(Bop, Contemporary Jazz) [CD] Christian Sands - Reach - 2017, FLAC (tracks+.cue), lossless

Christian Sands - Reach Жанр: Bop, Contemporary Jazz Носитель: CD Страна-производитель диска (релиза): США Год издания: 2017 Издатель (лейбл): Mack Avenue Records Номер по каталогу: MAC1117 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 65:44 Источник (релизер): gagarin Наличие сканов в содержимом раздачи: да Треклист: 01. Armando's Song (Sands) - 5:11 02. Song of the Rainbow People (Sands) - 6:20 03. Pointing West (Sands) - 6:07 04. Freefall (Sands) - 6:51 05. Oyeme! (Sands) - 6:34 06. Bud's Tune (Sands) - 7:14 07. Reaching for the Sun (Sands) - 7:11 08. Use Me (Withers) - 7:28 09. Gangstalude (Sands) - 6:02 10. Somewhere Out There (Horner-Mann-Weil) - 6:46 Состав: Christian Sands - piano Marcus Baylor - drums Gilad Hekselman - guitar (#7-9) Christian McBride - Arco upright bass solo (#8) Yasushi Nakamura - upright bass Cristian Rivera - percussion (#5) Marcus Strickland - tenor saxophone (#3,4), bass clarinet (#4) Recorded at Sear Sound Recording Studio, New York.   Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 23. October 2017, 14:13 Christian Sands / Reach Used drive : Optiarc BD ROM BC-5650H Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -e -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:11.27 | 0 | 23351 2 | 5:11.27 | 6:20.26 | 23352 | 51877 3 | 11:31.53 | 6:07.02 | 51878 | 79404 4 | 17:38.55 | 6:51.35 | 79405 | 110264 5 | 24:30.15 | 6:33.50 | 110265 | 139789 6 | 31:03.65 | 7:13.61 | 139790 | 172325 7 | 38:17.51 | 7:10.43 | 172326 | 204618 8 | 45:28.19 | 7:27.50 | 204619 | 238193 9 | 52:55.69 | 6:01.56 | 238194 | 265324 10 | 58:57.50 | 6:46.02 | 265325 | 295776 Track 1 Filename Z:\home\enconding\FLAC\Christian Sands - Reach (2017) [FLAC] {}\01 - Armando's Song.wav Pre-gap length 0:00:02.00 Peak level 96.7 % Extraction speed 10.3 X Track quality 100.0 % Test CRC 54D82C9A Copy CRC 54D82C9A Accurately ripped (confidence 4) [3151A7C3] (AR v2) Copy OK Track 2 Filename Z:\home\enconding\FLAC\Christian Sands - Reach (2017) [FLAC] {}\02 - Song Of The Rainbow People.wav Peak level 96.8 % Extraction speed 11.7 X Track quality 100.0 % Test CRC 164CE4FE Copy CRC 164CE4FE Accurately ripped (confidence 4) [33CD976D] (AR v2) Copy OK Track 3 Filename Z:\home\enconding\FLAC\Christian Sands - Reach (2017) [FLAC] {}\03 - Pointing West.wav Peak level 97.2 % Extraction speed 13.1 X Track quality 100.0 % Test CRC 26CB191D Copy CRC 26CB191D Accurately ripped (confidence 4) [345DBD49] (AR v2) Copy OK Track 4 Filename Z:\home\enconding\FLAC\Christian Sands - Reach (2017) [FLAC] {}\04 - Freefall.wav Peak level 97.0 % Extraction speed 14.4 X Track quality 100.0 % Test CRC 04ED0F05 Copy CRC 04ED0F05 Accurately ripped (confidence 4) [DB8D9650] (AR v2) Copy OK Track 5 Filename Z:\home\enconding\FLAC\Christian Sands - 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But above all, an artist has to be willing to extend a hand if they expect listeners to do the same. Many simply reach for the musical stars without really considering the need to reach out to potential audiences through the music. Pianist Christian Sands doesn't fall into that trap. His reach—both up and out—is long and wide, exemplified on this aptly named date. Despite any potential allusions in the previous paragraph or the titular ideal, Reach doesn't pander to populist tastes or compromise in anyway. It simply has quality material performed at an extremely high level that can appeal to a wide variety of listeners, ranging from the jazz curious to the jazz cognoscenti. If you've found your way to this site and this review, chances are there's something that appeals to you here, whether you fancy yourself a modernist, a traditionalist, a blues adherent, a neo-soul devotee, a post-bop fan, a Latin jazz lover, or something else entirely. Sands manages to craft unique statements that touch on all of the aforementioned topics, often blending or countervailing one with the other within a single song, and once your ear is hooked, that's it. Reach opens with "Armando's Song," a nod to the great Chick Corea that seems to be cut from the same cloth—or, perhaps, the same vocabulary—as Corea's "Armando's Rhumba." Sands, however, isn't one to plagiarize, and the propulsive swing roller coaster that follows the theme proves that point. A rush of optimism blotting out the face of hate follows that eye-opening number. "Song Of The Rainbow People" speaks to the need for unity and togetherness, both in name and sound. There are hints of gray skies in the mix, but the sun burns the clouds away. Those opening invitations expose listeners to the tightly-formed trio that's the backbone of this album—Sands, bassist Yasushi Nakamura, and drummer Marcus Baylor—and the three tracks that immediately follow demonstrate how that group reacts to new voices in the mix. Marcus Strickland first spurs the band on with his tenor saxophone on the driven "Pointing West." Then he puts his tenor and bass clarinet to good use on an electro-dusted chill ride dubbed "Freefall." Both numbers find the core band expanding its outlook and adapting to the presence of their guest. The same thing can be said to happen when percussionist Cristian Rivera drops in to add some Latin sizzle to the festive "¡Óyeme!." The second half of the album is just as inclusive in all respects. "Bud's Tune" pares things back to a trio configuration as Sands salutes bebop pioneer Bud Powell; "Reaching For The Sun" walks on a pseudo-Brazilian groove, carries hints of Corea and Pat Metheny in its DNA, gives Sands a chance to dazzle with his glistening glances, and brings guitarist Gilad Hekselman into the picture for the first of his three consecutive appearances; a cover of "Use Me" retains its Bill Withers-born soulfulness while taking on a new skulking-turned-swinging-turned-skulking rhythmic shape and opening up some space for Christian McBride to bow the truth; and "Gangstalude" injects a hip-hop attitude and foundation into the program. Then Sands ends with what's, perhaps, the biggest surprise of all: a heartfelt performance of "Somewhere Out There" from An American Tail (Amblin Entertainment/Sullivan Bluth Studios, 1986). It opens lyrically and loyally before taking flight in reflective-cum-resounding fashion. It's the last chapter in this tale of many tones, serving as the final indication of Sands' willingness to embrace diversity in sound and scope. Everything and everyone seems to be within his reach.