(Bop, Contemporary Jazz) Martin Hoper - The Bride - 2012, FLAC (tracks+.cue), lossless

Martin Höper / The Bride Жанр: Bop, Contemporary Jazz Страна-производитель диска: Sweden Год издания: 2012 Издатель (лейбл): Hoob Jazz Номер по каталогу: HOOBCD028 Страна: Sweden Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 44:46 min Источник (релизер): exystence Наличие сканов в содержимом раздачи: нет Треклист: 1. The Boys in My Hood (4:42) 2. Olmed (7:02) 3. The Bride (4:44) 4. South 3rd Saudade (5:49) 5. Cilantro (5:51) 6. Muttileinen (6:34) 7. Eriksberg (4:17) 8. Calibanos (5:51) Personnel: Linus Lindblom: saxophone; Jonas Ostholm: piano; Chris Montgomery: drums; Martin Hoper: bass.   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 27. July 2012, 16:47 Martin Höper / The Bride Used drive : IDE-DVD ROM 16x Adapter: 0 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 691 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:42.32 | 0 | 21181 2 | 4:42.32 | 7:02.34 | 21182 | 52865 3 | 11:44.66 | 4:43.60 | 52866 | 74150 4 | 16:28.51 | 5:48.64 | 74151 | 100314 5 | 22:17.40 | 5:50.59 | 100315 | 126623 6 | 28:08.24 | 6:33.40 | 126624 | 156138 7 | 34:41.64 | 4:17.24 | 156139 | 175437 8 | 38:59.13 | 5:51.03 | 175438 | 201765 Track 1 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\01 - The Boys in My Hood.wav Pre-gap length 0:00:02.00 Peak level 89.1 % Extraction speed 5.0 X Track quality 100.0 % Test CRC 14B85E13 Copy CRC 14B85E13 Track not present in AccurateRip database Copy OK Track 2 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\02 - Olmed.wav Pre-gap length 0:00:00.73 Peak level 100.0 % Extraction speed 6.0 X Track quality 100.0 % Test CRC 218D73BA Copy CRC 218D73BA Track not present in AccurateRip database Copy OK Track 3 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\03 - The Bride.wav Pre-gap length 0:00:00.44 Peak level 100.0 % Extraction speed 6.3 X Track quality 100.0 % Test CRC F56F438B Copy CRC F56F438B Track not present in AccurateRip database Copy OK Track 4 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\04 - South 3rd Saudade.wav Pre-gap length 0:00:02.17 Peak level 92.2 % Extraction speed 7.1 X Track quality 100.0 % Test CRC 815A6948 Copy CRC 815A6948 Track not present in AccurateRip database Copy OK Track 5 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\05 - Cilantro.wav Pre-gap length 0:00:01.74 Peak level 100.0 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 683026AF Copy CRC 683026AF Track not present in AccurateRip database Copy OK Track 6 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\06 - Muttileinen.wav Pre-gap length 0:00:02.18 Peak level 100.0 % Extraction speed 8.2 X Track quality 100.0 % Test CRC A9D8F019 Copy CRC A9D8F019 Track not present in AccurateRip database Copy OK Track 7 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\07 - Eriksberg.wav Pre-gap length 0:00:01.74 Peak level 83.2 % Extraction speed 6.8 X Track quality 99.9 % Test CRC D8732903 Copy CRC D8732903 Track not present in AccurateRip database Copy OK Track 8 Filename D:\Music\EAC Rips\Martin Höper - The Bride (2012) [FLAC]\08 - Calibanos.wav Pre-gap length 0:00:01.74 Peak level 100.0 % Extraction speed 8.8 X Track quality 100.0 % Test CRC EA8728B0 Copy CRC EA8728B0 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.3 [CTDB TOCID: 7sewzDZ2Ng3QYYUarZEQ_pHYPHE-] disk not present in database, Submit result: unrecognized or virtual drive ==== Log checksum 0AEF3949CE05FC3F1C40C78CE6BAEC2D1B1483AD159EB9743C14F7A02DFDDDDA ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2012 REM DISCID 660A8208 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Martin Hцper" TITLE "The Bride" FILE "01 - The Boys in My Hood.wav" WAVE TRACK 01 AUDIO TITLE "The Boys in My Hood" PERFORMER "Martin Hцper" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Olmed" PERFORMER "Martin Hцper" INDEX 00 04:41:34 FILE "02 - Olmed.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "The Bride" PERFORMER "Martin Hцper" INDEX 00 07:01:65 FILE "03 - The Bride.