(Avant-Garde Jazz, Minimalism) Don Cherry & Terry Riley - Studio Session, Copenhagen 1970 [FM Bootleg/Remastered] - 2010, FLAC (tracks), lossless

Don Cherry & Terry Riley / Studio Session, Copenhagen 1970 Жанр: Avant-Garde Jazz, Minimalism Год издания : 2010 Издатель (лейбл): Unofficial Release Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 00:38:48 Источник (релизер): Unknown Наличие сканов в содержимом раздачи: даТреклист: 1. Untitled (10:03) 2. Untitled (21:20) 3. Untitled (7:25)Credits: Bass, Cello – Poul Ehlers Flute, Drum – Knud Bjørnø Soprano Saxophone, Organ – Terry Riley Soprano Saxophone, Tenor Saxophone, Tambourine, Flute – Jesper Zeuthen Trumpet, Other [Wood Drum] – Don CherryThis unreleased studio session pairs minimalist composer Terry Riley with avant-jazz luminary Don Cherry who work with three European musicians handling various wind instruments, percussion and bass. Part one is a droney piece in the key of E and heavy on soprano saxophone. Part two where Riley is heard on organ sounds like an early version of "Persian Surgery Dervishes" with jazzy wind solos. Part three however is something really interesting: Riley forms a horn section with Cherry playing slow and plaintive horn lines while another woodwind player takes a wooden flute solo, this is where Cherry's influence is the most felt. Otherwise this is not too far from what Riley did during late sixties and early seventies, but its jazz influence is slightly more pronounced, especially the prominent texture of trumpet, saxes and flutes. If In A Silent Way used minimalist flavor for coloring jazz, then here Riley and Cherry use jazz color to confirm yet another way how jazz and minimalist music could be compatible. (RYM)  Лог проверки качества fooCDtect - foobar2000 + auCDtect, baralgin.auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved. mode: 0=========================================== Track: Untitled IProcessing file: [Untitled I.aucdtect]Detected average hi-boundary frequency: 2.010722e+004 HzDetected average lo-boundary frequency: 1.328965e+004 HzDetected average hi-cut frequency: 2.129282e+004 HzDetected average lo-cut frequency: 9.427108e+003 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 5.368884e-001First order smothness: 3.201910e-001Second order smothness: 7.708301e-001------------------------------------------------------------This track looks like CDDA with probability 100%=========================================== Track: Untitled IIProcessing file: [Untitled II.aucdtect]Detected average hi-boundary frequency: 2.003765e+004 HzDetected average lo-boundary frequency: 1.097366e+004 HzDetected average hi-cut frequency: 2.148194e+004 HzDetected average lo-cut frequency: 4.481685e+003 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 4.304036e-001First order smothness: 4.243347e-001Second order smothness: 6.386774e-001------------------------------------------------------------This track looks like CDDA with probability 100%=========================================== Track: Untitled IIIProcessing file: [Untitled III.aucdtect]Detected average hi-boundary frequency: 2.002833e+004 HzDetected average lo-boundary frequency: 1.276226e+004 HzDetected average hi-cut frequency: 2.146398e+004 HzDetected average lo-cut frequency: 6.639432e+003 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 1.152173e+000First order smothness: 3.415508e-001Second order smothness: 7.178677e-001------------------------------------------------------------This track looks like CDDA with probability 100%===========================================  Об альбоме (сборнике)Cherry and Riley had met in Sweden and Riley invited Cherry along for this session. Apart from a short rehearsal the night before it was the first time they played together. The session took place in complete darkness, the musicians seated in a circle on the studio floor.