(Avant-Garde Jazz, Free Jazz) Ornette Coleman - Free Jazz - 1960, FLAC (tracks+.cue), lossless

Ornette Coleman - Free Jazz Жанр: Avant-Garde Jazz, Free Jazz Страна-производитель диска: Германия Год издания диска: 2002 Издатель (лейбл): Atlantic Masters Номер по каталогу: 81227 3609-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 54:12 Источник (релизер): UmbaJazz Наличие сканов в содержимом раздачи: даТреклист: 01. Free Jazz (Coleman) - 37:10 02. First Take (Coleman) - 17:02Состав: Ornette Coleman - alto saxophone Eric Dolphy - bass clarinet Don Cherry - pocket trumpet Freddie Hubbard - trumpet Scott LaFaro, Charlie Haden - bass Billy Higgins, Ed Blackwell - drumsRecorded on December 21, 1960 at A&R Studios, New York City.  Лог создания рипа EAC extraction logfile from 1. September 2007, 23:08 for CDOrnette Coleman / Free JazzUsed drive : HL-DT-STDVDRAM GSA-4160B Adapter: 1 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 667Overread into Lead-In and Lead-Out : NoUsed output format : Internal WAV Routines 44.100 Hz; 16 Bit; StereoOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000Track 1 Filename C:\Documents and Settings\usuario\Mis documentos\Mi mъsica\Ornette Coleman - Free Jazz\Track01.wav Pre-gap length 0:00:02.00 Peak level 97.2 % Track quality 100.0 % Test CRC FB4C31F6 Copy CRC FB4C31F6 Copy OKTrack 2 Filename C:\Documents and Settings\usuario\Mis documentos\Mi mъsica\Ornette Coleman - Free Jazz\Track02.wav Pre-gap length 0:00:06.08 Peak level 97.2 % Track quality 100.0 % Test CRC B8C19ED5 Copy CRC B8C19ED5 Copy OKNo errors occuredEnd of status report  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1960REM DISCID 0B0CB402REM COMMENT "ExactAudioCopy v0.95b4"PERFORMER "Ornette Coleman"TITLE "Free Jazz"FILE "01 - Free Jazz.wav" WAVE TRACK 01 AUDIO TITLE "Free Jazz" PERFORMER "Ornette Coleman" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "First Take (Bonus Track)" PERFORMER "Ornette Coleman" INDEX 00 37:04:32FILE "02 - First Take (Bonus Track).wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 30.10.2012 1:07:31; Version: 2.1.4][CTDB TOCID: qJLhZotVMYQL8REFzmvi9dRYpNU-] found.Track | CTDB Status 1 | (2/3) Accurately ripped 2 | (3/3) Accurately ripped[AccurateRip ID: 00064679-001045f2-0b0cb402] found.Track [ CRC | V2 ] Status 01 [a59bc10b|b3e840d1] (18+04/28) Accurately ripped 02 [40f1fcbb|ea1e2474] (18+04/29) Accurately rippedOffsetted by 664: 01 [e4aa2af2] (06/28) Accurately ripped 02 [1478e2e4] (07/29) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 97,2 [A8EB51D4] [105D1BAC] 01 97,2 [1576E7F0] [FB4C31F6] W/O NULL 02 97,2 [50623288] [B8C19ED5] W/O NULL  Review by Steve HueyAs jazz's first extended, continuous free improvisation LP, Free Jazz practically defies superlatives in its historical importance. Ornette Coleman's music had already been tagged "free," but this album took the term to a whole new level. Aside from a predetermined order of featured soloists and several brief transition signals cued by Coleman, the entire piece was created spontaneously, right on the spot. The lineup was expanded to a double-quartet format, split into one quartet for each stereo channel: Ornette, trumpeter Don Cherry, bassist Scott LaFaro, and drummer Billy Higgins on the left; trumpeter Freddie Hubbard, bass clarinetist Eric Dolphy, bassist Charlie Haden, and drummer Ed Blackwell on the right. The rhythm sections all play at once, anchoring the whole improvisation with a steady, driving pulse. The six spotlight sections feature each horn in turn, plus a bass duet and drum duet; the "soloists" are really leading dialogues, where the other instruments are free to support, push, or punctuate the featured player's lines. Since there was no road map for this kind of recording, each player simply brought his already established style to the table. That means there are still elements of convention and melody in the individual voices, which makes Free Jazz far more accessible than the efforts that followed once more of the jazz world caught up. Still, the album was enormously controversial in its bare-bones structure and lack of repeated themes. Despite resembling the abstract painting on the cover, it wasn't quite as radical as it seemed; the concept of collective improvisation actually had deep roots in jazz history, going all the way back to the freewheeling early Dixieland ensembles of New Orleans. Jazz had long prided itself on reflecting American freedom and democracy and, with Free Jazz, Coleman simply took those ideals to the next level. A staggering achievement.