(Bop, Hard Bop) [CD] Thelonious Monk - Brilliant Corners - 1956 (1987 OJC), FLAC (tracks+.cue), lossless

Thelonious Monk - Brilliant Corners Жанр: Bop, Hard Bop Носитель: CD Страна-производитель диска: США Год издания: 1987 Издатель (лейбл): Riverside/Original Jazz Classics Номер по каталогу: OJCCD-026-2 (RLP-226) Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 42:50 Источник (релизер): malvarma (what) Наличие сканов в содержимом раздачи: да Треклист: 01. Brilliant Corners (Monk) - 7:45 02. Ba-Lue Bolivar Ba-Lues-Are (Monk) - 13:07 03. Pannonica (Monk) - 8:50 04. I Surrender, Dear (Clifford-Barris) - 5:27 05. Bemsha Swing (Monk-Best) - 7:41 Состав: Thelonious Monk - piano, celeste (#3) Ernie Henry - alto saxophone (#1-3) Sonny Rollins - tenor saxophone (#1-3,5) Clark Terry - trumpet (#5) Oscar Pettiford (#1-3), Paul Chambers (#5) - bass Max Roach - drums (#1-3,5), tympani (#5) Recorded at Reeves Sound Studios, New York City on October 9 (#2,3), October 15 (#1) and December 7 (#4,5), 1956. Remastered by Kirk Felton.   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 1. February 2010, 16:02 Thelonious Monk / Brilliant Corners Used drive : Memorex 52MAXX 3252AJ1v2 Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:45.35 | 0 | 34909 2 | 7:45.35 | 13:07.02 | 34910 | 93936 3 | 20:52.37 | 8:50.00 | 93937 | 133686 4 | 29:42.37 | 5:27.00 | 133687 | 158211 5 | 35:09.37 | 7:40.68 | 158212 | 192779 Track 1 Filename Z:\home\norm1\Desktop\Music\Thelonious Monk Brilliant Corners (1956)\01. 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Bemsha Swing.wav Pre-gap length 0:00:01.72 Peak level 93.0 % Track quality 99.9 % Test CRC 16FCC4A6 Copy CRC 16FCC4A6 Accurately ripped (confidence 16) [663B3D81] Copy OK All tracks accurately ripped No errors occurred End of status report     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1956 REM DISCID 380A0A05 REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Thelonious Monk" TITLE "Brilliant Corners" FILE "01 - Brilliant Corners.wav" WAVE TRACK 01 AUDIO TITLE "Brilliant Corners" PERFORMER "Thelonious Monk" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Ba-Lue Bolivar Ba-Lues-Are" PERFORMER "Thelonious Monk" INDEX 00 07:43:10 FILE "02 - Ba-Lue Bolivar Ba-Lues-Are.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Pannonica" PERFORMER "Thelonious Monk" INDEX 00 13:05:47 FILE "03 - Pannonica.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "I Surrender, Dear" PERFORMER "Thelonious Monk" INDEX 00 08:48:33 FILE "04 - I Surrender, Dear.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Bemsha Swing" PERFORMER "Thelonious Monk" INDEX 00 05:25:03 FILE "05 - Bemsha Swing.wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 13.03.2014 1:34:26; Version: 2.1.4] [CTDB TOCID: fSCximdK8jV3Xk1IIM3x71BbToU-] found. 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Enthusiasts who become jaded to the idiosyncratic nature of Monk's playing or his practically arithmetical chord progressions should occasionally revisit Brilliant Corners. There is an inescapable freshness and vitality saturated into every measure of every song. The passage of time makes it all the more difficult to imagine any other musicians bearing the capacity to support Monk with such ironic precision. The assembled quartet for the lion's share of the sessions included Max Roach (percussion), Sonny Rollins (tenor sax), Oscar Pettiford (bass), and Ernie Henry (alto sax). Although a compromise, the selection of Miles Davis' bassist, Paul Chambers, and Clark Terry (trumpet) on "Bemsha Swing" reveals what might be considered an accident of ecstasy, as they provide a timeless balance between support and being able to further the cause musically. Likewise, Roach's timpani interjections supply an off-balanced sonic surrealism while progressing the rhythm in and out of the holes provided by Monk's jackrabbit leads. It's easy to write Monk's ferocity and Forrest Gump-esque ingenuity off as gimmick or quirkiness. What cannot be dismissed is Monk's ability to translate emotions into the language of music, as in the freedom and abandon he allows through Sonny Rollins' and Max Roach's mesmerizing solos in "Brilliant Corners." The childlike innocence evoked by Monk's incorporation of the celeste during the achingly beautiful ode "Pannonica" raises the emotional bar several degrees. Perhaps more pointed, however, is the impassioned "I Surrender, Dear" -- the only solo performance on the album. Brilliant Corners may well be considered the alpha and omega of post-World War II American jazz. No serious jazz collection should be without it.