(Bop, Hard Bop) [CD] Thelonious Monk - Brilliant Corners - 1956 (2001 20-Bit K2), FLAC (tracks+.cue), lossless

Thelonious Monk - Brilliant Corners Жанр: Bop, Hard Bop Носитель: CD Страна-производитель диска: США Год издания: 2001 Издатель (лейбл): Riverside (20-Bit K2) Номер по каталогу: RCD-226-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 42:57 Источник (релизер): barryegan (what) Наличие сканов в содержимом раздачи: да Треклист: 01. Brilliant Corners (Monk) - 7:45 02. Ba-Lue Bolivar Ba-Lues-Are (Monk) - 13:10 03. Pannonica (Monk) - 8:51 04. I Surrender, Dear (Clifford-Barris) - 5:28 05. Bemsha Swing (Monk-Best) - 7:43 Состав: Thelonious Monk - piano, celeste (#3) Ernie Henry - alto saxophone (#1-3) Sonny Rollins - tenor saxophone (#1-3,5) Clark Terry - trumpet (#5) Oscar Pettiford (#1-3), Paul Chambers (#5) - bass Max Roach - drums (#1-3,5), tympani (#5) Recorded at Reeves Sound Studios, New York City on October 9 (#2,3), October 15 (#1) and December 7 (#4,5), 1956. Remastered by Tamaki Beck.   Лог создания рипа X Lossless Decoder version 20100911 (122.0) XLD extraction logfile from 2010-09-18 12:57:36 -0500 Thelonious Monk / Brilliant Corners Used drive : HL-DT-ST DVDRW GSA-S10N (revision BP10) Use cdparanoia mode : YES (CDParanoia III 10.2 engine) Disable audio cache : OK for the drive with cache less than 2750KB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 07:45:37 | 0 | 34911 2 | 07:45:37 | 13:09:38 | 34912 | 94124 3 | 20:55:00 | 08:51:00 | 94125 | 133949 4 | 29:46:00 | 05:28:00 | 133950 | 158549 5 | 35:14:00 | 07:43:27 | 158550 | 193301 List of alternate offset correction values # | Absolute | Relative | Confidence ------------------------------------------ 1 | 3 | -664 | 7 All Tracks Album gain : -5.77 dB Peak : 0.941132 Track 01 Filename : 01 Brilliant Corners.flac Pre-gap length : 00:02:00 Track gain : -5.31 dB Peak : 0.941132 CRC32 hash (test run) : 69E96815 CRC32 hash : 69E96815 CRC32 hash (skip zero) : 72095B94 AccurateRip signature : D147355E ->Accurately ripped! (confidence 16) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 02 Filename : 02 Ba-Lue Bolivar Ba-Lues-Are.flac Pre-gap length : 00:01:70 Track gain : -5.17 dB Peak : 0.941132 CRC32 hash (test run) : 5A60FD5A CRC32 hash : 5A60FD5A CRC32 hash (skip zero) : C2DC4C80 AccurateRip signature : F79FA77F ->Accurately ripped! (confidence 17) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 03 Filename : 03 Pannonica.flac Pre-gap length : 00:02:08 Track gain : -5.92 dB Peak : 0.940979 CRC32 hash (test run) : D3398753 CRC32 hash : D3398753 CRC32 hash (skip zero) : F5E1593E AccurateRip signature : 0A914B82 ->Accurately ripped! (confidence 16) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 04 Filename : 04 I Surrender, Dear.flac Pre-gap length : 00:01:55 Track gain : -1.97 dB Peak : 0.940826 CRC32 hash (test run) : 60CF63DA CRC32 hash : 60CF63DA CRC32 hash (skip zero) : C2257130 AccurateRip signature : 78BAD4EF ->Accurately ripped! (confidence 16) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 05 Filename : 05 Bemsha Swing.flac Pre-gap length : 00:02:28 Track gain : -7.43 dB Peak : 0.941132 CRC32 hash (test run) : DC81E596 CRC32 hash : DC81E596 CRC32 hash (skip zero) : 47412E5A AccurateRip signature : F3D90245 ->Accurately ripped! (confidence 18) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 No errors occurred End of status report     Содержание индексной карты (.CUE) TITLE "Brilliant Corners" PERFORMER "Thelonious Monk" REM GENRE "Jazz" REM DATE 1956 REM DISCID 440A1105 FILE "01 - Brilliant Corners.wav" WAVE TRACK 01 AUDIO TITLE "Brilliant Corners" PERFORMER "Thelonious Monk" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Ba-Lue Bolivar Ba-Lues-Are" PERFORMER "Thelonious Monk" INDEX 00 07:43:42 FILE "02 - Ba-Lue Bolivar Ba-Lues-Are.