(Avant-Garde Jazz, Modal Jazz) [CD] Pharoah Sanders - Karma - 1969 (2007 Japan Edition), FLAC (tracks+.cue), lossless

Pharoah Sanders - Karma Жанр: Avant-Garde Jazz, Modal Jazz Носитель: CD Страна-производитель диска (релиза): Япония Год издания: 2007 Издатель (лейбл): Impulse!/Universal Номер по каталогу: UCCI-9127 Страна исполнителя (группы): США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 38:27 Источник (релизер): FelixClown (what) Наличие сканов в содержимом раздачи: сетевыеТреклист: 01. The Creator Has a Master Plan (Sanders-Thomas) - 32:50 02. Colors (Sanders-Thomas) - 5:37Состав: Pharoah Sanders - tenor saxophone Leon Thomas - vocals, percussion James Spaulding - flute (#1) Julius Watkins - French horn Lonnie Liston Smith - piano Richard Davis (#1), Reggie Workman, Ron Carter (#2) - bass Billy Hart (#1), Freddie Waits (#2) - drums Nathaniel Bettis - percussion (#1)Recorded at RCA Studios, New York on February 14-19, 1969.  Лог создания рипа X Lossless Decoder version 20151214 (149.1)XLD extraction logfile from 2016-05-09 06:50:00 -0400Pharoah Sanders / Karma [RM 1995]Used drive : Apple SuperDrive (revision 2.00)Media type : Pressed CDRipper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 6Max retry count : 20Gap status : Analyzed, AppendedTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 32:49:40 | 0 | 147714 2 | 32:49:40 | 05:36:47 | 147715 | 172961AccurateRip Summary (DiscID: 0004e4a5-000c6ced-14090202) Track 01 : OK (v2, confidence 2/2) Track 02 : OK (v2, confidence 2/2) ->All tracks accurately ripped.All Tracks Album gain : -5.69 dB Peak : 0.976013 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 01 Filename : /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [V0 (VBR)]/01 The Creator Has a Master Plan.mp3 /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [320]/01 The Creator Has a Master Plan.mp3 /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [FLAC ]/01 The Creator Has a Master Plan.flac Pre-gap length : 00:02:00 Track gain : -5.68 dB Peak : 0.976013 CRC32 hash (test run) : 2D5C354B CRC32 hash : 2D5C354B CRC32 hash (skip zero) : D5FF1FE1 AccurateRip v1 signature : 2C6BC157 AccurateRip v2 signature : 85DFBF5B ->Accurately ripped (v2, confidence 2/2) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 02 Filename : /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [V0 (VBR)]/02 Colors.mp3 /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [320]/02 Colors.mp3 /Users/davidhirschberg/Desktop/RIP Folder/Pharoah Sanders - Karma [RM 1995] (1969) [FLAC ]/02 Colors.flac Pre-gap length : 00:04:13 Track gain : -5.82 dB Peak : 0.975983 CRC32 hash (test run) : 09A6D057 CRC32 hash : 09A6D057 CRC32 hash (skip zero) : 7EF8435F AccurateRip v1 signature : 720FCF81 AccurateRip v2 signature : 77882563 ->Accurately ripped (v2, confidence 2/2) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0No errors occurredEnd of status report-----BEGIN XLD SIGNATURE-----3.K8qZiVf4J7Jv9f_.67W8KIcD7vP8QUeg7EMWnSU1AdvQ8pIRA5YyMkUJTq7OdDcXsjlAQBQ0MgE7bETVcS.x0XU04vTHTEg00to08-----END XLD SIGNATURE-----  Содержание индексной карты (.CUE) TITLE "Karma"PERFORMER "Pharoah Sanders"CATALOG 0011105115322REM GENRE "Jazz"REM DATE "1969"REM DISCID 14090202REM REPLAYGAIN_ALBUM_GAIN -5.69 dBREM REPLAYGAIN_ALBUM_PEAK 0.976013FILE "01 - The Creator Has a Master Plan.flac" WAVE TRACK 01 AUDIO TITLE "The Creator Has a Master Plan" REM REPLAYGAIN_TRACK_GAIN -5.68 dB REM REPLAYGAIN_TRACK_PEAK 0.976013 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Colors" REM REPLAYGAIN_TRACK_GAIN -5.82 dB REM REPLAYGAIN_TRACK_PEAK 0.975983 INDEX 00 32:45:27FILE "02 - Colors.flac" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 10.05.2016 14:23:12; Version: 2.1.5][CTDB TOCID: 0hfLEYVde457o9Lm6Q14w3CyApw-] found.Track | CTDB Status 1 | (3/3) Accurately ripped 2 | (3/3) Accurately ripped[AccurateRip ID: 0004e4a5-000c6ced-14090202] found.Track [ CRC | V2 ] Status 01 [2c6bc157|85dfbf5b] (0+2/2) Accurately ripped 02 [720fcf81|77882563] (0+2/2) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] -- 97,6 [1398CF7D] [0AE43A58] 01 97,6 [2D5C354B] [D5FF1FE1] 02 97,6 [09A6D057] [7EF8435F]  AllMusic Review by Thom JurekPharoah Sanders' third album as a leader is the one that defines him as a musician to the present day. After the death of Coltrane, while there were many seeking to make a spiritual music that encompassed his ideas and yearnings while moving forward, no one came up with the goods until Sanders on this 1969 date. There are only two tracks on Karma, the 32-plus minute "The Creator Has a Master Plan" and the five-and-a-half-minute "Colors." The band is one of Sanders' finest, and features vocalist Leon Thomas, drummer Billy Hart, Julius Watkins, James Spaulding, a pre-funk Lonnie Liston Smith, Richard Davis, Reggie Workman on bass, and Nathaniel Bettis on percussion. "Creator" begins with a quote from "A Love Supreme," with a nod to Coltrane's continuing influence on Sanders. But something else emerges here as well: Sanders' own deep commitment to lyricism and his now inherent knowledge of Eastern breathing and modal techniques. His ability to use the ostinato became not a way of holding a tune in place while people soloed, but a manner of pushing it irrepressibly forward. Keeping his range limited (for the first eight minutes anyway), Sanders explores all the colors around the key figures, gradually building the dynamics as the band comps the two-chord theme behind with varying degrees of timbral invention. When Thomas enters at nine minutes, the track begins to open. His yodel frees up the theme and the rhythm section to invent around him. At 18 minutes it explodes, rushing into a silence that is profound as it is noisy in its approach. Sanders is playing microphonics and blowing to the heavens and Thomas is screaming. They are leaving the material world entirely. When they arrive at the next plane, free of modal and interval constraints, a new kind of lyricism emerges, one not dependent on time but rhythm, and Thomas and Sanders are but two improvisers in a sound universe of world rhythm and dimension. There is nothing to describe the exhilaration that is felt when this tune ends, except that "Colors," with Ron Carter joining Workman on the bass, was the only track that could follow it. You cannot believe it until you hear it.