(Avant-Garde Jazz, Free Jazz) Paul Bley - The Paul Bley Quartet (w/ John Surman, Bill Frisell, Paul Motian) - 1987 (ECM 1365), FLAC (tracks+.cue), lossless
Paul Bley - The Paul Bley Quartet
Жанр: Avant-Garde Jazz, Free Jazz
Страна-производитель диска: Германия
Год издания: 1988
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 1365 (835250-2)
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 53:08
Источник (релизер): chriss71AT (what)
Наличие сканов в содержимом раздачи: даТреклист:
01. Interplay (P.Bley) - 20:22
02. Heat (Surman) - 8:19
03. After Dark (Frisell) - 11:56
04. One in Four (Motian) - 9:33
05. Triste (P.Bley) - 2:58Состав:
Paul Bley - piano
John Surman - soprano saxophone, bass clarinet
Bill Frisell - guitar
Paul Motian - drumsRecorded at Rainbow Studio, Oslo in November 1987.
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 18. January 2012, 12:25Paul Bley, John Surman, Bill Frisell, Paul Motian / The Paul Bley QuartetUsed drive : HL-DT-STDVD+-RW GSA-T21N Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Audio\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 20:22.13 | 32 | 91694 2 | 20:22.45 | 8:18.40 | 91695 | 129084 3 | 28:41.10 | 11:55.40 | 129085 | 182749 4 | 40:36.50 | 9:33.15 | 182750 | 225739 5 | 50:09.65 | 2:58.12 | 225740 | 239101Track 1 Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\01 - Interplay.wav Pre-gap length 0:00:02.32 Peak level 86.5 % Extraction speed 3.8 X Track quality 100.0 % Test CRC CB58E537 Copy CRC CB58E537 Cannot be verified as accurate (confidence 8) [6F56821E], AccurateRip returned [BD3AB89E] Copy OKTrack 2 Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\02 - Heat.wav Pre-gap length 0:00:04.50 Peak level 59.3 % Extraction speed 4.7 X Track quality 100.0 % Test CRC 37A3112F Copy CRC 37A3112F Cannot be verified as accurate (confidence 8) [B438D9E9], AccurateRip returned [31210D29] Copy OKTrack 3 Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\03 - After Dark.wav Pre-gap length 0:00:06.40 Peak level 87.0 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 4B42005E Copy CRC 4B42005E Cannot be verified as accurate (confidence 8) [90FD1D37], AccurateRip returned [7CA998E7] Copy OKTrack 4 Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\04 - One In Four.wav Pre-gap length 0:00:02.38 Peak level 87.0 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 7E007F79 Copy CRC 7E007F79 Cannot be verified as accurate (confidence 8) [49AAB9B3], AccurateRip returned [E0F2DD43] Copy OKTrack 5 Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\05 - Triste.wav Pre-gap length 0:00:05.20 Peak level 48.9 % Extraction speed 4.9 X Track quality 100.0 % Test CRC 098737DF Copy CRC 098737DF Cannot be verified as accurate (confidence 8) [C83DD57D], AccurateRip returned [3A57049D] Copy OKNo tracks could be verified as accurateYou may have a different pressing from the one(s) in the databaseNo errors occurredEnd of status report==== Log checksum 3D3E943C2835A08F0C1CEB11E34A4C63C643955BA839BC5761AB5B944F996B8B ====
Содержание индексной карты (.CUE)
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Отчет CUETools
[CUETools log; Date: 06.03.2013 3:15:41; Version: 2.1.4]Pregap length 00:00:32.[CTDB TOCID: Da8YIQOV.EnK_MiV8rO2A4AGNfk-] disk not present in database.[AccurateRip ID: 000d4034-003af99d-2e0c7405] found.Track [ CRC | V2 ] Status 01 [6f56821e|b2f69b8a] (00+00/13) No match 02 [b438d9e9|7baac2e2] (00+00/13) No match 03 [90fd1d37|625f1abb] (00+00/13) No match 04 [49aab9b3|ff805adb] (00+00/13) No match 05 [c83dd57d|c03214f5] (00+00/15) No matchOffsetted by 1328: 01 [bd3ab89e] (10/13) Accurately ripped 02 [31210d29] (10/13) Accurately ripped 03 [7ca998e7] (10/13) Accurately ripped 04 [e0f2dd43] (10/13) Accurately ripped 05 [3a57049d] (10/15) Accurately rippedOffsetted by 664: 01 [16489d5e] (00/13) No match 02 [72acf389] (00/13) No match 03 [06d35b0f] (00/13) No match 04 [954ecb7b] (00/13) No match 05 [014a6d0d] (02/15) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 87,0 [74DA80A9] [64B66CA4] 01 86,5 [CB58E537] [C3CEAF22] CRC32 02 59,3 [37A3112F] [FDB89220] CRC32 03 87,0 [4B42005E] [8949BBE7] CRC32 04 87,0 [7E007F79] [8827352B] CRC32 05 48,9 [098737DF] [9C53C147] CRC32
Review by Thom JurekThis 1987 date teams the iconoclastic pianist with guitarist Bill Frisell, drummer Paul Motian, and British saxophonist John Surman. While it's easy to argue that, with Manfred Eicher's icy, crystalline production, this was a stock date for both the artists and the label, that argument would be flat wrong. Bley was looking for a new lyricism in his own playing and in his compositions. He was coming from a different place than the large harmonies offered by augmented and suspended chords and writing for piano trios. The other band members -- two other extremely lyrical improvisers in Surman and Frisell (who prized understatement as the veritable doorway to lyricism) and a drummer who was better known for his dancing through rhythms than playing them in Motian -- were the perfect foils. For the opening solos of "Interplay," Bley traipses around Frisell with a sparse elegance as the guitarist single notes his way into the heart of the piece's silence before Surman draws the entire band out of it with Bley painting the backdrops in the exit. Or there's Surman's "One in Four," written for Bley, in which the pianist moves ahead, stating large middle- and low-register chords as a melody, settling it in D minor and waiting for the band to fill in the pieces before expanding the textural palette to include his own sense of rhythm and a folk song melody in his solo. Breathtaking. The only dud is Frisell's skronk piece, "After Dark," which would have been fine for Naked City, but feels completely out of place here.