(Avant-Garde Jazz, Modern Creative) [CD] Tyshawn Sorey (with Cory Smythe & Christopher Tordini) - Alloy - 2014, FLAC (tracks+.cue), lossless

TYSHAWN SOREY ALLOY Жанр: Avant-Garde Jazz, Modern Creative Страна-производитель диска (релиза): USA Год издания: 2014 Издатель (лейбл): Pi Recordings Номер по каталогу: PI 56 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 66:02 Источник (релизер): спасибо bemsha Наличие сканов в содержимом раздачи: даТреклист: 1. Returns 2. Movement 3. Template 4. A Love Song  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 3. December 2014, 8:59Tyshawn Sorey / AlloyUsed drive : SONY DVD RW DRU-810A Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 618Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:58.40 | 0 | 35889 2 | 7:58.40 | 19:51.61 | 35890 | 125275 3 | 27:50.26 | 7:18.74 | 125276 | 158199 4 | 35:09.25 | 30:52.65 | 158200 | 297164Track 1 Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\01 - Returns.wav Pre-gap length 0:00:02.00 Peak level 89.5 % Extraction speed 5.0 X Track quality 100.0 % Test CRC 4E89236A Copy CRC 4E89236A Track not present in AccurateRip database Copy OKTrack 2 Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\02 - Movement.wav Peak level 88.7 % Extraction speed 6.6 X Track quality 100.0 % Test CRC A0FC0FA0 Copy CRC A0FC0FA0 Track not present in AccurateRip database Copy OKTrack 3 Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\03 - Template.wav Peak level 100.0 % Extraction speed 7.4 X Track quality 100.0 % Test CRC 9A9FB432 Copy CRC 9A9FB432 Track not present in AccurateRip database Copy OKTrack 4 Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\04 - A Love Song.wav Peak level 88.8 % Extraction speed 9.2 X Track quality 100.0 % Test CRC 66ABE8BB Copy CRC 66ABE8BB Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: N557KuiPRjO1DXc..NpNSoDwUlU-] disk not present in database, Submit result: N557KuiPRjO1DXc..NpNSoDwUlU- has been uploaded==== Log checksum A5FAB5E28C763A8024A6857F027AFDF5CC87C191BB542A8A545499CB929AE153 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2014REM DISCID 230F7A04REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Tyshawn Sorey"TITLE "Alloy"FILE "01 - Returns.wav" WAVE TRACK 01 AUDIO TITLE "Returns" PERFORMER "Tyshawn Sorey" INDEX 01 00:00:00FILE "02 - Movement.wav" WAVE TRACK 02 AUDIO TITLE "Movement" PERFORMER "Tyshawn Sorey" FLAGS DCP INDEX 01 00:00:00FILE "03 - Template.wav" WAVE TRACK 03 AUDIO TITLE "Template" PERFORMER "Tyshawn Sorey" FLAGS DCP INDEX 01 00:00:00FILE "04 - A Love Song.wav" WAVE TRACK 04 AUDIO TITLE "A Love Song" PERFORMER "Tyshawn Sorey" FLAGS DCP INDEX 01 00:00:00  Об альбоме  AllAboutJazz / 5 starsFrom an early age composer/drummer/educator Tyshawn Sorey has found creative outlets in not just music but in painting and literature as well. Never one to compartmentalize his own imagination, he has enthusiastically explored blues, gospel, classical and music for dance so it seems quite natural that his current music defies categories. Whether listening or writing, he takes a non-judgmental approach to the way he engages with music, preferring possibilities over prescription. Sorey has recorded or performed with a veritable who's-who of modern music including trumpeters Wadada Leo Smith and Dave Douglas, saxophonists Anthony Braxton, John Zorn and Tim Berne, and pianists Muhal Richard Abrams, Vijay Iyer to name just a few.Following Sorey's highly acclaimed Oblique—I (PI Recordings, 2011), the four long compositions that make up Alloy represent something of a shift in focus to a coexistence of established structures and improvisations where melodies are fleeting but dramatically impactful. Sorey is joined by the superb pianist Corey Smythe who has travelled in similar musical circles as well as performing to outstanding reviews with classical violinist Hilary Hahn at the Kennedy Center. Bassist Christopher Tordini rounds out the trio after being part of Sorey's quintet on Oblique—I. No stranger to cutting-edge drummers, Tordini has worked with Jim Black, saxophonists Greg Osby and Steve Lehman and a number of prominent regulars