(Bop, Hard Bop) Phil Woods - Phil Woods and His European Rhythm Machine - 1970, FLAC (tracks+.cue), lossless

Phil Woods - Phil Woods and His European Rhythm Machine Жанр: Bop, Hard Bop Страна-производитель диска: США Год издания: 2009 Издатель (лейбл): Inner City Records Номер по каталогу: IC 1002 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 40:32 Источник (релизер): Flacmonster (what) Наличие сканов в содержимом раздачи: да Треклист: 01. Chromatic Banana (Woods) - 12:14 02. Ultimate Choice (Beck) - 9:48 03. The Last Page (Woods)/Sans Melodie (Beck) - 6:46 04. A Look Back (Beck) - 2:54 05. The Day When the World... (Beck) - 8:50 Состав: Phil Woods - alto saxophone, varitone, clarinet, English recorder, percussion, vocals Gordon Beck - electric piano, piano, organ, bells, percussion, vocals Henri Texier - acoustic bass, flutes, African percussion, vocals Daniel Humair - drums, percussions, Remo Roto-tom, woodblocks Woods' family on small percussions. Recorded at Europa-Sonor Studio, Paris on July 5, 1970.   Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 20. March 2011, 19:51 And His European Rhythm Machine / Phil Woods Used drive : TSSTcorpCDDVDW SH-S203N Adapter: 0 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy-NEW\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC V1.01b1, Secure Mode, Test & Copy, AccurateRip, FL TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 12:13.58 | 0 | 55032 2 | 12:13.58 | 9:48.21 | 55033 | 99153 3 | 22:02.04 | 6:45.39 | 99154 | 129567 4 | 28:47.43 | 2:54.32 | 129568 | 142649 5 | 31:42.00 | 8:50.01 | 142650 | 182400 Track 1 Filename J:\New Rips\And His European Rhythm Machine - Phil Woods (2009) [FLAC]\01 - Chromatic Banana.wav Pre-gap length 0:00:02.00 Peak level 88.2 % Extraction speed 5.6 X Track quality 100.0 % Test CRC C0ECCFD4 Copy CRC C0ECCFD4 Accurately ripped (confidence 1) [140F6F77] Copy OK Track 2 Filename J:\New Rips\And His European Rhythm Machine - Phil Woods (2009) [FLAC]\02 - Ultimate Choice.wav Peak level 91.9 % Extraction speed 6.7 X Track quality 100.0 % Test CRC BB4DE3E9 Copy CRC BB4DE3E9 Accurately ripped (confidence 1) [69AD678B] Copy OK Track 3 Filename J:\New Rips\And His European Rhythm Machine - Phil Woods (2009) [FLAC]\03 - The Last Page--Sans Melodie.wav Peak level 71.6 % Extraction speed 7.3 X Track quality 100.0 % Test CRC EFE32CD0 Copy CRC EFE32CD0 Accurately ripped (confidence 1) [E1793B73] Copy OK Track 4 Filename J:\New Rips\And His European Rhythm Machine - Phil Woods (2009) [FLAC]\04 - A Look Back.wav Peak level 64.6 % Extraction speed 6.9 X Track quality 100.0 % Test CRC F3196B86 Copy CRC F3196B86 Accurately ripped (confidence 1) [E212156C] Copy OK Track 5 Filename J:\New Rips\And His European Rhythm Machine - Phil Woods (2009) [FLAC]\05 - The Day When The World.wav Peak level 75.0 % Extraction speed 8.4 X Track quality 100.0 % Test CRC A1181677 Copy CRC A1181677 Accurately ripped (confidence 1) [ED3D562C] Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum BFB452E96D360992972838FA051DA7EA2510C352F765AE2F823BE8837A548C57 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1970 REM DISCID 3C098005 REM COMMENT "ExactAudioCopy v1.0b1" PERFORMER "Phil Woods" TITLE "Phil Woods and His European Rhythm Machine" FILE "01 - Chromatic Banana.wav" WAVE TRACK 01 AUDIO TITLE "Chromatic Banana" PERFORMER "Phil Woods" INDEX 01 00:00:00 FILE "02 - Ultimate Choice.wav" WAVE TRACK 02 AUDIO TITLE "Ultimate Choice" PERFORMER "Phil Woods" INDEX 01 00:00:00 FILE "03 - The Last Page-Sans Melodie.wav" WAVE TRACK 03 AUDIO TITLE "The Last Page/Sans Melodie" PERFORMER "Phil Woods" INDEX 01 00:00:00 FILE "04 - A Look Back.wav" WAVE TRACK 04 AUDIO TITLE "A Look Back" PERFORMER "Phil Woods" INDEX 01 00:00:00 FILE "05 - The Day When the World....wav" WAVE TRACK 05 AUDIO TITLE "The Day