(be-bop) Eddie Costa Trio - Complete Recordings - 2005, FLAC (tracks+.cue), lossless

Eddie Costa Trio - Complete Recordings на этом CD выпущены 2 единственных виниловых альбома Eddie Costa Trio Eddie Costa-Vinnie Burke Trio (Jubilee, 1956) The house of Blue lights (Dot, 1959) Жанр: be-bop Дата записи: New York, February 1956, January 29 & February 2, 1959 Дата выпуска: 2005 Производитель диска, страна: Lone Hill Jazz LHJ10171, Spain Тип: Compilation Аудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: Full artwork Продолжительность: 78:39 Источник: коллекция Л. Рендера Риппер: Мой рип Трэклист: "Eddie Costa-Vinnie Burke Trio" 1. Fascinating Rhythm 2. Unison Blues 3. Sweet and Lovely 4. Let's Do It 5. Yesterdays 6. Pile Driver 7. It Could Happen To You 8. Get Happy Recorded in February, 1956. "House Of Blue Lights" 9. Jeepers Creepers 10. The House Of Blue Lights 11. My Funny Valentine 12. Diane 13. Anabelle 14. When I Fall In Love 15. What's It To Ya Recorded on January 29 and February 2, 1959. Состав: 1-9 Eddie Costa (p, vb on track 3 only), Vinnie Burke (b), Nick Stabulas (d) 10-15 Eddie Costa (p), Wendell Marshall (b), Paul Motian (d)   Несколько слов на английском Along with Clifford Brown, Fats Havarro, Dick Twardzik, Charlie Christian and many others., Eddie Costa was another promising young jazz artist who left us far too early- When a car accident took his life in Hew Vork on July 28, 1.962, he was only 31 Che was born in Atlas, Pennsylvania on August 14, 1930, but had behind a large body of recorded works He had started recording in 1954, and in the brief eight years to his death, he participated in more than a hundred sessions, an impressing number considering that other unorthodox pianists like the aforementioned Twardzik, Herbie Nichols and the young Thelonious Monk found very difficult to get into the studios. However, most of these numerous sessions were made under another musician's leadership, so not always Costa could display his musical concept. He recorded frequently with guitar players Sal Salvador and Tal Farlow, and with tenor saxophonist Mike Cuozzo, but he also participated in sessions with John Coltrane, Oscar Pettiford, Tony Bennett, Woody Herman and Coleman Hawkins. There were multiple recordings with different quartets, quintets, orchestras and backing accompaniment for singers, in which Eddie played sometimes the piano, sometimes the vibes (when playing vibes, he joined many times young pianist Bill Evans). But only two of those hundred sessions had Eddie Costa as the leader, concentrating on the piano and with the traditional backing of just bass and drums. Both of them are included in this disc. In fact, in the first date (on September 29, 1956, although some sources claim it was recorded on February of that year) he was really co-leader, sharing the honors with bass player Vinnie Burke. Born in Newark, New Jersey, on March 15, 1921, Burke was himself a very creative player who worked in many groups and recorded, between many others, with Gerry Mulligan and pianist Billy Taylor (he died on February 1, 2002). Burke and Costa recorded together again just some weeks after these sessions, but now Mike Cuozzo joined the trio on tenor sax. The repertoire consists basically on standards, albeit very arranged and sounding really new as is the case of the opening Gershwin's tune, a duo Costa-Burke, in which the melody is only suggested by the bass and the piano chasing each other. Burke's Unison Blues showcases first Costa's very percussive piano style and then a nice solo by the composer. On Sweet and Lovely, a standard tune very favored by Thelonious Monk, Costa switches to vibes. He's back to the piano on the next two standards, of which his reading of Yesterdays is particularly remarkable and innovative. The aggressive Pile Driver is Costa's only original composition in the whole album and in some ways reminds us of Herbie Nichols's studio recordings of the same period. On the other hand, in his meditative interpretation of It Could Happen to You, Costa seems to evoke Bud Powell's way to state the melody on a ballad. After Eddie's solo, it is Burke's turn to play, first with the bow, then plucking the strings. The fast Get Happy is another very arranged tune in which the original melody, played here in F minor (and therefore not really "happy") is hardly recognizable. The session ends with a short but this time really happy version of Jeepers Creepers, a love song presented by Louis Armstrong in 1938 on a film in which he had to sing it to a horse!! Costa had to wait three years until he had the chance to make another session as a leader. Now, it was the Eddie Costa Trio, and he was accompanied by Wendell Marshall on bass and Paul Motian on drums. Here again there is some discussion about the actual date in which the recording was made. The more accepted dates are January 29 and February 2, 1959, making the disc the result of two sessions. However, some sources state the whole music was recorded on July 13, 1959. On those days, Costa had just made some albums with a Woody Herman sextet (including Nat Adderley and Charlie Byrd) and was to make next a session with guitar player Mundell Lowe (including Donald Byrd, Herbie Mann and Tony Scott), plus a quartet session with the great Coleman Hawkins. From the original (anonymous) liner notes for this session, it is clear that by this time Eddie Costa was no more an unknown figure in the jazz world: "You remember this Eddie Costa as the driving easterner pianist who made such a big hit with his trio at Newport Jazz Festival in 1957; you recall him as a lean saturnine thirtyish Tony Perkins type... full of fire and drive... you seem to remember George Simon, the jazz writer, having written that he has 'an unusually articulate jazz voice, eminently resourceful, and swings hard' and calling Costa 'one of the new jazz giants'". On that mentioned 1957 