(Avant-Garde Jazz, Post-Bop) Andrew Hill - Point of Departure - 1964 (1989), FLAC (tracks+.cue), lossless

Andrew Hill - Point of Departure Жанр: Avant-Garde Jazz, Post-Bop Страна-производитель диска: США Год издания: 1989 Издатель (лейбл): Blue Note Номер по каталогу: CDP 7 84167 2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 50:59 Источник (релизер): gravy63 (what) Наличие сканов в содержимом раздачи: нетТреклист: 01. Refuge (Hill) - 12:18 02. New Monastery (Hill) - 7:05 03. Spectrum (Hill) - 9:49 04. Flight 19 (Hill) - 4:13 05. Flight 19 (alternate take) (Hill) - 3:50 06. Dedication (Hill) - 6:43 07. Dedication (alternate take) (Hill) - 7:01Состав: Kenny Dorham - trumpet Eric Dolphy - alto saxophone, flute, bass clarinet Joe Henderson - tenor saxophone Andrew Hill - piano Richard Davis - bass Tony Williams - drumsRecorded at the Van Gelder Studio, Englewood Cliffs, NJ on March 21, 1964. Remastered by Ron McMaster.  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 6. October 2012, 16:27Andrew Hill / Point of DepartureUsed drive : TSSTcorpCDDVDW SH-S203B Adapter: 1 ID: 2Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 12:18.08 | 32 | 55389 2 | 12:18.40 | 7:05.10 | 55390 | 87274 3 | 19:23.50 | 9:49.00 | 87275 | 131449 4 | 29:12.50 | 4:12.40 | 131450 | 150389 5 | 33:25.15 | 3:49.40 | 150390 | 167604 6 | 37:14.55 | 6:43.22 | 167605 | 197851 7 | 43:58.02 | 7:01.25 | 197852 | 229451Track 1 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\01 - Refuge.wav Pre-gap length 0:00:02.42 Peak level 98.5 % Extraction speed 5.6 X Track quality 100.0 % Test CRC 3D41F76B Copy CRC 3D41F76B Accurately ripped (confidence 8) [2E638D6E] (AR v1) Copy OKTrack 2 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\02 - New Monastery.wav Pre-gap length 0:00:03.04 Peak level 99.3 % Extraction speed 6.5 X Track quality 100.0 % Test CRC 49E80CC1 Copy CRC 49E80CC1 Accurately ripped (confidence 8) [175AF576] (AR v1) Copy OKTrack 3 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\03 - Spectrum.wav Pre-gap length 0:00:02.90 Peak level 99.4 % Extraction speed 7.4 X Track quality 100.0 % Test CRC E2CADF83 Copy CRC E2CADF83 Accurately ripped (confidence 8) [921523DD] (AR v1) Copy OKTrack 4 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\04 - Flight 19.wav Pre-gap length 0:00:02.97 Peak level 87.9 % Extraction speed 7.4 X Track quality 100.0 % Test CRC 06F288F1 Copy CRC 06F288F1 Accurately ripped (confidence 8) [8977FA7E] (AR v1) Copy OKTrack 5 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\05 - Flight 19 - alternate take.wav Pre-gap length 0:00:02.86 Peak level 84.3 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 5A444DF6 Copy CRC 5A444DF6 Accurately ripped (confidence 8) [7DF4F44D] (AR v1) Copy OKTrack 6 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\06 - Dedication.wav Pre-gap length 0:00:02.93 Peak level 72.5 % Extraction speed 8.4 X Track quality 100.0 % Test CRC 46F685E8 Copy CRC 46F685E8 Accurately ripped (confidence 8) [E0648DC2] (AR v1) Copy OKTrack 7 Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\07 - Dedication - alternate take.wav Pre-gap length 0:00:02.46 Peak level 84.4 % Extraction speed 7.7 X Track quality 99.9 % Test CRC 3D1EF9FE Copy CRC 3D1EF9FE Accurately ripped (confidence 8) [B7182862] (AR v1) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum E8D599996E937F97D34C217AD915D593EFC0BB57AAEA91CAB1FCA4110F8FC998 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1964REM DISCID 4D0BF307REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Andrew Hill"TITLE "Point of Departure"FILE "01 - Refuge.wav" WAVE TRACK 01 AUDIO TITLE "Refuge" PERFORMER "Andrew Hill" PREGAP 00:00:32 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "New Monastery" PERFORMER "Andrew Hill" INDEX 00 12:15:05FILE "02 - New Monastery.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Spectrum" PERFORMER "Andrew Hill" INDEX 00 07:02:17FILE "03 - Spectrum.