(Avant-Garde Jazz) [WEB] Potsa Lotsa Plus (Silke Eberhard, Jurgen Kupke a.o.) - Plays Love Suite by Eric Dolphy - 2015, FLAC (tracks), lossless

POTSA LOTSA PLUS PLAYS LOVE SUITE BY ERIC DOLPHY Жанр: Avant-Garde Jazz Год издания: 2015 Издатель (лейбл): Jazzwerkstatt Номер по каталогу: JW147 Страна исполнителя (группы): Germany Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 62:28 Источник (релизер): WEB (спасибо Subtlefix) Наличие сканов в содержимом раздачи: нетТреклист: 01. Love Suite 1 : Love Suite 1 02. Love Suite 2 : Trane Beauty 03. Love Suite 3 : Love Suite 3 04. Miniatur : Miniatur 05. Sketch No. 1 : Sketch No. 1 06. Sketch No. 2 : Sketch No. 2 07. Sketch No. 3 : Sketch No. 3 08. Luan guan pian : Luan guan pian 09. Song for the Ram's Horn : Song for the Ram's Horn 10. Bleschsuite : Bleschsuite  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 10 - Bleschsuite Bleschsuite.flac Size: 32773883 Hash: 245257BBA218308F0BCF42D270CEAD43 Accuracy: -m0 Conclusion: MPEG 91% Signature: CD04E58386D0516C1C4A7441C6BD14E1D5E46CEDFILE: 09 - Song for the Ram's Horn Song for the Ram's Horn.flac Size: 21762913 Hash: 712C28147775F9C61D0807305ACA8861 Accuracy: -m0 Conclusion: MPEG 97% Signature: E045213274D6BA4A8E4F4B7B9BCBA4D53369D916FILE: 08 - Luan guan pian Luan guan pian.flac Size: 30266823 Hash: E12A141AD7B1BB5F1A150F99F22B27C3 Accuracy: -m0 Conclusion: CDDA 62% Signature: D892806E51763A1EFEB42F75DD0B400BC7C78548FILE: 07 - Sketch No. 3 Sketch No. 3.flac Size: 23689780 Hash: 62AE565ACD9F1B4F4E31D46FFAF8274D Accuracy: -m0 Conclusion: MPEG 100% Signature: AC0DD1A54734C0E5967C0EBA579ABC8DFD45DFA1FILE: 06 - Sketch No. 2 Sketch No. 2.flac Size: 23318564 Hash: 1EF7DFB025951C9563D73F69707EC00B Accuracy: -m0 Conclusion: CDDA 100% Signature: 4652CAD8B8686FF6C22711480900453090F98F88FILE: 05 - Sketch No. 1 Sketch No. 1.flac Size: 38140877 Hash: BD13839EB279938FB5DEEB0F595C7213 Accuracy: -m0 Conclusion: CDDA 99% Signature: DE4D39FB0000A8D7DA3C08E1E7EDB04DEF85C81FFILE: 04 - Miniatur Miniatur.flac Size: 25986811 Hash: 66BF5F8D12D4DE475DA65B9B699F4593 Accuracy: -m0 Conclusion: CDDA 42% Signature: 8DD90FA9E912C7661F9151309C7282105E10E06BFILE: 03 - Love Suite 3 Love Suite 3.flac Size: 38075410 Hash: 1BFB2E0F93727B7BD4A52CB2824DDCEF Accuracy: -m0 Conclusion: MPEG 80% Signature: 29D67FF65AEC62C173FDD1C13F825E7F808691C1FILE: 02 - Love Suite 2 - Trane Beauty Love Suite 2 - Trane Beauty.flac Size: 31823557 Hash: BD2538EE477D4F355662BDE1A723170F Accuracy: -m0 Conclusion: MPEG 100% Signature: FB8D75A4C56CA06650C4240D6A09FF887FF9E3A6FILE: 01 - Love Suite 1 Love Suite 1.flac Size: 40048179 Hash: EB0CE65E2F34E43D390A03610D08BB3A Accuracy: -m0 Conclusion: CDDA 49% Signature: 4D98846A120055B251A7C69329126542029729A2  Скриншоты спектра частот  Об альбомеIn 2011 German saxophonist Silke Eberhard spearheaded an ambitious 2-CD recording of all of Eric Dolphy’s released compositions. Recorded by the group Potsa Lotsa (itself a reference to a Dolphy composition, “Number Eight,” on Live at the Five Spot), with Eberhard on alto, Patrick Braun on tenor, Gerhard Gschlößl on trombone, and Nikolaus Neuser on trumpet, this release was an impressive examination of Dolphy’s work, made in a spirit of devotion and homage but without falling into the trap of simply reproducing Dolphy. The group offered a distinctive voice of its own, and Eberhard in particular showed herself quite adept at capturing Dolphy’s essence but at the same time pursuing an independent direction for her own playing.For this recording, Potsa Lotsa has been enlarged a bit, with new additions Jürgen Kupke (clarinet), Marc Unternährer (tuba) and Antonis Anissegos (electronics). The result is unquestionably a richer palette and range of expression, and the resulting performances are even more interesting and stimulating than those of the smaller group. The album is somewhat misleadingly titled, given that only the first three of the ten tracks comprise Dolphy’s “Love Suite,” an unfinished composition Dolphy had yet to complete at the time of his death. Nevertheless, it’s fair to say that the rest of the record is clearly inspired by Dolphy’s intriguing harmonic sensibility and idiosyncratic compositional structures, so the record as a whole does feel cohesive.As for the group’s performance of “Love Suite,” it is exceptionally creative and effective. Eberhard is featured on bass clarinet here, and as with the previous recording, she pulls off the remarkable feat of paying tribute to Dolphy while avoiding slavish imitation of him—something especially difficult to do insofar as Dolphy seemed to place his stamp on the bass clarinet more than on any other instrument. What also gives the piece its unique flair is the work of Anissegos, whose interjections and subtle background work on electronics bring an unsettled and slightly jarring quality to the performance. The piece itself is rather compelling, with layered harmonies and a subtle rhythmic bounce. A terrific unaccompanied dialogue between Eberhard and Anissegos develops near the end of the first section and it reveals a sympathetic and nuanced rapport between the musicians. The rest of the suite is just as good, with some fantastic group improvisation taking place in section two, and a chorale-like section three, again with effective contributions from Anissegos, adding just the right air of mystery that always seems to characterize Dolphy’s pieces.The other tracks are very strong in their own right, with a good mix of composed and improvised elements. Even without a rhythm section, a defined or implicit pulse propels each of them, often helped by Unternährer’s jaunty tuba playing (heard especially to good effect on “Miniatur”). Anissegos even provides something akin to a slightly off-kilter drum machine to provide a rhythmic foundation for “Sketch No 1.”Eberhard and her colleagues are to be commended for furthering Dolphy’s legacy, and doing so in a way that points forward rather than staying confined by tradition. It’s an outstanding example of what a “tribute” album should seek to accomplish, and it does so resoundingly.4,5/5 stars (Troy Dostert, freejazzblog)  Состав Silke Eberhard – altosax & bass clarinet Jürgen Kupke – clarinet Patrick Braun – tenor sax & clarinet Nikolaus Neuser – trumpet Gerhard Gschlößl – trombone Marc Unternährer – tuba Antonis Anissegos – live electronics