomenal solo (he knocks off an entire 12-bar chorus in about nine seconds) there is some spirited work by Henry on trumpet, and a sax passage that winds up in an exciting battle. Later, Joey trades eights and fours with Wookie Land-ham before the reprise of the head. "The End Of A Love Affair" is a 1950 song by Edward C. Redding, originally introduced by Mabel Mercer and first recorded by Dinah Shore. For this track the traditional organ-guitar-drums instrumentation was used. The rhythm is established partly in double-time but reverts to the original slow tempo as Bollenback plays the theme. "O.E.I." is titled for a woman friend's last name. Expressing richly harmonic ideas on acoustic piano, Joey overdubbed an appropriate part on muted trumpet. The backing by Christian McBride and Wookie Landham provides a fittingly relaxed support. "Rhythm-a-ning" is a Thelonious Monk variation on the age-old "1 Got Rhythm" changes, with dynamic contributions by all hands, including some well crafted fours by Joey and the drummer, with the latter playing the bridge before the final head. "Wookie's Corner" is a blues open-ing with two choruses of a vamp before the attractive theme is established, based on two- and three-note phrases. Big Jim Henry switches to flugelhorn for his solo here, and Wookie takes over before the closing statement. "What I See" is one of Joey's most attractive originals, doubly remarkable in that he wrote it when he was all of eight years old. Note Paul Bollenback's use here of an acoustic nylon string guitar, and the fine lead and solo trumpet work by Big Jim. "When I was on the road with Miles," Joey recalls, "the tune 'Don't Stop Me Now' was one number we played together all the time. On this one 1 played an ENSONIQ EPS-M keyboard and doubled on Harmon-muted trumpet." Frank Loesser's "If I Were A Bell" (from the 1950 show Guys and Dolls) uses the piano trio format, with Joey starting conventionally, but building to an Oscar Petersonian passage, and from there to a somewhat outside interlude before Christian McBride's bass solo. Joey wrote "Waltz For Dad" when he was 11. Sharing the spotlight with Bollenback and Rob Landham, he turns it into a bright and sprightly tribute. "Blue In Green" is of course the Miles Davis standard, though Joey says, "He never played this while 1 was with him." Here as elsewhere, he updates a theme that goes back through the decades, yet retains the tune's original essence. The slow tempo seems most appropriate, as does the contrasting moments of drama and understatement by Joey. As you can discern by listening closely to Joey's shout of "Yeah, Dad!," he shares space with his father on the doubly organized "Gut Bucket Blues." Joey plays the first solo, John DeFrancesco the second, and it's Joey who leads off the fours. This is without doubt the first father-and-son keyboard record (and I'm including pianos in this sweeping claim). When I first heard Joey in person I was impressed not only by his technique and rare improvisational skill, but by the extent to which he reminded me of Jimmy Smith, the founding father of modern jazz organ in the 1950s. More extensive listening, particularly to this album, has made it clear that whatever his original influences may have been, he is now very much his own man. This is no mean accomplishment for a performer who, only a few years ago, was still making his headway in high-school competitions. But there I go talking about age again. Just listen to Part III and, disregarding any such consideration, rejoice in what you hear. — Leonard Feather     Содержание индексной карты (.CUE): REM GENRE Jazz REM DATE 1991 REM DISCID A810DE0B REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Joey DeFrancesco" TITLE "Part III" FILE "01 - Doctor Jekyll.wav" WAVE TRACK 01 AUDIO TITLE "Doctor Jekyll" PERFORMER "Joey DeFrancesco" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "The End Of A Love Affair" PERFORMER "Joey DeFrancesco" INDEX 00 05:53:12 FILE "02 - The End Of A Love Affair.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "O.E.I." PERFORMER "Joey DeFrancesco" INDEX 00 05:28:45 FILE "03 - O.E.I..wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Rhythm-a-ning" PERFORMER "Joey DeFrancesco" INDEX 00 07:04:35 FILE "04 - Rhythm-a-ning.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Wookie's Corner" PERFORMER "Joey DeFrancesco" INDEX 00 06:25:70 FILE "05 - Wookie's Corner.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "What I See" PERFORMER "Joey DeFrancesco" INDEX 00 08:19:58 FILE "06 - What I See.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Don't Stop Me Now" PERFORMER "Joey DeFrancesco" INDEX 00 03:15:65 FILE "07 - Don't Stop Me Now.