(Bluegrass, Fusion, Progressive) Bela Fleck with the New Grass Revival - Deviation - 1983, FLAC (tracks+.cue), lossless

Bela Fleck with the New Grass Revival - Deviation (1983) Жанр: Bluegrass, Fusion, Progressive Место и дата записи: spring and early summer of 1983. Stargem Studios, Nashville, Tennessee by Bll VornDick. Дата выпуска: 1983 Производитель диска, номер, страна: Rounder CD 0196 ® © 1995 Rounder Records Corp., Massachusetts USA. Printed in Canada.Аудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: Full artwork Продолжительность: 35:41 Источник: torrentТрэклист: 1. Deviation 4:24 2. Reverie 1:32 3. Nuns for Nixon 4:07 4. Malone 1:09 (Kenny Malone) 5. Moontides 5:35 6. Ambrose 6:27 7. OMAC 0:36 (Mark O'Connor) 8. Jalmon With Salmon 2:24 (Fleck, Bush, Cowan, Malone) 9. Mbanza 1:21 10. Places 7:55All compositions by Bela Fleck, BMI except as noted. Produced by Bela Fleck.Состав: Bela Fleck - five string banjo, guitar & nylon string banjo on "Moontides" John Cowan - bass Pat Flynn - guitar Sam Bush - mandolinSpecial Guests: Kenny Malone - drums, clay pots Mark O'Connor - violin Jerry Douglas - Dobro Space yodels by Humble.Издания: 1995 CD Rounder 610196 1998 CS Rounder Select 1166101964 1990 LP Rounder 196  Несколько слов на английскомDeviation is a stunning evolution of the string band tradition, brilliantly arranged and brimming with extemporaneous fireworks. Deviation is also Beta Fleck's very personal vision of the past, present and future, and represents the apotheosis of his eight years with the New Grass Revival. Deviation finds Fleck at the crossroads of his art, already moving beyond the august conventions of bluegrass — his obvious affection for the letter and spirit of that music notwithstanding. Certainly, in terms of acoustic music, the musicians who give Deviation life are capable of playing in any variety of styles, with grace, conviction and fire. But what makes Deviation so special is that it signals Fleck's maturing interest in rhythm, as he stretches the boundaries of composition and group improvisation. The resulting music represents one of Bela's earliest working blueprints for his futuristic jazz combo, the Flecktones, still several years down the road. "Well," Bela tells me, "my whole life has been a blueprint for the Flecktones. New Grass was always the most explosive creative band, and that's why I remained in it for so long. I always liked the spirit of the band, which was no compromise, and they scandalized a lot of people. After a few years, however, things evolved to the point where we were at the top of the acoustic circuit, headliners and all. "But for me, jazz was always the Holy Grail," Fleck reiterates. "I grew up in New York and I'd been playing banjo for a couple of years, even learned some Charlie Parker solos, when I first heard Chick Corea and Return To Forever play, and I thought that this was the ultimate — to be in a band that was so incredibly chopsy, and where the audience was a part of the show. It wasn't serious music where you just sat there; everyone was screaming and getting into it, and at the same time it was real complex. I guess I always had that dream in mind — that someday I'd be in a band like that." Fleck's vision of a modern jazz banjo style persisted for years, regardless of the context, manifesting itself in many forms during his years with New Grass Revival — but generally without the impetus of a pumping drummer. "Exactly, and that's what I never really had until Deviation — that was the missing element, and I could never figure out why what I was playing didn't sound right. But you see, it's not just a solo idiom — it's a group idiom. And I couldn't develop it until I could spend time playing with a great rhythm section like I have today in [bassist] Victor [Wooten] and [drummer] Futureman. What made Deviation so special is that I was able to experience for the first time how powerful my music could be with a drummer." And in Kenny Malone, Fleck found the perfect percussive complement to the delicate acoustic textures of banjo, guitar, mandolin, fiddle, Dobro and bass. Malone's tight, bright tuning and delicate touch recall Kenny Clarke and Connie Kay's supple drive with