(Avant-Garde Jazz, Free Improvisation) Michel Lambert (with Barre Phillips, Milcho Leviev, Lionel Garcin, John Gianelli) - Out Twice // 11 Improvisations + 11 Drawings - 2003, FLAC (tracks+.cue), lossless
michel lambert:
out twice //
Жанр: Avant-Garde Jazz, Free Improvisation
Страна-производитель диска: USA
Год издания диска: 2003
Издатель (лейбл): 482 Music
Номер по каталогу: 1019
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 65:04
Наличие сканов в содержимом раздачи: да
Источник (релизер): jbc, thanks dizzydogТреклист:
1. Mémoires
2. Weaving
3. Tiré au Sort
4. Aire de Repos
5. Coup
6. Cul de Sac
7. Ice on the River
8. Gone Down
9. No no no Note
10. Vitrail pour Herbie
11. Red Pale BlueИсполнители:
Michel Lambert - drums
Milcho Leviev - piano (1,4,7,8,11)
John Giannelli - bass (1,4,7,8,11)
Barre Phillips - bass (2,3,5,6,9,10)
Lionel Garcin - saxes (2,3,5,6,9,10)Лог отсутствует
Содержание индексной карты (.CUE)
REM DATE 2003REM GENRE "impro"PERFORMER "Michel Lambert"TITLE "Out Twice"FILE "01 Memoires.flac" WAVE TRACK 01 AUDIO TITLE "Mémoires" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "02 Weaving.flac" WAVE TRACK 02 AUDIO TITLE "Weaving" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "03 Tire au Sort.flac" WAVE TRACK 03 AUDIO TITLE "Tiré au Sort" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "04 Aire du Repos.flac" WAVE TRACK 04 AUDIO TITLE "Aire du Repos" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "05 Coup.flac" WAVE TRACK 05 AUDIO TITLE "Coup" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "06 Cul de Sac.flac" WAVE TRACK 06 AUDIO TITLE "Cul de Sac" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "07 Ice on the River.flac" WAVE TRACK 07 AUDIO TITLE "Ice on the River" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "08 Gone Down.flac" WAVE TRACK 08 AUDIO TITLE "Gone Down" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "09 No no no Note.flac" WAVE TRACK 09 AUDIO TITLE "No no no Note" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "10 Vitrail pour Herbie.flac" WAVE TRACK 10 AUDIO TITLE "Vitrail pour Herbie" PERFORMER "Michel Lambert" INDEX 01 00:00:00FILE "11 Red Pale Blue.flac" WAVE TRACK 11 AUDIO TITLE "Red Pale Blue" PERFORMER "Michel Lambert" INDEX 01 00:00:00
Лог Audiocheker
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Started at: среда, 04. 01. 2012. - 1:16.0811 files found01 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\01 Memoires.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.02 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\02 Weaving.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.03 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\03 Tire au Sort.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.04 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\04 Aire du Repos.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.05 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\05 Coup.flac Extracted successfully Conclusion: this track is CDDA with probability 99% Tempfile successfully deleted.06 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\06 Cul de Sac.flac Extracted successfully Conclusion: this track is CDDA with probability 99% Tempfile successfully deleted.07 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\07 Ice on the River.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.08 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\08 Gone Down.flac Extracted successfully Conclusion: this track is CDDA with probability 99% Tempfile successfully deleted.09 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\09 No no no Note.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.10 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\10 Vitrail pour Herbie.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.11 -===- C:\Users\пользователь\Videos\Michel Lambert - Out Twice\11 Red Pale Blue.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.Finished at: среда, 04. 01. 2012. - 1:23.02 (operation time: 0:06.54)
ReviewIn more ways than one, this is a singular release. First off, and as intimated in its title, this disc is the result of two recording sessions cut in very different parts of the globe, one being Los Angeles, the other the South of France. In both cases, the common denominator is drummer Michel Lambert, a native of Quebec City now residing in Montreal after several years spent on the Toronto jazz scene. For the first date, he is joined by pianist Milcho Leviev (best known for his sideman duties with Art Pepper in the late seventies) and bassist John Gianelli; in the second one, he teams up with improv bassist par excellence Barre Phillips and saxophonist Lionel Garcin (tenor and alto I believe, though it's not always easy to be certain of this given his marked preference for delving into the pure sonics of his horns than the 'legit' notes). But the most unusual twist here is that all the cuts (five performed by the Statetside unit, the remaining six by its Euro counterpart) are basically free improvisations derived from graphic scores; in four of them there are musical notations included (one being a series of chords written out on staves), the others comprised of various lines, colors, forms and written instructions. The fact that the pictograms are spread out over three panels of the booklet, with added explanations given on the reverse side, all of which can also be accessed via the label's Website (www.482music/outtwice). Yet, for all of this info, the materials really don't provide much bearing for the listener. Indeed, there is an overarching sense of informality to the music, or at least a spontaneity that obscures any clear compositional designs. In fact, had there been no guidelines whatsover, or had they mixed these structured improvs with totally free ones (as is the case of track three, 'tir? au sort', where the drummer in fact made the score up afterwards), I doubt that the results would be vastly different.
What it is of greater interest is the way one goes about listening to this disc; of course, one could proceed in order (and tracks of one group alternate with those of the other), but by sequencing all of one together and then those of the other, one gets a very different perspective of the whole. On the one hand, a piano-bass-drum format is about as typical a jazz combo as one can get, and with a player as readily associated with the mainstream as Leviev, it would be hard not to expect this group to head that way; in their pieces, you feel them constantly flirting with it, but everyone seems so self-conscious about it that they don't want to yield to it, and Lambert, for one, stops playing repeatedly, in effect backing off from setting a tempo or establishing a pulse at very least. On the other hand, the French trio opts for a much more abstract group interplay, in particular the saxophonist who seems very much in line with a current crop of sonic-oriented reedman like Mats Gustafson, Michel Doneda or Bertrand Denzler. But they too hit a jazzy groove in the last minute or so of the ten-minute plus track "Vitrail pour Herbie" (dedicated to the late Canadian trumpeter Spanier), as if they were saying, "What the heck, let's indulge in this for a moment." All in all, this side may not be one that will jump at you, but it still invites the listener to consider it from different vantage points, which is not a bad thing at all (Marc Chenard)
Мишель Ламбер - канадский ударник и композитор, лауреат Juno Award. Родился 24 октября 1959 года в Квебеке, закончил Conservatoire de Musique de Quebec, затем музыкальный колледж Беркли. В 1983 году Мишель получил за свои успехи в учебе грант от правительства Канады, позволивший ему брать уроки у Чарли Хейдена в Лос-Анджелесе, а позднее у Дэвида Либмена и Миши Менгельберга в Европе. С середины 80-х активно гастролирует по всему миру, сотрудничая с Gary Burton, Dewey Redman, Kenny Wheeler, Bobo Stenson, Uri Caine, Jason Moran, John Zorn, John Tchicai, David Torn и мн. др. Первый "лидерский" альбом "Sacrilege" выпустил в 1991 году; кроме джазовых композиций пишет оркестровую музыку, в частности одна из его работ была отобрана в финал конкурса молодых композиторов в 1992-ом и исполнена Виннипегским симфоническим оркестром (привет, Darkman ) на Winnipeg New Music Festival. Кроме того, Мишель Ламбер известен тем, что сам оформляет свои альбомы в концептуальном ключе. Например, в данном случае все импровизации основаны на "авангардных" рисунках Ламбера (которые вместе с пояснениями можно поглядеть на сканах).