(Avant-Garde Jazz) Henry Threadgill Zooid - This Brings Us To. Volume 1 - 2009, FLAC (tracks+.cue), lossless

Henry Threadgill Zooid - This Brings Us To. Volume 1 Жанр: Avant-Garde Jazz Год выпуска диска: 2009 Страна: USA (Chicago, Illinois) Производитель диска: Pi Recordings (PI31) Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 39:03 Релиз: redhat релиз взят с другого трекераСписок песен:01. (04:58) White Wednesday 02. (08:41) To Undertake My Corners Open 03. (07:45) Chairmaster 04. (05:37) After Some Time 05. (08:43) Sap 06. (03:20) Mirror Mirror the VerbСостав группы:Jose Davila - Trombone, Tuba Liberty Ellman - Guitar, Producer, Mixing Steve Fallone - Mastering Elliot Humberto Kavee - Drums Seth Rosner - Executive Producer Stomu Takeishi - Bass, Guitar (Bass) Andy Taub - Engineer Henry Threadgill - Flute, Saxophone, Sax (Alto), Concept Yulun Wang - Executive Producer  Лог EAC EAC extraction logfile from 27. October 2009, 0:36 for CDHenry Threadgill and Zooid / This Brings Us To...Volume 1Used drive : HP DVD Writer 1170d Adapter: 2 ID: 0Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 6Overread into Lead-In and Lead-Out : NoUsed output format : C:\Eac\Codecs\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC Flac 1.1.2 -8" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceTrack 1 Filename C:\Documents and Settings\ht\01 - White Wednesday.wav Pre-gap length 0:00:02.00 Peak level 94.0 % Track quality 100.0 % Test CRC 7119498D Copy CRC 7119498D Copy OKTrack 2 Filename C:\Documents and Settings\ht\02 - To Undertake My Corners Open.wav Peak level 99.3 % Track quality 100.0 % Test CRC ED3B7D62 Copy CRC ED3B7D62 Copy OKTrack 3 Filename C:\Documents and Settings\ht\03 - Chairmaster.wav Pre-gap length 0:00:00.45 Peak level 99.3 % Track quality 100.0 % Test CRC 03F36F3F Copy CRC 03F36F3F Copy OKTrack 4 Filename C:\Documents and Settings\ht\04 - After Some Time.wav Pre-gap length 0:00:02.00 Peak level 99.3 % Track quality 100.0 % Test CRC AC18EC20 Copy CRC AC18EC20 Copy OKTrack 5 Filename C:\Documents and Settings\ht\05 - Sap.wav Pre-gap length 0:00:02.00 Peak level 99.3 % Track quality 100.0 % Test CRC D7A7759A Copy CRC D7A7759A Copy OKTrack 6 Filename C:\Documents and Settings\ht\06 - Mirror Mirror the Verb.wav Pre-gap length 0:00:02.72 Peak level 99.3 % Track quality 100.0 % Test CRC 14DB3846 Copy CRC 14DB3846 Copy OKNo errors occuredEnd of status report  Спектральный анализ О альбоме Pi Recordings was founded in 2001 to release a pair of albums by legendary AACM composer/multi-instrumentalist Henry Threadgill, the electric Everybody's Mouth's a Book (with Make a Move) and acoustic Up Popped the Two Lips (with Zooid). This Brings Us To, Volume 1 is his first commercially released recording in eight years—a homecoming of sorts for both Pi and Threadgill. Threadgill's longstanding quintet features Liberty Ellman (acoustic guitar), Jose Davila (trombone and tuba), Stomu Takeishi (acoustic bass guitar) and Elliot Humberto Kavee (drums). Zooid has been Threadgill's primary working ensemble since the beginning of the Millennium, replacing the electrified Very Very Circus and Make a Move bands of the nineties. Revealing a studied rapport, each member of the quintet has longstanding ties to the leader; all are veteran members of Zooid except for Takeishi, who was in Make a Move.A Zooid is "a cell capable of independent motion within a living organism." Transposing the concept to his expansive writing, Threadgill assigns separate interval blocks to each musician, allowing them to operate independently of the group while collectively maintaining an overall sense of melodic, harmonic and rhythmic structure.Complementing these contrapuntal themes is a bevy of intricate, multi-layered rhythms. Though the downbeats are far from obvious, the polyrhythmic undercurrent is relentless, stirring even in the sparest setting. Informed by years of experience, Davila, Takeishi and Kavee negotiate the unusual meters and thorny contours of these labyrinthine structures with aplomb.Equally inspired by the work of the Western neo-classicists as Afro-Cuban rhythms and traditional Javanese Gamelan, Threadgill brings a rhythmically charged, theatrical air to his bluesy, R&B inflected compositions. Arranging the album's six songs into a dramatic arc, the set progressively intensifies, mirroring Threadgill's switch from flute to alto. Opening and closing the album at extreme ends of the spectrum, "White Wednesday Off the Wall" embodies the pastoral qualities of pointillist chamber music while "Mirror Mirror the Verb" is a terse exercise in fractious abstraction. In-between, the brisk flute driven numbers "To Undertake My Corners Open" and "Chairmaster" careen with quicksilver precision, while the vociferous "After Some Time" and "Sap" exude a raw, primal quality.Ellman and Threadgill share the spotlight as the quintet's primary soloists, alternating circuitous statements with ebullient glee. Unleashing blistering salvos that encompass a multitude of Eastern and Western traditions, Ellman's splintery acoustic fretwork offers a rich contrast to the leader's sonorous phrasing. Threadgill unfurls fluid variations from his vocally expressive flute on the first half of the album, tortuous bluesy cadences from his acerbic alto on the second.Despite its relatively brief duration (39 minutes), This Brings Us To, Volume 1 is a spectacular return from an important jazz composer, and is hopefully an indicator of more to come from Threadgill and Zooid.(c) allaboutjazz.com