on the New York downtown scene.Alloy is a democratic endeavor though Smythe is often at the audible center of these works all of which have the feel of improvised tonal experiments. "Returns" begins in near silence but quickly becomes a free form exercise before returning to a minimalist setting. Melody doesn't so much develop as it does layer on subtle texture without diverting from the core pattern; the drive is always subtle with only enough tension to give pause to the possibility of a more volatile reaction. The energetic flow of "Movement" adds a bit more texture from Smythe before the melody unravels in a brief microburst of trio participation. The polyrythmic "Template" launches somewhere between ambience and furtive scratches and squeaks later joined by an ominous piano. There is the sporadic and deeply resonant bass lead before Smythe takes a more rhythmic turn. Sorey does a masterful job of starting, stopping and directing, carefully filling in the open spaces without over-controlling them. "Love Song"—with its lullaby opening—is dominated by single notes, clusters of notes and broken chords more often hinting at a melody than fully developing one. The extended piece unfolds patiently and with child-like simplicity.The enigma of Sorey's compositions is that reiteration of notes, patterns and silences is a key part of these pieces and yet each ends with a complete sense of being uniquely unrepeatable; it is a feeling that this was a once in a lifetime experience. Like the lesser requirements of expressing true emotion and passion Alloy is full of moments that quietly and patiently search for just the right emphasis for these occasions while occasionally being punctuated with provocative twists and turns. This is an astounding recording that has the clean, primal quality of being inside the creative process; it is intelligent, visceral, melodic and essential. (Karl Ackermann)  freejazzblog.org / 5 starsTyshawn Sorey has consistently released albums about every two years. With the every album he has changed the configuration of his lineups. His latest is Alloy, released on the Pi Recordings label, is a traditional piano trio configuration with Corey Smythe on piano, who also appeared on Sorey’s That/Not, and Christopher Tordini on bass, who previously appeared on Oblique-I. Anyone familiar with Sorey’s work will undoubtedly hear his fingerprints all over the music. For the unfamiliar, Sorey’s compositions tend to focus as much on space and touch, leaving you in a space of reflection and thought. Probably due to the lack of a brass or wind instrument on this album, Alloy reminds me most of his 2009 release, and one of my all-time favorite albums, Koan.Given Sorey’s penchant for space in his compositions, the piano trio setting proves to be a wonderful avenue to display his sound. “Returns” begins with Smythe searching through the keys to find the right notes, as Sorey and Tordini lock in behind. As the searching increasing a mild chaos ensues only to return to a more melodic and contemplative tempo. “Return” flows directly into “Movement”. Building on melody, Smythe weaves in and out of Sorey’s light cymbal play and Tordini’s steady beat. After two 15 plus minute tracks, the trio jumps into “Template”. Honestly, Template will either scare the crap out of you, or make you wonder if you cd player changed discs. The surprise of the album, 2 and 1/2 minutes into the track Sorey lays into a groove on his drum kit that will shock you and make you undoubtedly bob your head in approval. It’s so beautifully out of place I love every time it kicks in, and I’m never expecting it. Finally, Sorey ends with the 30 minute “A Love Song”, and returns to the meditative spacial compositions that Sorey specializes in. This album is already rivaling Koan as my favorite Sorey led album, and currently my favorite release of any artist this year. Released in the typical Pi Recordings digipak, This album has excellent sound quality with one of the most beautifully mic’d pianos I have ever heard. (Josh Campbell)  Состав Tyshawn Sorey - drums Cory Smythe - piano Christopher Tordini - bass