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "South 3rd Saudade" PERFORMER "Martin Hцper" INDEX 00 04:41:43 FILE "04 - South 3rd Saudade.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Cilantro" PERFORMER "Martin Hцper" INDEX 00 05:46:65 FILE "05 - Cilantro.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Muttileinen" PERFORMER "Martin Hцper" INDEX 00 05:48:41 FILE "06 - Muttileinen.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Eriksberg" PERFORMER "Martin Hцper" INDEX 00 06:31:41 FILE "07 - Eriksberg.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Calibanos" PERFORMER "Martin Hцper" INDEX 00 04:15:25 FILE "08 - Calibanos.wav" WAVE INDEX 01 00:00:00     Об альбоме (сборнике) There is a solemnity throughout bassist Martin Höper‘s The Bride. When he presents a blues, it enhances the despair. When he presents a waltz, it adds to the grace. And when the tone grows celebratory, the receding soberness induces even wider smiles. Imbuing fun music with stately mannerisms is what gives The Bride an emotional complexity that brings such satisfying and successful results. The opening track has a sedate, almost bluesy persona. Linus Lindblom’s saxophone has a melancholy sway, and Hoper’s methodical steps up and down the register give the impression of pacing nervously about the room. Drums give the faint impression of a clock ticking down to moment of finality; piano trails just behind and drives the point home. There is a sadness to Hoper’s melodies, even when the music is designed to get the foot tapping. In part, this can be attributed to the sound prevalent in the Scandinavian jazz scene from where Hoper’s quartet originates, but only so much can be traced back to geography; ultimately, its the heart of the musicians at the heart of the music. The music’s sadness is channeled through the saxophone of Linus Lindblom, who achieves a tone that is light at its heart, but like a feather gently fluttering to the ground, there is no mistaking the effect gravity is having upon it. So it is with Lindblom’s horn: no matter how buoyant he makes his tone, ultimately the heavier emotions will have their say. This is best displayed on the second track, “Olmed,” which has Lindblom out front with a plaintive voicing of the melody on a composition that has the rest of the quartet in a spritely frame of mind. It creates a contradiction of emotion, and depending on which facet of the quartet the listener focuses most on at a particular time, the end result is a single composition with multiple faces. Despite the album’s complexity, it has a resounding cohesion. It is easy to imagine that all the songs were written in a single session of furious creativity. Songs on an album can fit together in any number of ways. The Bride is an album where the songs are presented as chapters of a book. There is a story tale arch to the sound. After the sedate blues of the opener, “The Boys In My Hood,” and the plaintive yet incongruous wide grin of “Olmed,” the title track sees Jonah Ostholm’s piano elicit the elegance of a waltz, and the odd metered combo of bass and drums adds a subdued good cheer. This is followed by a gentle ballad, with bright piano lines and calming brushwork contrasting with cloudy sky saxophone and dour bass. Depending on your state of mind, the track may sound either deliciously languid or bordering on bleak. The album’s second half opens with more life. On “Cilantro,” the quartet adopts a peppier cadence and hints at the pop-infused jazz of Mathias Eick‘s Skala (ECM, 2011). This is followed by the only composition to act as a (modern) straight-ahead jazz tune, in the American sense of that phrase. It has a decent amount of fire, but nothing that’s gonna burn the speakers, and the rhythm moves right along without taking any odd steps along the way. The album closes, first, with a wishing-upon-a-star ballad. Soft and reflective, “Eriksberg” is a quiet tune with limitless hope, and it acts as the perfect lead-in to the final track, “Calibanos,” a lighthearted tune that flies effortlessly on by. It’s an excellent finale to an album that may leave you wanting even more.