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "If I Were A Bell" PERFORMER "Joey DeFrancesco" INDEX 00 07:49:35 FILE "08 - If I Were A Bell.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Waltz For Dad" PERFORMER "Joey DeFrancesco" INDEX 00 06:29:68 FILE "09 - Waltz For Dad.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Blue In Green" PERFORMER "Joey DeFrancesco" INDEX 00 06:19:15 FILE "10 - Blue In Green.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "GutBucketBlues(1991,JoeyDeFrancesco,Philadelphia,PA)" PERFORMER "Joey DeFrancesco" INDEX 00 08:29:63 FILE "11 - GutBucketBlues(1991,JoeyDeFrancesco,Philadelphia,PA).wav" WAVE INDEX 01 00:00:00     Лог создания рипа Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 19. November 2010, 11:25 Joey DeFrancesco / Part III Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:54.70 | 0 | 26619 2 | 5:54.70 | 5:29.00 | 26620 | 51294 3 | 11:23.70 | 7:04.60 | 51295 | 83154 4 | 18:28.55 | 6:26.47 | 83155 | 112151 5 | 24:55.27 | 8:20.43 | 112152 | 149694 6 | 33:15.70 | 3:16.37 | 149695 | 164431 7 | 36:32.32 | 7:50.15 | 164432 | 199696 8 | 44:22.47 | 6:30.60 | 199697 | 229006 9 | 50:53.32 | 6:20.00 | 229007 | 257506 10 | 57:13.32 | 8:30.35 | 257507 | 295791 11 | 65:43.67 | 6:14.58 | 295792 | 323899 Track 1 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\01 - Doctor Jekyll.wav Pre-gap length 0:00:02.00 Peak level 96.8 % Track quality 100.0 % Test CRC 8EC60BD5 Copy CRC 8EC60BD5 Cannot be verified as accurate (confidence 3) [D987DD6F], AccurateRip returned [F2E7F1CD] Copy OK Track 2 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\02 - The End Of A Love Affair.wav Pre-gap length 0:00:01.77 Peak level 99.6 % Track quality 100.0 % Test CRC A2E02668 Copy CRC A2E02668 Cannot be verified as accurate (confidence 2) [D174C5D0], AccurateRip returned [F5604C42] Copy OK Track 3 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\03 - O.E.I..wav Pre-gap length 0:00:00.40 Peak level 70.5 % Track quality 100.0 % Test CRC 53840B68 Copy CRC 53840B68 Cannot be verified as accurate (confidence 3) [5396964A], AccurateRip returned [04F95BC4] Copy OK Track 4 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\04 - Rhythm-a-ning.wav Pre-gap length 0:00:00.33 Peak level 98.8 % Track quality 100.0 % Test CRC DBE3AEDB Copy CRC DBE3AEDB Cannot be verified as accurate (confidence 2) [B87B27EA], AccurateRip returned [C0F894C2] Copy OK Track 5 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\05 - Wookie's Corner.wav Pre-gap length 0:00:00.69 Peak level 98.8 % Track quality 100.0 % Test CRC 4A08E4FE Copy CRC 4A08E4FE Cannot be verified as accurate (confidence 2) [B2AC60B2], AccurateRip returned [665C5B38] Copy OK Track 6 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\06 - What I See.wav Pre-gap length 0:00:00.80 Peak level 88.1 % Track quality 100.0 % Test CRC 87B7447D Copy CRC 87B7447D Cannot be verified as accurate (confidence 2) [154F825E], AccurateRip returned [243E1A7C] Copy OK Track 7 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\07 - Don't Stop Me Now.wav Pre-gap length 0:00:00.62 Peak level 100.0 % Track quality 99.9 % Test CRC 13B8F5C2 Copy CRC 13B8F5C2 Cannot be verified as accurate (confidence 2) [B83BF807], AccurateRip returned [66B861FB] Copy OK Track 8 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\08 - If I Were A Bell.wav Pre-gap length 0:00:00.73 Peak level 98.8 % Track quality 100.0 % Test CRC C8021A1F Copy CRC C8021A1F Cannot be verified as accurate (confidence 2) [257BA617], AccurateRip returned [5831435D] Copy OK Track 9 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\09 - Waltz For Dad.wav Pre-gap length 0:00:00.89 Peak level 100.0 % Track quality 100.0 % Test CRC A6531DDF Copy CRC A6531DDF Cannot be verified as accurate (confidence 2) [550F8DE4], AccurateRip returned [0D541E2C] Copy OK Track 10 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\10 - Blue In Green.wav Pre-gap length 0:00:00.80 Peak level 98.8 % Track quality 100.0 % Test CRC D2823EF3 Copy CRC D2823EF3 Cannot be verified as accurate (confidence 2) [6FC8EA49], AccurateRip returned [A37CDC31] Copy OK Track 11 Filename D:\music\Musicgate's rips\Joe DeFrancesco - Part III (1991, Columbia)\11 - GutBucketBlues(1991,JoeyDeFrancesco,Philadelphia,PA).wav Pre-gap length 0:00:00.62 Peak level 98.4 % Track quality 100.0 % Test CRC FAE71B45 Copy CRC FAE71B45 Cannot be verified as accurate (confidence 2) [A7DB66E2], AccurateRip returned [608E3CFE] Copy OK No tracks could be verified as accurate You may have a different pressing from the one(s) in the database No errors occurred End of status report     Лог проверки качества   Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) За своими раздачами не слежу, и старые топики не читаю - 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