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(Avant-Garde Jazz) [WEB] Ideal Bread (Josh Sinton, Kirk Knuffke, Tomas Fujiwara, Adam Hopkins) - Beating The Teens: Songs Of Steve Lacy - 2014 [Cuneiform Records] {2 CD}, FLAC (tracks), lossless

IDEAL BREAD beating THE teens Songs Of Steve Lacy Жанр: Avant-Garde Jazz Год издания: 2014 Издатель (лейбл): Cuneiform Records Номер по каталогу: Rune 386-387 Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 60:20 + 61:53 Источник (релизер): WEB (спасибо dizzy101) Наличие сканов: booklet.pdf frontТреклист: CD1 1. Three Pieces From Tao - I 2. Obituary 3. The Precipitation Suite (I Feel a Draft/Cloudy/Rain) 4. Wish 5. Lesson 6. The Wire 7. Paris Rip-off 8. Cryptosphere(s) 9. Scraps 10. The Highway 11. The Wane 12. Dreams 13. Somebody Special 14. Name 15. Three Pieces from Tao - IICD2 1. Three Pieces from Tao - III 2. The Owl 3. Spell 4. Crops 5. Pearl Street 6. Ladies 7. Blinks 8. Cryptosphere 9. Lapis 10. The Uh Uh Uh 11. Torments 12. The Oil 13. Notre Vie 14. Roba 15. Three Pieces from Tao - IV  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 15 - Three Pieces from Tao – II.flac Size: 9631728 Hash: A2E5E1C25ECACE0472C9DC6548817E42 Accuracy: -m0 Conclusion: CDDA 100% Signature: A04164BD9FA838AC8A44F3C8F7B8F18E8DE61F2EFILE: 14 - Name.flac Size: 26525067 Hash: 7856FABEFEC427C2BB42C16BEE2FDF60 Accuracy: -m0 Conclusion: CDDA 100% Signature: C64DF7686B5F17229495997B8843F73058DDDA35FILE: 13 - Somebody Special.flac Size: 19260138 Hash: B0182FC3E8441821207D4CB13D64EBE8 Accuracy: -m0 Conclusion: CDDA 100% Signature: 14C2504CB26F39AAFC41FCB63352A29E8A5F1000FILE: 12 - Dreams.flac Size: 26558832 Hash: C26A09C97ECE2A4E22CD5FA598DFE368 Accuracy: -m0 Conclusion: CDDA 85% Signature: B8DF92A5095A784DC39FC7C1638FF803D6CD1CA5FILE: 11 - The Wane.flac Size: 55630918 Hash: 492B5A128499C54F8B5B7402A39FB10C Accuracy: -m0 Conclusion: MPEG 85% Signature: D9186D9B3B75B17DD51F7C43D1B96CC8DE6594E8FILE: 10 - The Highway.flac Size: 21039433 Hash: CF31F698736E4531843283046A73D2D0 Accuracy: -m0 Conclusion: CDDA 100% Signature: 71BA1891B370B937C52938DF9DF5D15F5EC89BB7FILE: 09 - Scraps.flac Size: 31720766 Hash: 2F2782A39649C73A849F425A53761A45 Accuracy: -m0 Conclusion: CDDA 87% Signature: ABDB0AD45065421CF08ED47904CA877BE80C84F3FILE: 08 - Cryptosphere(s).flac Size: 13105437 Hash: 0FCE6B93D80CA893585C9D3F68355B94 Accuracy: -m0 Conclusion: CDDA 100% Signature: 9885B47B1C686B86C95D92948951F567E3F990E9FILE: 07 - Paris Rip-off.flac Size: 18457812 Hash: 25147AE9B528044DA8BB2D04B8D7303E Accuracy: -m0 Conclusion: MPEG 79% Signature: BEAA03E16059CF07EB662B540697033FF00CD402FILE: 06 - The Wire.flac Size: 13724271 Hash: DD2E78B21225A581FC1197FBD1D35893 Accuracy: -m0 Conclusion: CDDA 100% Signature: 341378B6657EE17889829F1894AD503E6B871AF3FILE: 05 - Lesson.flac Size: 21108717 Hash: F571645DCF0F5F0F25F28C95B08B090A Accuracy: -m0 Conclusion: CDDA 76% Signature: DF62890B4361BA3A5878DF169895027B368CD7C2FILE: 04 - Wish.flac Size: 20491787 Hash: 730B92242FBEC55C947FF2960E8B78EC Accuracy: -m0 Conclusion: CDDA 86% Signature: 010EE54C559A0A54CCDE0570B5BD669D74FDD024FILE: 03 - The Precipitation Suite [I Feel a DraftCloudyRain].flac Size: 17422223 Hash: 9998B030AC01F3AC4BF0BE76891F844F Accuracy: -m0 Conclusion: MPEG 89% Signature: F7A63DC8571EF0B7A8516D387EA41DDA105DA2E9FILE: 02 - Obituary.flac Size: 11999729 Hash: F7D97C28DF35F49DD8CB6F389D9DF684 Accuracy: -m0 Conclusion: CDDA 100% Signature: E67379BDB454EFAFEAB8F5B7853CBF8EAA22B450FILE: 01 - Three Pieces From Tao – I.flac Size: 13411661 Hash: CBD49507B032EA53770393455AED8D00 Accuracy: -m0 Conclusion: CDDA 100% Signature: B13E10072D3C80EE1AFA7E453DD6E739E8ABCEDA-----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 15 - Three Pieces from Tao - IV.flac Size: 7347149 Hash: 2E7582E344F61ED162D377CDACD814FC Accuracy: -m0 Conclusion: CDDA 100% Signature: F5EF200F3CB14EB71025BFD7346DD26096AC4820FILE: 14 - Roba.flac Size: 38455154 Hash: 4F79E580DC4232D4988A3766B36B5E9D Accuracy: -m0 Conclusion: CDDA 54% Signature: B964482265605BC9BEECA299F2FE2E7BBB3063CAFILE: 13 - Notre Vie.flac Size: 30197407 Hash: 0412D9A8182EF84FCFD2DBE22EA4197B Accuracy: -m0 Conclusion: CDDA 100% Signature: 6DE63852B87205FC5C3D4907377DB66A43397ADEFILE: 12 - The Oil.flac Size: 22278611 Hash: F572F54E5F0B7C7DE327ACC304662C7C Accuracy: -m0 Conclusion: CDDA 92% Signature: 58BB459F2C4066B083E2E6F53319EC86CCF9F920FILE: 11 - Torments.flac Size: 21119824 Hash: B2C18F3C3403229405D6676634617DB0 Accuracy: -m0 Conclusion: CDDA 99% Signature: 11DD57A31E83EC3E6A7AA549E9F59798798AF45AFILE: 10 - The Uh Uh Uh.flac Size: 33889601 Hash: FEA5B4DF407C8549BD6348233CFCF707 Accuracy: -m0 Conclusion: MPEG 79% Signature: 0B6C71AD8C66B03E399F20E93C64558AA3B7227EFILE: 09 - Lapis.flac Size: 24131614 Hash: 37FF53F8A8F1BF506BE32F91A1412EE1 Accuracy: -m0 Conclusion: CDDA 100% Signature: 12963FD12BFE10E8FA4F6884AB9F065B0E0A46C5FILE: 08 - Cryptosphere.flac Size: 15910229 Hash: 0E25C33C23A5AF6C38DB9562D612C56A Accuracy: -m0 Conclusion: CDDA 100% Signature: D2A58896A7E80214C24995635499E2D860BEA74EFILE: 07 - Blinks.flac Size: 19684980 Hash: C7DA21A3ACE7E138F3F297AF45C326A9 Accuracy: -m0 Conclusion: CDDA 100% Signature: 0408CD057A0820A9198F334D04ED2B436A00A187FILE: 06 - Ladies.flac Size: 23957199 Hash: FFEA9BDB4C078BFF8755987F9822778C Accuracy: -m0 Conclusion: CDDA 100% Signature: 102551666975A258A4D3BE7FDDDE188161868066FILE: 05 - Pearl Street.flac Size: 16100244 Hash: 04668C4C2C59EEF8B9D8C9A763376569 Accuracy: -m0 Conclusion: CDDA 100% Signature: E583919C4708198F8EC831198B1E354C18E002B1FILE: 04 - Crops.flac Size: 23998273 Hash: 145619263D45DBC023EB3F9AD46DA168 Accuracy: -m0 Conclusion: CDDA 58% Signature: E83A4521C185E291F39B68518DEB7A8002675861FILE: 03 - Spell.flac Size: 35688701 Hash: 94966863919B379E5FFAC33F7C6DC0E9 Accuracy: -m0 Conclusion: CDDA 100% Signature: FFC5C66E6779DA1853DC09F73F8CE659ED6AD991FILE: 02 - The Owl.flac Size: 13709244 Hash: 586ABB5C247DF8B233BFEDB20C9870BE Accuracy: -m0 Conclusion: CDDA 42% Signature: E8EB8DE4654453D87EB3C5B5F1F7987E1ECDFD5AFILE: 01 - Three Pieces from Tao – III.flac Size: 9514965 Hash: 72B8438A67BBC41E86A5FFBB150E1F53 Accuracy: -m0 Conclusion: CDDA 100% Signature: A5948E4B0EA95443437C312265BC307E0A9FB6C3  Скриншот спектра частот  Об альбомеWith Beating the Teens, Ideal Bread’s leader and baritone saxophonist Josh Sinton decided to radically question and deconstruct the notion of a repertory band. Since the release of their first album, The Ideal Bread, in 2007, the group has existed with only two rules: 1.) Ideal Bread would be a band in the traditional sense, the same members for every album and every show 2.) Ideal Bread would play exclusively the music of iconoclastic saxophonist-composer Steve Lacy.And with this album, their third, Ideal Bread continue to uphold these rules, but with a change of emphasis. As Sinton puts it, “In the beginning we were a Steve Lacy-repertory band that happened to be composed of four gifted improvisers, but along the way we’ve become a band of four gifted improvisers who happen to play the music of Steve Lacy. And the new album had to reflect that shift.”Acting on this new reality, Sinton set out laying the groundwork for this new work. Using his concept of the musical object as a “flexible container” for the performer’s ideas and personalities, he looked around for a container large enough to hold all the idiosyncrasies and sonic facets of his longtime band-mates Kirk Knuffke (cornet) and Tomas Fujiwara (drums) as well as