(Bop, Cool) [CD] The Jazz Modes (w/ Julius Watkins, Charlie Rouse) - The Most Happy Fella - 1957 (2013 Japan Edition), FLAC (image+.cue), lossless
The Jazz Modes - The Most Happy Fella
Жанр: Bop, Cool
Носитель: CD
Страна-производитель диска: Япония
Год издания: 2013
Издатель (лейбл): Atlantic/WEA/Warner
Номер по каталогу: WPCR-27234
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 33:54
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: даТреклист:
01. Standing on the Corner (Loesser) - 3:47
02. Joey, Joey, Joey (Loesser) - 3:57
03. Warm All Over (Loesser) - 4:59
04. Happy to Make Your Acquaintance (Loesser) - 4:29
05. My Heart Is So Full of You (Loesser) - 3:29
06. The Most Happy Fella (Loesser) - 3:46
07. Don't Cry (Loesser) - 3:11
08. Like a Woman (Loesser) - 3:01
09. Somebody Somewhere (Loesser) - 3:15Состав:
Julius Watkins - French horn
Charlie Rouse - tenor saxophone
Gildo Mahones - piano
Martin Rivera - bass
Ron Jefferson - drums
Eileen Gilbert - vocals (#5)Recorded in New York on November 7-11, 1957.
Лог создания рипа
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Содержание индексной карты (.CUE)
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Отчет CUETools
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Review by Al CampbellOriginally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You." Highlights from the nine excerpts of the play include the breezy up-tempo treatments of "Standing on the Corner," "Joey, Joey, Joey," and the contemplative melancholia of "Somebody Somewhere." While it didn't match the huge success of such similarly attempted jazzed-up Broadway hits like Shelly Manne's My Fair Lady or the Miles Davis and Gil Evans collaboration on Porgy and Bess, the complex synchronization of Watkins' fluid mellow tone with the moderately choppy tenor lines of Rouse make for a lyrical bop/cool jazz hybrid that still sounds fresh.