the Modern Jazz Quartet, and his quicksilver brush feature "Malone" illustrates just how far out Kenny can go when the situation requires freedom instead of restraint. Malone's feature and a series of lovely solo miniatures by Bela and Mark O'Connor (on fiddle), act as programming interludes, and give listeners a chance to catch their breath in between each of the group workouts. The title tune puts listeners in the front seat of a souped up jalopy, as if the Mahavishnu Orchestra were playing a Bill Monroe breakdown, as Flynn and Reck introduce the theme over Bush's chopping funk beat. "I like things to have rhythmic as well as melodic hooks," Reck notes. "And almost every tune that I write, for me to consider it a completed tune, it has to have that rhythmic element in there somewhere. Like it has to groove, but then there's this moment of uncertainty as to what is the groove." The succession of solos on "Deviation" illuminates the beauty of each man's line: Bush's busybee, bell like phrasing, Flynn's aggressive cross-picking, and Reek's remarkable melodic fluency, taking the banjo well beyond simple percussive figures into complex Pat Martino like rhythmic modulations. Bela lights up at the mention of this great guitarist. "Pat [Martino] was my favorite guitarist for the longest time... The way he had of developing these long, long melodic lines, his rhythmic sophistication, and the fact that he picked every note so cleanly meant a lot to me as a banjo player. I feel his influence to this day." "Nuns For Nixon" explores the swing idiom a la Django Reinhardt and Bob Wills, with a big bouncy shuffle beat and intricate contrapuntal details behind each soloist. Fleck explains the title with a shrug and a boyish smirk. "The title means... nothing. It just comes down to my strange sense of humor, and the fact that I get a kick out of being onstage and hearing thousands of people yelling 'Cosmic Hippo' and 'Nuns For Nixon." "Moontides" is this writer's personal favorite, drawing as it does on the work of another influential acoustic band — John McLaughlin's Shakti. Beta's lovely arpeg-giated guitar figures seem to alternate between ragtime and raga forms, with a turnaround in seven, inspiring a series of ruminative, eastern-flavored solos by Bush, Douglas, O'Connor and Reck (who again transcends the percussive nature of banjo with lilting harmonics and dreamy chords — first as arpeggios than as octaves — that play cat and mouse with the form's changes). "Ambrose" explores another exotic locale, this time with overtones of calypso, salsa and funk, as Reek's cunning cross-rhythms and unison figures amplify different elements of the groove. "Jalmon With Salmon" is just that, an upbeat excerpt from a group improvisation featuring some of Fleck's more funkified playing. And the concluding "Places" brings Deviation full circle, as the country airs of rural America and Ireland seem to intersect in an evocative fiddler's theme and Reek's trademark cross-rhythms. "Duke Ellington had this wonderful suite he wrote for his first Carnegie Hall concert called 'Black, Brown and Beige,' says Reck. "To me, the piece seems to say that American culture is a beautiful fabric formed of many different threads. On both a personal and musical level I've always tried to reflect that notion of beauty in diversity, and to have fun with it, too." Which pretty much sums up the exploratory verve of Deviation and Fleck's subsequent work with the Flecktones. It is the sound of a work in progress, of a master musician who never grows too old to remain a wide-eyed, enthusiastic student. CHIP STERN  Cue PERFORMER "Bйla Fleck with the New Grass Revival"TITLE "Deviation"REM GENRE BluegrassREM DATE 1983REM DISCID 7C085D0AREM COMMENT "ExactAudioCopy v0.95b3"FILE "01 - Deviation.flac" WAVE TRACK 01 AUDIO TITLE "Deviation" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419601 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Reverie" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419602 INDEX 00 04:24:30FILE "02 - Reverie.flac" WAVE INDEX 01 00:00:00FILE "03 - Nuns for Nixon.flac" WAVE TRACK 03 AUDIO TITLE "Nuns for Nixon" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419603 INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Malone" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419604 INDEX 00 04:07:63FILE "04 - Malone.flac" WAVE INDEX 01 00:00:00FILE "05 - Moontides.flac" WAVE TRACK 05 AUDIO TITLE "Moontides" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419605 INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Ambrose" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419606 INDEX 00 05:35:30FILE "06 - Ambrose.