their newfound member Adam Hopkins (bass).He found what he was looking for in Scratching the Seventies/Dreams, the 3-CD box set that collects all five LP’s Steve Lacy recorded for the Saravah label from 1971 – 1977. In these recordings, some of the earliest of Lacy’s compositions and therefore almost embryonic, Sinton found, “There was enough room for us to be ourselves in this music.”Sinton transcribed all the compositions on Scratching the Seventies. But when in the past he would have left off at this point and been content to repeat these transcriptions, in this case he decided he would take the additional step of re-arranging all the pieces. In this he was guided by three considerations: 1.) He would use a compositional device no more than three times; so he would have to find unique ways of structuring the materials. 2.) He would make sure that each member had agency by insuring they had unique contexts for sounding their voices. 3.) Where possible, he would write the drum parts because as Sinton puts it, “Many of my favorite composers (Threadgill, Argue, Iyer, Braxton) can write for drums. It’s about time I learned to do the same.”Following these prescriptions has led to an album that unselfconsciously embraces the sounds of Iggy Pop, musique concrète, Mos Def, Art Ensemble of Chicago, Morphine, 17th-century Baroque and Brooklyn’s current creative music scene among many others. “I kept each new arrangement only if I could affirmatively answer the question, ‘Is this who we are?” says Sinton. Beating the Teens is a record that could only be made by young improvisers in the 21st century, representing as it does the conflation of sounds and influences that is a trademark of this generation of artists.Josh Sinton began writing the material in January of 2012 and the band began regularly rehearsing and performing it around New York City in July of that year. One year later, they felt ready to record the material. To make such an ambitious recording (26 pieces, some recorded in multiple realizations), the band reached out to their friends and fans. They successfully raised the funds needed for tracking the album via the crowdfunding website, Kickstarter and ensconced themselves for four days at Vibromonk Studios (a studio more often associated with singer-songwriters like Joan as Policewoman or the punk band World Inferno Friendship Society) in Williamsburg, Brooklyn.Like Vibromonk, their engineer Tyler Wood is often associated with leading rock bands like Glass Ghost and Luke Temple, but is also well known for his work with jazz musicians like Jeremy Udden. “I asked Tyler to be my co-producer on this because I knew he would understand where I was coming from. I didn’t want to make a traditional ‘cinema verite’ type of jazz record. So when I brought in the pile of records I was using for sonic reference material, he was excited,” says Sinton. The album was mixed by Wood and Sinton in exacting detail and mastered at Sterling Sound by Randy Merrill whom Sinton had worked with on his previous recording Pine Barren. The result is a lushly mutlti-faceted record that seamlessly moves from resonantly stark solo pieces to busy soundscapes to tightly-organized rhythmic engines.With Beating the Teens, Ideal Bread breaks new ground both for themselves and for the creative music world. The album poses questions for musicians (“What can we do next?”) and for the audience (“What is a repertory band?”). And while the answers are varied, the methods used to ask and potentially answer these questions make for fascinating and captivating music.  Состав Josh Sinton – baritone saxophone, arrangements Kirk Knuffke – cornet Adam Hopkins – bass Tomas Fujiwara – drums
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