(Blues, Soul) [LP] [24/96] Ray Charles - The Genius Sings The Blues (MFSL 180g LP) - 1961, FLAC (tracks)

Ray Charles - The Genius Sings The Blues (MFSL 180g LP) Жанр: Blues, Soul Год выпуска: 1961 Страна-производитель: USA Аудио кодек: FLAC Тип рипа: tracks Формат записи: 24/96 Формат раздачи: 24/96 Продолжительность: 34:05 Наличие сканов в содержимом раздачи: да Источник оцифровки: aksmanТреклист: Side one "Early in the Mornin'" (Hickman, Jordan, Bartley) – 2:48 "Hard Times (No One Knows Better Than I)" – 2:56 "The Midnight Hour" (Sweet) – 3:02 "(Night Time Is) The Right Time" (Brown, Cadena, Herman) – 3:25 "Feelin' Sad" (Jones) – 2:50 "Ray's Blues" – 2:55Side two "I'm Movin' On" (Snow) – 2:13 "I Believe to My Soul" – 3:01 "Nobody Cares" – 2:41 "Mr. Charles' Blues" – 2:48 "Some Day Baby" – 3:01 "I Wonder Who" – 2:46Тухнические Данные: RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) (temporarily replaced by "ProJect Tube-Box 2 SE) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 1.21 for resampling and ditheringVacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21)No silence been removed, please burn gapless to match original tracklayout.  Спектр  АЧХ и Уровень записи  Dynamic Range analyzis---------------------------------------------------------------------------------------------- Analyzed folder: D:\Recording\16-44 (redbook)\Ray Charles - The Genius Sings The Blues (1961) [flac] {MFSL 180g LP; 16-44}\ ---------------------------------------------------------------------------------------------- DR Peak RMS Filename ---------------------------------------------------------------------------------------------- DR11 -0.56 dB -13.57 dB A1 - Early in the Mornin'.wav DR9 -0.60 dB -16.17 dB A2 - Hard Times (No One Knows Better Than I).wav DR11 -1.93 dB -17.31 dB A3 - The Midnight Hour.wav DR11 -1.56 dB -13.94 dB A4 - (Night Time Is) The Right Time.wav DR8 -6.11 dB -16.96 dB A5 - Feelin' Sad.wav DR12 -3.89 dB -20.28 dB A6 - Ray's Blues.wav DR12 -0.25 dB -13.76 dB B1 - I'm Movin' On.wav DR11 -3.39 dB -17.43 dB B2 - I Believe to My Soul.wav DR11 -2.61 dB -18.13 dB B3 - Nobody Cares.wav DR13 -2.14 dB -18.71 dB B4 - Mr Charles' Blues.wav DR12 -1.99 dB -18.28 dB B5 - Some Day Baby.wav DR8 -5.34 dB -16.46 dB B6 - I Wonder Who.wav ---------------------------------------------------------------------------------------------- Number of files: 12 Official DR value: DR11==============================================================================================  Информация о винилеPrevious editions of The Genius Sings the Blues, including a remastered digital edition from Rhino, suffered from varying levels, distracting static and noise, and inconsistent vocal balances. Mobile Fidelity has gone back to the original mono master tapes to correct these problems, giving music lovers what is now unquestionably the best-sounding Charles album to stem from his peak era. A must. ”The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, but one of his most memorable, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander.ConceptionBackgroundBecause he hails from Greenville, Florida, Ray Charles has assimilated much of the Southern black man's musical heritage with its various kinds of blues stories, folk songs, and gospel revelations. Charles studied music at a school for blind children in St. Augustine, Florida and developed a personal modern jazz style of playing and writing by listening to Art Tatum, King Cole, Bud Powell, Oscar Peterson, and other contemporaries who played in the styles fashionable around the time Ray moved to Seattle. He has molded many elements which are poles apart, musically, into a style which is a unique harmony with traditional rhythmic patterns.MusicJazz composer Billy Taylor further discussed Charles' innovative music and his reaction to hearing it:While playing through some new music for a projected Ruth Brown record date, I was asked to listen to an original song played and sung by a young composer and pianist from Seattle, Washington. I can still remember how surprised I was to hear this kind of music from a Northwesterner. He reminded me of Charles Brown, another pianist-singer who was very popular in the Forties, but he had a very personal sound and there was something different about his rhythmic approach. In his handling of melody he seemed to be using devices similar to those used by Dinah Washington and a small group of popular singers who allowed their gospel singing backgrounds to influence their interpretation of popular songs... I was intrigued by the emotional quality projected by both his piano playing and his unusual voice and was not surprised when Ahmet Ertegün said that he wanted to let the young musician record some of his own material. "He communicates just like the old blues singers", Ahmet said.The innovation of Ray Charles is presented on this compilation LP. The Blues finds Charles delivering wailing and emotional numbers ("Hard Times", "Night Time Is the Right Time") to uptempo arrangements of country blues ("I'm Movin' On", "Early in the Mornin'"). Covering ground from his first session for Atlantic ("The Midnight Hour") to his last ("I Believe to My Soul"), The Genius Sings the Blues began as a simple cash-in LP after Charles' split from Atlantic Records and ended up as one of Charles' most well-known compilations.