Newport concert (issued in an album which included one trio and two quintet selections), Costa played with two relatively unknown musicians: Ernie Furtado on bass and Al Berdini on drums. His partners in the 1959 sessions were, on the other hand, big names by their own merit. Cousin of superb bassist Jimmy Blanton, Wendell Marshall (born on October 24, 1920) occupied from 1948 to 1955 the bass chair of Duke Ellington's orchestra. From then he freelanced, recording between others with Mary Lou Williams, Art Blakey, Donald Byrd, Milt Jackson, and Hank Jones until he retired from music in 1968. He died on February 6, 2002. Drummer Paul Motian (born in Providence, R.I., on March 25, 1931) worked with plenty of great musicians, including George Wellington, Russell Jacquet, Tony Scott, Zoot Sims, Oscar Pettiford, Lennie Tristano and Al Cohn, and in more recent years with Paul Bley, and fronting his own groups with Charles Brackeen, Joe Lovano and Bill However, he is mostly remembered for the five years (1959-1964) he joined the Bill Evans Trio, making justly celebrated recordings with Evans and another ill fated musician: bassist Scott LaFaro. Motian's session with Eddie Costa catches him some months before his recording debut with Evans and LaFaro, which took place on December 28, 1959. Eddie Costa Trio's one and only studio session proves to be even more adventurous than the first trio attempt three years before. Here we have fewer and longer tunes, giving much more space for Costa's exploration. Besides, he leaves the vibes aside. His playing on standards like My Funny Valentine and When I Fall in Love sounds still innovative, fresh and truly unexpected. Two more Eddie's compositions are included: the bluesy Anabelle and the rather dark What's to Ya. Costa-Marshall-Motian's trio shows in every tune a high level of interactivity, and we are left waiting for more. But Eddie Costa never recorded again with this formation, and in fact his only other extant trio recordings are very sparse individual selections taken from live concerts. It is said that in the last months of his life Costa was experimenting with modal structures. It's a real pity he didn't have the chance to make another trio session. And it's a real tragedy he never went to the studio to record a piano solo album. Matias Rinar. Frisell.     EAC log Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 30. August 2009, 8:06 Eddie Costa Trio / Complete Recordings Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.01 | 2:57.13 | 1 | 13288 2 | 2:57.14 | 5:23.24 | 13289 | 37537 3 | 8:20.38 | 3:17.13 | 37538 | 52325 4 | 11:37.51 | 4:21.26 | 52326 | 71926 5 | 15:59.02 | 3:43.74 | 71927 | 88725 6 | 19:43.01 | 5:11.74 | 88726 | 112124 7 | 24:55.00 | 6:37.27 | 112125 | 141926 8 | 31:32.27 | 4:14.50 | 141927 | 161026 9 | 35:47.02 | 2:33.50 | 161027 | 172551 10 | 38:20.52 | 10:04.69 | 172552 | 217920 11 | 48:25.46 | 7:00.02 | 217921 | 249422 12 | 55:25.48 | 4:30.24 | 249423 | 269696 13 | 59:55.72 | 4:10.51 | 269697 | 288497 14 | 64:06.48 | 5:02.72 | 288498 | 311219 15 | 69:09.45 | 9:28.53 | 311220 | 353872 Track 1 Filename D:\music\rip\Eddie Costa Trio - 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Complete Recordings (2005) {Lone Hill Jazz LHJ10171}\13 - Anabelle.wav Peak level 86.2 % Track quality 100.0 % Test CRC 5FEAE1E5 Copy CRC 5FEAE1E5 Track not present in AccurateRip database Copy OK Track 14 Filename D:\music\rip\Eddie Costa Trio - Complete Recordings (2005) {Lone Hill Jazz LHJ10171}\14 - When I Fall In Love.wav Peak level 78.0 % Track quality 100.0 % Test CRC 00AECA29 Copy CRC 00AECA29 Track not present in AccurateRip database Copy OK Track 15 Filename D:\music\rip\Eddie Costa Trio - Complete Recordings (2005) {Lone Hill Jazz LHJ10171}\15 - What's It To Ya.wav Peak level 86.4 % Track quality 100.0 % Test CRC F74B69E1 Copy CRC F74B69E1 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report     AucDect log 796343697 31253420 01 - Fascinating Rhythm.wav 751085359 57033692 02 - Unison Blues.wav 1155135150 34781420 03 - Sweet and Lovely.wav 3240259674 46101596 04 - Let's Do It.wav 1024870164 39511292 05 - Yesterdays.wav 2656034743 55034492 06 - Pile Drive.wav 1644053951 70094348 07 - It Could Happen To You.wav 438546369 44923244 08 - Get Happy.wav 3452874497 27106844 09 - Jeepers Creepers.wav 3747313782 106707932 10 - The House Of Blue Lights.wav 2288945161 74092748 11 - My Funny Valentine.wav 3588070106 47684492 12 - Diane.wav 2715013447 44219996 13 - Anabelle.wav 1384091347 53442188 14 - When I Fall In Love.wav 3527638743 100319900 15 - What's It To Ya.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - Fascinating Rhythm.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [02 - Unison Blues.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03 - Sweet and Lovely.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04 - Let's Do It.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05 - Yesterdays.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06 - Pile Drive.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07 - It Could Happen To You.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [08 - Get Happy.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09 - Jeepers Creepers.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10 - The House Of Blue Lights.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11 - My Funny Valentine.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [12 - Diane.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [13 - Anabelle.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [14 - When I Fall In Love.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [15 - What's It To Ya.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш Если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь Заботьтесь о своем рейтинге - приветствуется конвертация моих раздач в мп3 и выкладывание в соотвтствующем разделе