(Big Band | Experimental Jazz | Metal) [WEB] Big Heart Machine - Big Heart Machine - 2018, FLAC (tracks), lossless

Big Heart Machine Big Heart Machine • Жанр: Big Band | Experimental Jazz | Metal • Носитель: WEB • Год издания: 2018 • Страна исполнителя (группы): USA • Аудиокодек: FLAC (*.flac) • Тип рипа: tracks • Продолжительность: 01:00:00 • Источник (спасибо): VanZoid • WEB релиз: bandcamp • Наличие сканов: front ◈ 01 - Don't Analyze (00:07:18) ◈ 02 - Tamalpais- I. (Stratus) (00:03:45) ◈ 03 - Tamalpais- II. Steep Ravine (00:08:53) ◈ 04 - Tamalpais- III. Stinson Beach (00:07:39) ◈ 05 - Tamalpais- IV. Dipsea Steps (00:08:02) ◈ 06 - Tamalpais- V. (Cirrus) (00:04:48) ◈ 07 - Jelly Cat (00:09:04) ◈ 08 - Mighty Purty (00:10:28)  • Замер динамического диапазона • foobar2000 1.3.17 / Замер динамического диапазона (DR) 1.1.1Дата отчёта: 2018-08-28 19:54:58--------------------------------------------------------------------------------Анализ: Big Heart Machine / Big Heart Machine--------------------------------------------------------------------------------DR Пики RMS Продолжительность трека--------------------------------------------------------------------------------DR7 0.00 дБ -9.04 дБ 7:18 01-Don't AnalyzeDR8 0.00 дБ -12.66 дБ 3:45 02-Tamalpais- I. (Stratus)DR8 0.00 дБ -11.39 дБ 8:53 03-Tamalpais- II. Steep RavineDR7 0.00 дБ -10.82 дБ 7:40 04-Tamalpais- III. Stinson BeachDR8 0.00 дБ -11.06 дБ 8:02 05-Tamalpais- IV. Dipsea StepsDR8 0.00 дБ -12.88 дБ 4:49 06-Tamalpais- V. (Cirrus)DR7 0.00 дБ -10.61 дБ 9:04 07-Jelly CatDR8 0.00 дБ -11.67 дБ 10:28 08-Mighty Purty--------------------------------------------------------------------------------Количество треков: 8Реальные значения DR: DR8Частота: 44100 ГцКаналов: 2Разрядность: 16Битрейт: 856 кбит/сКодек: FLAC================================================================================  • Лог проверки качества • -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 08 - Mighty Purty.flac Size: 67376443 Hash: 3B04F567D301722C8A10CD5C36FB4578 Accuracy: -m0 Conclusion: CDDA 99% Signature: 90FA216CB0FC0ADB4E93EFC2AC20F2DF26F940C1FILE: 07 - Jelly Cat.flac Size: 55178486 Hash: E47ADCF1BD66B521468C489228921284 Accuracy: -m0 Conclusion: CDDA 100% Signature: 56C22E9AC3BAC95ADC5A7EB3F901AAD2E37E8BA4FILE: 06 - Tamalpais- V. (Cirrus).flac Size: 23905427 Hash: 3796D6DD8CE42F7C8C9576B7CC7A8450 Accuracy: -m0 Conclusion: CDDA 92% Signature: 5BA1452EA6C0588A46B61B316BEB729B50506A83FILE: 05 - Tamalpais- IV. Dipsea Steps.flac Size: 51799774 Hash: 06AE2C374553B38F974E5DDA87E6CFA7 Accuracy: -m0 Conclusion: CDDA 99% Signature: D42D7D0C43C4267C9CA413BBEC5287F93342D144FILE: 04 - Tamalpais- III. Stinson Beach.flac Size: 45608697 Hash: 5C1F91DA542A6029E419DF1EB73AC3E4 Accuracy: -m0 Conclusion: CDDA 100% Signature: 87C29C22906A8ACE5369498B992250D75C2C2586FILE: 03 - Tamalpais- II. Steep Ravine.flac Size: 58569311 Hash: 182C18128C20C76E510B4C1AD4B362F0 Accuracy: -m0 Conclusion: CDDA 99% Signature: 1DD8B051D31C5168187C5D9E32196C4A96EA4133FILE: 02 - Tamalpais- I. (Stratus).flac Size: 22180665 Hash: 689C85E2A5D7881E422F38C2F87977D5 Accuracy: -m0 Conclusion: CDDA 100% Signature: 30AD5B3C009E8F450527FFC54D53DAAFDD9C0E95FILE: 01 - Don't Analyze.flac Size: 48342108 Hash: CFFCD7C432FBB06F117E5DFD18A4C462 Accuracy: -m0 Conclusion: CDDA 100% Signature: B847667E0F8B3E690D222225A7ED28AAB3CAB33B  • Information •With Big Heart Machine, composer, saxophonist and bandleader Brian Krock has invented a 19-person engine to start the life-fueling muscle pounding and the listener’s blood pumping. Krock’s adrenalized music summons the bracing power of heavy metal, the dizzying precision of progressive rock and the heady abstractions of contemporary classical music, drawing together inspiration from eclectic extremes to conjure an exhilaratingly original take on the power and complexity of the modern big band.Big Heart Machine, due out August 24, 2018 via Outside In Music, is shot through with the invigorating intensity of bands like Meshuggah, Megadeth, Dream Theater and Rush as well as the boundary-defying experimentation of composers such as Olivier Messiaen and Gyorgy Ligeti. Krock’s tastes obviously run to the challenging, even as his compositions maintain a refreshing balance between explosive aggression and memorably anthemic melodicism.That tricky combination was likely part of the attraction for producer Darcy James Argue, whose acclaimed big band Secret Society helped redefine the genre for the 21st century. Argue was an idol of Krock’s when the aspiring composer was still in high school in his native Arlington Heights, IL a suburb of Chicago. They met serendipitously on a subway train shortly after Krock arrived in New York City.