(Avant-Garde Jazz, Modal Music, Soul-Jazz) [CD] Michael White - The Land of Spirit and Light - 1973 (2005), FLAC (tracks+.cue), lossless
Michael White - The Land of Spirit and Light
Жанр: Avant-Garde Jazz, Modal Music, Soul-Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2005
Издатель (лейбл): Impulse!/Verve
Номер по каталогу: B0004277-02
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 39:23
Источник (релизер): vdown (what)
Наличие сканов в содержимом раздачи: нетТреклист:
01. The Land of Spirit and Light (Part 1) (White) - 2:43
02. The Land of Spirit and Light (Part 2) (White) - 3:22
03. The Land of Spirit and Light (Part 3) (White) - 4:34
04. Fatima's Garden (White) - 10:01
05. Fiesta Dominical (White) - 7:23
06. O Ancient One (White) - 8:52
07. Lament (Mankind) (McBee-White) - 2:28Состав:
Michael White - violin
Prince Lasha - piccolo, flute, alto flute, clarinet
Ed Kelly - piano
Bob King - classical guitar
Cecil McBee - bass
Kenneth Nash - percussion
Stanley Nash, Kenny Jenkins, and ABC Messenger delivery man - vocalsRecorded at the Village Recorder, Los Angeles, CA on February 7-8, 1973.
Лог создания рипа
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Содержание индексной карты (.CUE)
TITLE "The Land of Spirit and Light"PERFORMER "Michael White"CATALOG 0602498802809REM GENRE "Jazz"REM DATE "1973"REM DISCID 53093B07FILE "01 - The Land of Spirit and Light (Part 1).wav" WAVE TRACK 01 AUDIO TITLE "The Land of Spirit and Light (Part 1)" ISRC USUM70501869 INDEX 01 00:00:00FILE "02 - The Land of Spirit and Light (Part 2).wav" WAVE TRACK 02 AUDIO TITLE "The Land of Spirit and Light (Part 2)" ISRC USUM70501870 INDEX 01 00:00:00FILE "03 - The Land of Spirit and Light (Part 3).wav" WAVE TRACK 03 AUDIO TITLE "The Land of Spirit and Light (Part 3)" ISRC USUM70501871 INDEX 01 00:00:00FILE "04 - Fatima's Garden.wav" WAVE TRACK 04 AUDIO TITLE "Fatima's Garden" ISRC USUM70501872 INDEX 01 00:00:00FILE "05 - Fiesta Dominical.wav" WAVE TRACK 05 AUDIO TITLE "Fiesta Dominical" ISRC USUM70501873 INDEX 01 00:00:00FILE "06 - O Ancient One.wav" WAVE TRACK 06 AUDIO TITLE "O Ancient One" ISRC USUM70501874 INDEX 01 00:00:00FILE "07 - Lament (Mankind).wav" WAVE TRACK 07 AUDIO TITLE "Lament (Mankind)" ISRC USUM70501875 INDEX 01 00:00:00
Отчет CUETools
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AllMusic Review by Thom JurekReleased in 1974, Michael White's The Land of Spirit and Light is a spiritual jazz classic. Ambitious, outrageously creative, and aesthetically restless, it is simply one of the finest outings on the Impulse! label. Beginning with an unusual ensemble that included classical guitarist Bob King, bassist Cecil McBee, percussionist Kenneth Nash, Prince Lasha on woodwinds, and pianist Ed Kelly -- along with vocalist Stanley Nash and some unidentified others -- the set walks the line between improvisation and groove-based playing. The three-part title suite is a case in point, as McBee's bass creates a groove-based line and is flown over by White's violin and countermelodies by King. The melody from "Pt. 1" introduces "Pt. 2" and becomes a kind of freewheeling dance as soloists weave in and out and harmonic improvising becomes intuitive. "Pt. 3" changes directions entirely, as it is introduced briefly by percussion instruments cooking along to a speedy and pointed intersection with White and Kelly, the latter of whom solos in brief bursts before Lasha enters on flute and states an entirely new melody. The ten-minute "Fatima's Garden" is the hinge track on the disc, and is continually in the process of becoming as modal piano, bass, shimmering bells, and violin find a common ground about six minutes in before giving way to Lasha's flute as it meanders and wanders through the middle. There are Asian scales played by King, and the entire work comes off as a dreamscape. "Fiesta Dominical" sounds exactly like its title, with chanted vocals and Lasha's piccolo swirling about the mix. Even the thoroughly outside "O Ancient One," with its flamenco flavors courtesy of White, holds together because of its sparseness and inventiveness. No one player dominates, and the ensemble improvises as a whole until about three minutes in, when a groove rounds everybody up and Lasha's bass clarinet takes the improv groove in a loose contrapuntal exchange with White, whose deep Middle Eastern head covers the ground. The set closes with "Lament (Mankind)," a brief, mournful duet with White accompanied by McBee's bowed bass. It's startling, haunting, and an utterly unsettling way to end such a joyous recording, but it works because the sheer restlessness of the adventure has been so joyous. It adds a melancholy balance to the sounds of paradise. Wonderful.