(Avant-Garde Jazz, Free Jazz, Free Improvisation) [CD] Mats Gustafsson, Barry Guy, Paul Lovens - Mouth Eating Trees and Related Activities - 1996, FLAC (tracks+.cue), lossless
Mats Gustafsson, Barry Guy, Paul Lovens / Mouth Eating Trees and Related Activities
Жанр: Avant-Garde Jazz, Free Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 1996
Издатель (лейбл): Okka Disk
Номер по каталогу: OD12010
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 54:45
Источник (релизер): свой рип
Наличие сканов в содержимом раздачи: даТреклист:01. Part I 4'25
02. Part II 12'25
03. Part III 6'40
04. Part IV 27'15
05. Part V 3'45All compositions by Mats Gustafsson, Barry Guy and Paul Lovens.
Recorded Dec. 11, 1992 by P2 Sveriges Radio (The Swedish Broadcasting Corporation) at the Radio House in Stockholm.
Engineered by Lars Hedh. Mixed by Lars Hedh and Mats Gustafsson.
Original recording produced by Lars-Göran Ulander.
СоставMats Gustafsson - fluteophone, tenor saxophone, baritone saxophone
Barry Guy - double bass
Paul Lovens - selected and unselected drums and cymbals, musical saw
allmusic.comAllMusic Review by Brian Olewnick
Swedish multi-reed artist Mats Gustafsson was just beginning to come into his own at the time of this recording. The oddly titled Mouth Eating Trees and Related Activities catches him at the cusp when his prodigious technical abilities were starting to be subsumed into an impressive musical presence. It doesn't hurt that his companions for this freely improvised session are stalwarts like Barry Guy and Paul Lovens, who provide accompaniment that's creatively telepathic. While Gustafsson's sound is distinct, particularly his use of breathy and vocal sounds, there are still moments when he hurtles into his own sonic investigations with seemingly little regard to his fellow musicians. This tendency would happily lessen in ensuing years, but listeners used to a more collective approach might be somewhat put off by these occasional grandstanding gestures. Still, one is tempted to shrug off these incidents as youthful exuberance and appreciate the volcanic talent behind the bravado. Those who have only heard him in the more structured contexts of the AALY Trio or the Peter Brötzmann Tentet owe it to themselves to hear his more purely improv side, and this generally enjoyable session is a decent place to start.
Лог создания рипа
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Содержание индексной карты (.CUE)
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