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Flight 19" PERFORMER "Andrew Hill" INDEX 00 09:46:02FILE "04 - Flight 19.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Flight 19 - alternate take" PERFORMER "Andrew Hill" INDEX 00 04:09:50FILE "05 - Flight 19 - alternate take.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Dedication" PERFORMER "Andrew Hill" INDEX 00 03:46:45FILE "06 - Dedication.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Dedication - alternate take" PERFORMER "Andrew Hill" INDEX 00 06:40:62FILE "07 - Dedication - alternate take.wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 14.01.2013 20:42:45; Version: 2.1.4]Pregap length 00:00:32.[CTDB TOCID: xWPKHnST9hhoeFtlv53I.1R0wEI-] disk not present in database.[AccurateRip ID: 000f8e36-0059ab75-4d0bf307] found.Track [ CRC | V2 ] Status 01 [2e638d6e|243167d1] (8+0/8) Accurately ripped 02 [175af576|291ef222] (8+0/8) Accurately ripped 03 [921523dd|1c4795be] (8+0/8) Accurately ripped 04 [8977fa7e|8e60e293] (8+0/8) Accurately ripped 05 [7df4f44d|3dc54cdc] (8+0/8) Accurately ripped 06 [e0648dc2|34295a00] (8+0/8) Accurately ripped 07 [b7182862|689b40ae] (8+0/8) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 99,4 [D1F07B5E] [C4143465] 01 98,5 [3D41F76B] [04E6F51A] CRC32 02 99,3 [49E80CC1] [0D5D8F6B] CRC32 03 99,4 [E2CADF83] [B062899A] CRC32 04 87,9 [06F288F1] [ACE41068] CRC32 05 84,3 [5A444DF6] [BB6EC193] CRC32 06 72,5 [46F685E8] [B7567BA2] CRC32 07 84,4 [3D1EF9FE] [04A7F7F6] CRC32  Review by Thom JurekPianist and composer Andrew Hill is perhaps known more for this date than any other in his catalogue -- and with good reason. Hill's complex compositions straddled many lines in the early to mid-1960s and crossed over many. Point of Departure, with its all-star lineup (even then), took jazz and wrote a new book on it, excluding nothing. With Eric Dolphy and Joe Henderson on saxophones (Dolphy also played clarinet, bass clarinet, and flute), Richard Davis on bass, Tony Williams on drums, and Kenny Dorham on trumpet, this was a cast created for a jazz fire dance. From the opening moments of "Refuge," with its complex minor mode intro that moves headlong via Hill's large, open chords that flat sevenths, ninths, and even 11ths in their striding to move through the mode, into a wellspring of angular hard bop and minor-key blues. Hill's solo is first and it cooks along in the upper middle register, almost all right hand ministrations, creating with his left a virtual counterpoint for Davis and a skittering wash of notes for Williams. The horn solos in are all from the hard bop book, but Dolphy cuts his close to the bone with an edgy tone. "New Monastery," which some mistake for an avant-garde tune, is actually a rewrite of bop minimalism extended by a diminished minor mode and an intervallic sequence that, while clipped, moves very quickly. Dorham solos to connect the dots of the knotty frontline melody and, in his wake, leaves the space open for Dolphy, who blows edgy, blue, and true into the center, as Hill jumps to create a maelstrom by vamping with augmented and suspended chords. Hill chills it out with gorgeous legato phrasing and a left-hand ostinato that cuts through the murk in the harmony. When Henderson takes his break, he just glides into the chromatically elegant space created by Hill, and it's suddenly a new tune. This disc is full of moments like this. In Hill's compositional world, everything is up for grabs. It just has to be taken a piece at a time, and not by leaving your fingerprints all over everything. In "Dedication," where he takes the piano solo further out melodically than on the rest of the album combined, he does so gradually. You cannot remember his starting point, only that there has been a transformation. This is a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz.