(Avant-Garde Jazz, Free Improvisation) [WEB] Wolfgang Fuchs, Damon Smith, Jerome Byerton - Three October Meetings - 2002/2013, FLAC (tracks), lossless

Wolfgang Fuchs, Damon Smith, Jerome Byerton / Three October Meetings Жанр: Avant-Garde Jazz, Free Improvisation Страна-производитель диска (релиза): USA Год издания: 2002/2013 Издатель (лейбл): Balance Point Acoustics Номер по каталогу: BPA003 Страна исполнителя (группы): Germany/USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 01:11:22 Источник (релизер): WEB Наличие сканов в содержимом раздачи: нет (front)Треклист:01. Meeting Three 1 01:27 02. Meeting Three 2 01:38 03. Meeting Three 3 02:29 04. Meeting Three 4 04:24 05. Meeting Three 5 03:37 06. Meeting Three 03:21 07. Meeting Three 7 05:57 08. Meeting One 1 10:53 09. Meeting One 2 05:06 10. Meeting One 3 16:16 11. Meeting One 4 08:56 12. Meeting Two 07:13Released March 3, 2013 First edition: Balance Point Acoustics, 2002All titles instant compositions by Fuchs/Bryerton/Smith Produced by Jerome BryertonTracks 1-7 studio recordings 10/19/01 in Emeryville, Ca Tracks 8-11 live recordings 10/17/01 at Tuva Space in Berkeley, Ca Track 12 live recording 10/18/01 at the Luggage Store Gallery in San Francisco, Ca Recorded by Michael Zelner (tracks: 12), Scott R. Looney (tracks: 1 to 11) Mastered by Scott R. Looney  СоставWolfgang Fuchs, contrabass clarinet, bass clarinet, sopranino saxophone Jerome Bryerton, percussion Damon Smith, double bass  Liner notes by Peter Niklas Wilson (Hamburg, January 2002)"Real" jazz musicians – i.e., improvisers who unreservedly equate jazz with "swing" and "blues" take no offence with Ken Burns' ludicrously distorted view of creative musics in the 20th century – often complain that free jazz not only "destroyed" jazz by "alienating" the audience, but also by annihilating the common ground that had up to the sixties, enabled jazz players of all generations to interact with each other: the jazz repertoire, the good old Tin-Pan-Alley-derived store house of melodies, changes, and forms. If jazz has its idioms – swing, bop, cool – and if free improvised music was, as Derek Bailey claimed, "non-idiomatic music", then the free jazz/improvised music crowd could only be a gathering of monads. For if there was no language to be shared, what could be communicated but primeval sounds (which is exactly what improvised music sounds like to the "real" jazzman's ear)?Well, I do think Derek Bailey is wrong for once. And this very recording might serve as a good argument. Three improvisers from three cities (Berlin, Chicago, and San Francisco) and two generations (born in the Forties and Seventies) get together on the West Coast – and have no difficulty whatsoever in weaving a dense fabric full of intertwining threads, a music alive through the shared awareness of sound and space, of pitched and unpitched, of individuality and collectivity, of distinct lines and group textures. There's no doubt that the vocabulary opened up by the pioneers of the Sixties and Seventies – the world of whirlwind harmonics and multiphonics, of Bartók pizzicati and scraping box textures, of bowed metal timbres, of rapid multi-timbral percussive bursts, of inside piano explorations – has become the basis of a global lingua franca of and improvised music no longer preoccupied with the is-it-jazz-or-is-it-not-jazz question. Wolfgang Fuchs has been speaking this language for longer than his junior partners (as Damon Smith points out: "Jerome and I were both born on October 17th, he in 1974 and I in 1972. We have played together for about six years, and he was just younger enough for me to tell him (like Walter Page did Jo Jones), never play louder than the bass!"). But there is no generation gap here. No trace of condescension or hero worship. For as much as young U.S. improvisers such as Damon Smith and Jerome Bryerton respect the founding fathers, they are acutely aware of the qualities they can bring to the music from their own background. As Damon writes about his percussionist friend (and I guess about himself): "Jerome believes that it is necessary to keep intact many of the European aesthetics revolutionized in the Sixties and Seventies; but what is also crucial is the synthesis of wit and experience of a modern American improviser." There's plenty of "wit and experience" in the music of this ephemeral trio, old and new world style, and enough communicative capability to make many a "real" jazz musician jealous.  AllMusic Review by Francois CoutureThe third and finest release yet on Damon Smith's label Balance Point Acoustics, "Three October Meetings" chronicles a few days young Bay improvisers Smith (double bass) and Jerome Bryerton (drums) spent with German clarinetist Wolfgang Fuchs. The CD combines material from two concerts in Berkeley and San Francisco, and a studio session. All recordings took place within a three-day period in October 2001. Smith has rarely displayed such colorful and varied playing. Fuchs, like Radu Malfatti an instigator of silence-focused free improv, alternates between his soprano saxophone, bass and contrabass clarinets. The low, breathy growls of the latter intermingle with the bassist's sinuous arco, while the overtones of the soprano sax mesh with the drummer's bowed cymbals. Bryerton is the real discovery here. His playing is light, inventive and pertinent. Never busy for the sake of it, he focuses on the cymbals in a way strongly reminiscent of John Stevens. The CD starts with a few short studio tracks that explore rather specific textures mostly triggered by Fuchs' choice of instrument or initial technique. Then come the live selections. The long improvs of "Meeting One" are captivating, thanks to a high degree of listening. Despite age difference, these three share the same language. Recommended.  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 12 Meeting Two.flac Size: 39659500 Hash: 8509EA0491EAA9A7BA440B85A32BDA0E Accuracy: -m0 Conclusion: CDDA 100% Signature: FC162632B5C305742B54229E583ED9341F69A35FFILE: 11 Meeting One 4.flac Size: 42352453 Hash: 17FA64E93AD2039BDAF2F484878187E0 Accuracy: -m0 Conclusion: CDDA 100% Signature: CDFDE36D76C648CDE6408D86B825314F31B80C68FILE: 10 Meeting One 3.flac Size: 63626070 Hash: 7FBB82035DB83695FA447E475C03E6F8 Accuracy: -m0 Conclusion: CDDA 100% Signature: ADEFD9296EB2C3CCA056D5BE422ACF9551F243F9FILE: 09 Meeting One 2.flac Size: 24958620 Hash: A5F0684D0AE2E743422746664DC58201 Accuracy: -m0 Conclusion: CDDA 100% Signature: C5D88D28DB47795502EED04EA2DA90E34F2D1085FILE: 08 Meeting One 1.flac Size: 50986186 Hash: 96B9A8EB963ABE35D7CA7982EF621438 Accuracy: -m0 Conclusion: CDDA 99% Signature: 092A49D03289BA3ECDCA4341270C62FBA2AA2F81FILE: 07 Meeting Three 7.flac Size: 25153662 Hash: D475D9F2D3DBB8FCFC70B7F8EAE5433D Accuracy: -m0 Conclusion: CDDA 54% Signature: 9D92D6D41D06ADF3D66FE9590396CA5DE30ABAA4FILE: 06 Meeting Three 6.flac Size: 12341839 Hash: 9CACA6400D9CBB896E356479CE5AE9FE Accuracy: -m0 Conclusion: MPEG 92% Signature: F2DF0B5F03AF910289C3040D9F90D206974A256EFILE: 05 Meeting Three 5.flac Size: 17103437 Hash: 6C1546C3B54E1F9406C97DD349E9246C Accuracy: -m0 Conclusion: CDDA 100% Signature: 62B3AB1DCFCC7C2AFAADB431A62AE765C90CB8D0FILE: 04 Meeting Three 4.flac Size: 18345307 Hash: F24E4CCBCC731DD717F0A11DAE79D45C Accuracy: -m0 Conclusion: CDDA 100% Signature: 42F1108F8F1D1AE1A7B0547687C67AC92B0D392DFILE: 03 Meeting Three 3.flac Size: 11323469 Hash: B6BF0D2ACF3AD259932E79DEC2CEC451 Accuracy: -m0 Conclusion: CDDA 42% Signature: 5508D4764978D62BD5B6B0CAC801D7AE412366EAFILE: 02 Meeting Three 2.flac Size: 7420304 Hash: AB79F535CEF53F3302F3B301653AA62C Accuracy: -m0 Conclusion: CDDA 99% Signature: DA8AEF3FDE6E73CAC01613AF9B29083E6FE21B3EFILE: 01 Meeting Three 1.flac Size: 8072146 Hash: 4391D308E09472371FC9980858B9EE18 Accuracy: -m0 Conclusion: CDDA 100% Signature: BC88A7A7B7703CF0F4124560FD219548AFB00204  Скриншот спектра частот02 04 06 Другие мои раздачи на трекере