(Bop, Hard Bop) [LP][24/96] Kenny Dorham - Jazz Contemporary - 1960 (Original US Mono pressing), FLAC (tracks)

Kenny Dorham - Jazz Contemporary Жанр: Bop, Hard Bop Год выпуска: 1960 Лейбл: Time – 52004 (Original deep-groove Mono pressing) Страна-производитель: USA Аудио кодек: FLAC Тип рипа: tracks Формат записи: 24/96 Формат раздачи: 24/96 Продолжительность: 39:57 Треклист:Side One: A1 A Waltz (05:21) A2Monk's Mood (08:04) A3 In Your Own Sweet Way (07:59)Side Two: B1 Horn Salute (08:29) B2 Tonica (02:57) B3This Love Of Mine (06:54)Personnel: – Kenny Dorham - trumpet – Charles Davis - baritone sax – Steve Kuhn - piano – Jimmy Garrison - bass (Side A) – Butch Warren - bass (Side B) – Buddy Enlow - drumsRecorded on February 11, 12, 1960, NYC Originally released in by Time Records (US), LP - 52004 / S/2004 Еще один альбом Кенни Дорхэма... Предыдущий Здесь. Великолепный альбом и хороший звук, слушается на одном дыхании... так-же на этом альбоме состоялся дебют пианиста Стива КунаИсточник оцифровки: Рип взят из сети. Автор: Аnonymous* (*по просьбе автора) Код класса состояния винила: Неизвестно  Ripping Info:Кipper’s note: This record was washed on a professional Okki Nokki RCM prior to ripping. Some behind the scenes info: Although the condition of the vinyl is very good, there was a forward skip during the baritone solo in the first track which equired me to gently adjust the anti-skate setting for that portion. It turned out perfectly and the skip was gone.Technique: * Rega RP1 turntable * Denon DL-110 high output moving coil cartridge * Graham Slee Gram Amp 2 phono pre * Tascam US-122 mkII USB interface * Neutrik interconnects * Knosti RCMiZotope RX 2 for declicking and normalizing Peak Pro 5 for splitting into individual tracks files fully tagged in iTunes XLD for FLAC conversion Fujifilm X100 camera for high-resolution sleeve and label reproductionsRipping and post processing technique: I rip one side at a time at a recording level that places the peaks around -6db, as suggested by mastering engineer Barry Diament, in order to minimize distortion inside the ADC. I then painstakingly declick each side, taking various approaches depending on the material. Silence between tracks is treated using higher values in iZotope (‘multiband declicker random’ between 2.0 and 5.0) and musical parts lacking transients with lower values (between 1.0 and 3.0, depending on record condition). On modern recordings, where the declicker might mistake musical information for clicks or pops, declicking is done fully manually by listening to the entire side and observing the spectral view. I then apply fades to beginning and end of sides, and in rare instances where the surface noise is too distracting I also fade each track. Normalizing is done at -.3 db. No NoNoise or EQ are used in my rips under any circumstances.  Dynamic Range Analysis:========================================================================== ---------------------------------------------------------------------------------------------- Analyzed folder: /Volumes/Musik & Fotos/iTunes Originale/Music/Kenny Dorham/JazzContemporary {deep-groove mono} ---------------------------------------------------------------------------------------------- DR Peak RMS Filename ---------------------------------------------------------------------------------------------- DR12 -0.87 dB -15.19 dB 01 A Waltz.m4a DR13 -3.49 dB -20.00 dB 02 Monk's Mood.m4a DR12 -0.31 dB -15.04 dB 03 In Your Own Sweet Way.m4a DR12 -0.32 dB -14.67 dB 04 Horn Salute.m4a DR12 -1.85 dB -16.99 dB 05 Tonica.m4a DR13 -0.88 dB -16.18 dB 06 This Love of Mine.m4a ---------------------------------------------------------------------------------------------- Number of files: 6 Official DR value: DR12 ==========================================================================  Спектр  АЧХ  Уровень записи