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Pannonica" PERFORMER "Thelonious Monk" INDEX 00 13:07:30 FILE "03 - Pannonica.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "I Surrender, Dear" PERFORMER "Thelonious Monk" INDEX 00 08:49:20 FILE "04 - I Surrender, Dear.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Bemsha Swing" PERFORMER "Thelonious Monk" INDEX 00 05:25:47 FILE "05 - Bemsha Swing.wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 13.03.2014 1:54:33; Version: 2.1.4] [CTDB TOCID: 6_icYzUtRPMMtTKI8OiOeTIzmAU-] found. Track | CTDB Status 1 | (4/4) Accurately ripped 2 | (4/4) Accurately ripped 3 | (4/4) Accurately ripped 4 | (4/4) Accurately ripped 5 | (4/4) Accurately ripped [AccurateRip ID: 000961b7-002b57f2-440a1105] found. Track [ CRC | V2 ] Status 01 [d147355e|2aa15aa6] (19+06/40) Accurately ripped 02 [f79fa77f|2fcbb137] (20+05/40) Accurately ripped 03 [0a914b82|b3cf971c] (19+06/40) Accurately ripped 04 [78bad4ef|4ebf817f] (19+06/40) Accurately ripped 05 [f3d90245|3bacaf38] (21+06/42) Accurately ripped Offsetted by -664: 01 [7b03ca8e] (08/40) Accurately ripped 02 [ecbbdccf] (08/40) Accurately ripped 03 [c84f1ab2] (08/40) Accurately ripped 04 [26d17547] (08/40) Accurately ripped 05 [fe97f74d] (08/42) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] -- 94,1 [4C40723B] [6E4FD25C] 01 94,1 [69E96815] [72095B94] 02 94,1 [5A60FD5A] [C2DC4C80] 03 94,0 [D3398753] [F5E1593E] 04 94,0 [60CF63DA] [C2257130] 05 94,1 [DC81E596] [47412E5A]     Review by Lindsay Planer Although Brilliant Corners is Thelonious Monk's third disc for Riverside, it's the first on the label to weigh in with such heavy original material. Enthusiasts who become jaded to the idiosyncratic nature of Monk's playing or his practically arithmetical chord progressions should occasionally revisit Brilliant Corners. There is an inescapable freshness and vitality saturated into every measure of every song. The passage of time makes it all the more difficult to imagine any other musicians bearing the capacity to support Monk with such ironic precision. The assembled quartet for the lion's share of the sessions included Max Roach (percussion), Sonny Rollins (tenor sax), Oscar Pettiford (bass), and Ernie Henry (alto sax). Although a compromise, the selection of Miles Davis' bassist, Paul Chambers, and Clark Terry (trumpet) on "Bemsha Swing" reveals what might be considered an accident of ecstasy, as they provide a timeless balance between support and being able to further the cause musically. Likewise, Roach's timpani interjections supply an off-balanced sonic surrealism while progressing the rhythm in and out of the holes provided by Monk's jackrabbit leads. It's easy to write Monk's ferocity and Forrest Gump-esque ingenuity off as gimmick or quirkiness. What cannot be dismissed is Monk's ability to translate emotions into the language of music, as in the freedom and abandon he allows through Sonny Rollins' and Max Roach's mesmerizing solos in "Brilliant Corners." The childlike innocence evoked by Monk's incorporation of the celeste during the achingly beautiful ode "Pannonica" raises the emotional bar several degrees. Perhaps more pointed, however, is the impassioned "I Surrender, Dear" -- the only solo performance on the album. Brilliant Corners may well be considered the alpha and omega of post-World War II American jazz. No serious jazz collection should be without it.