When the World..." PERFORMER "Phil Woods" INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 04.07.2013 15:04:20; Version: 2.1.4] [CTDB TOCID: 2to6nFb1YpUcq9m9cQDcNTOmud8-] disk not present in database. [AccurateRip ID: 00094a26-0029b591-3c098005] found. Track [ CRC | V2 ] Status 01 [140f6f77|d8a20a2f] (0+1/1) Accurately ripped 02 [69ad678b|d4bfcb54] (0+1/1) Accurately ripped 03 [e1793b73|537acd17] (0+1/1) Accurately ripped 04 [e212156c|1553daba] (0+1/1) Accurately ripped 05 [ed3d562c|367a328e] (0+1/1) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 91,9 [001BD125] [A9052919] 01 88,2 [C0ECCFD4] [E1ABE402] CRC32 02 91,9 [BB4DE3E9] [C85D83AA] CRC32 03 71,6 [EFE32CD0] [F6145D1D] CRC32 04 64,6 [F3196B86] [F3200F3A] CRC32 05 75,0 [A1181677] [C6FE6D54] CRC32     Review by Michael G. Nastos In 1970, when Inner City Records was just getting off the ground, Phil Woods was in Europe enjoying himself, and collaborating with musicians who were definitely feeling the spell of the Miles Davis groundbreaking jazz fusion epic Bitches Brew. While always a staunch straight-ahead bebop player, Woods decided to mix it up a bit and incorporate elements of funk, rock, and free improvisation, much to the likely chagrin of his listeners. In fact, a vitriolic letter printed on the back cover from an unidentified fan residing in Chicopee Falls, MA, rips Woods for abandoning melody, criticizes his titles, and actually threatens him with physical violence should he ever show up in his town. Woods gives his terse reply, but as cynical as this discourse is, it could all have been whipped up by Woods to deflect any detractors to his "new thing." Truth be told, the music here is inspired and focused, even if it is not what devotees might expect. British electric pianist Gordon Beck (who took over for original keyboardist George Gruntz), French acoustic bassist Henri Texier, and Swiss drummer Daniel Humair are all extremely talented musicians, who alongside the excitable Woods forge strong bonds in amalgamating this modern jazz into a personalized sound. Bookended by really long jam-type pieces, the album also retains a certain amount of arranged and complex melody lines. The opener, "Chromatic Banana," is the piece that caused the letter-writing fan's consternation, and in the hilarious liner notes, Woods offers listeners a chance to win one in simulated plastic. Musically, it moves fast from 6/8 to free to 5/4, 4/4, and 7/8 meters in pre-fusion rock-funk modes, with the alto and Varitone-modified sax of Woods wheezing, wailing, improvising, and eventually vocally scatting. Beck's "The Day When the World..." has a folkish intro on the Hohner electric piano, moves from a steady rock beat to a poppish tune, and concludes with introductions of the bandmembers by one of the leader's children in English and French. A combo track of Beck and Woods, "The Last Page/Sans Melodie" starts as a pleasant ballad, then quickens to a bop and rock pace with Woods on a Varitone clarinet. The most straight jazz-oriented cut is also contributed by Beck: "Ultimate Choice" is a fleet bebop discourse between the pianist and alto saxophonist, with hard attacks and Woods digging in and establishing his territory. The short "A Look Back" is actually forward-thinking and progressive in a spontaneous manner via the spare recorder playing of Woods underpinning clacky percussion, rattles, and bowed bass. This recording, the second overall release in the Inner City catalog (with artwork containing a Rube Goldberg-type Honeywell computer schematic and the label's original skyscraper type logo), has been issued on CD, and it is a testament to the tenacity of Phil Woods to think outside the box occasionally, while losing none of his identity. The project deserves a revisit, despite some of the fans' misgivings.