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "OMAC" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419607 INDEX 00 06:27:22FILE "07 - OMAC.flac" WAVE INDEX 01 00:00:00FILE "08 - Jalmon With Salmon.flac" WAVE TRACK 08 AUDIO TITLE "Jalmon With Salmon" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419608 INDEX 01 00:00:00FILE "09 - Mbanza.flac" WAVE TRACK 09 AUDIO TITLE "Mbanza" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419609 INDEX 01 00:00:00FILE "10 - Places.flac" WAVE TRACK 10 AUDIO TITLE "Places" PERFORMER "Bйla Fleck with the New Grass Revival" ISRC USRO28419610 INDEX 01 00:00:00  EAC log EAC extraction logfile from 9. May 2008, 9:00 for CDBйla Fleck with the New Grass Revival / DeviationUsed drive : PIONEER DVD-RW DVR-K16 Adapter: 1 ID: 0Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 48Overread into Lead-In and Lead-Out : NoUsed output format : FLAC 1.1.4 (User Defined Encoder) 128 kBit/s Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceTrack 1 Filename 01 - Deviation.wav Pre-gap length 0:00:02.00 Peak level 96.5 % Track quality 100.0 % Test CRC 30078CD6 Copy CRC 30078CD6 Copy OKTrack 2 Filename 02 - Reverie.wav Pre-gap length 0:00:01.60 Peak level 76.6 % Track quality 100.0 % Test CRC 42D0AB1B Copy CRC 42D0AB1B Copy OKTrack 3 Filename 03 - Nuns for Nixon.wav Peak level 92.9 % Track quality 100.0 % Test CRC 66A34AC3 Copy CRC 66A34AC3 Copy OKTrack 4 Filename 04 - Malone.wav Pre-gap length 0:00:02.25 Peak level 72.0 % Track quality 99.8 % Test CRC 18E178BC Copy CRC 18E178BC Copy OKTrack 5 Filename 05 - Moontides.wav Peak level 91.0 % Track quality 100.0 % Test CRC 53C81BD1 Copy CRC 53C81BD1 Copy OKTrack 6 Filename 06 - Ambrose.wav Pre-gap length 0:00:02.00 Peak level 99.9 % Track quality 100.0 % Test CRC 90279B6D Copy CRC 90279B6D Copy OKTrack 7 Filename 07 - OMAC.wav Pre-gap length 0:00:03.05 Peak level 52.1 % Track quality 100.0 % Test CRC FAB7045F Copy CRC FAB7045F Copy OKTrack 8 Filename 08 - Jalmon With Salmon.wav Peak level 92.2 % Track quality 100.0 % Test CRC 81BE6507 Copy CRC 81BE6507 Copy OKTrack 9 Filename 09 - Mbanza.wav Peak level 55.8 % Track quality 100.0 % Test CRC 11E694C4 Copy CRC 11E694C4 Copy OKTrack 10 Filename 10 - Places.wav Peak level 97.4 % Track quality 100.0 % Test CRC 7B70A4A7 Copy CRC 7B70A4A7 Copy OKNo errors occuredEnd of status report  auCDtect log4100653142 46957724 01 - Deviation.wav 4284036463 16327628 02 - Reverie.wav 3719522639 44130620 03 - Nuns for Nixon.wav 3224424708 12183404 04 - Malone.wav 2103090860 59517404 05 - Moontides.wav 3094367588 68859548 06 - Ambrose.wav 2407123889 6409244 07 - OMAC.wav 2974506696 25366364 08 - Jalmon With Salmon.wav 2347304396 14276684 09 - Mbanza.wav 60073097 83778284 10 - Places.wavauCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - Deviation.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [02 - Reverie.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [03 - Nuns for Nixon.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [04 - Malone.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [05 - Moontides.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [06 - Ambrose.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [07 - OMAC.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [08 - Jalmon With Salmon.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [09 - Mbanza.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [10 - Places.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) За своими раздачами не слежу, и старые топики не читаю - если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусьПредлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш. Заботьтесь о своем рейтинге - конвертируйте в мп3 и выкладывайте в соответствующем разделе