“I saw Darcy on the 1 train and went up to him as an annoying 20-year old fanboy and told him I loved his music,” Krock recalls. “It was a shot in the dark to ask him to produce this recording, but he was the absolute perfect choice. He’s so methodical and diligent, extremely organized and very generous with his knowledge.”Read More:Krock earned his Master’s Degree in Composition at the Manhattan School of Music, studying with world-renowned composer Jim McNeely and classical composer Dr. J. Mark Stambaugh, and is an in-demand multi-reedist who plays alto saxophone, clarinet, piccolo, flute and recorder on Big Heart Machine. But long before he discovered jazz he was a bedroom guitar shredder, spending countless hours mastering the solos played by metal virtuosos like Randy Rhoads (Ozzy Osbourne), Dave Mustaine (Megadeth) and Dimebag Darrell (Pantera).Before leaving the Midwest, Krock fronted a power metal band called Lorna Sue that melded influences from those bands as well as prog greats like Rush, Yes and Porcupine Tree. Those same sounds swirl together in a completely different form to create the muscular and vivifying sound of Big Heart Machine. Engineer Brian Montgomery worked on some of the Porcupine Tree albums that were formative for Krock, and brings some of the same thrilling textures and grand scale to this album.“As a kid, I was obsessed with progressive rock and heavy metal,” Krock says. “So inevitably that influence seeps into my playing and my writing. There’s a lot of brutal noise and straight-up shredding guitar on this record, but there’s a million different influences. My goal is to find a way to organically fuse all these things without it being forced.”Krock’s secret weapon throughout Big Heart Machine is Finnish guitarist Olli Hirvonen, a frequent collaborator who shares the composer’s wide-ranging predilections. Hirvonen’s playing provides a vibrant jolt to the serrated angles of “Steep Ravine” or the steamroller crush of “Stinson Beach”, elevating the ensemble to a blistering arena-rock intensity.The session is conducted by another innovative bandleader: Tokyo-born composer Miho Hazama, leader of the acclaimed ensemble m_unit. Big Heart Machine is entirely made up of gifted players with whom Krock regularly collaborates on the thriving NYC jazz scene, and his compositions make brilliant use of each of these singular voices. “I consciously chose to take the Duke Ellington path of assembling a band of individualistic players,” Krock explains. “It’s a really diverse group of people that I admire a lot, and I tried to give everybody something to play that would feature their particular talents.”While Krock’s musical influences are vast, they weren’t the only sparks for the compositions on Big Heart Machine. Opener “Don’t Analyze” takes its spontaneity as well as its title from a dictum by John Cage: “Don’t try to create and analyze at the same time. They’re different processes.” Keeping that advice in mind, Krock wrote the piece improvisationally, without editing his choices.The unpredictable “Jelly Cat” has become something of a theme song for the band, while the cubist swing of “Mighty Purty” is a deconstruction of a familiar locomotive-oriented jazz standard. The five-part suite “Tamalpais” could be thought of as a topographical composition, describing in music the landmarks encountered while hiking California’s Mt. Tamalpais, a favorite spot of Krock and his West Coast-based sister.While the name of his imposing ensemble suggests its pulse-racing effect on the listener, Krock says that it also serves as a description of the spirit shared – and communicated – by each member of the stellar band. “As most people are aware,” he says, “nobody participates in a big band for any reason other than completely naïve idealism. It’s an incredibly emotional experience, and every time we play it makes my heart pump.”