(Avant-Garde Jazz, Free Improvisation) [CD] Sylvie Courvoisier & Mary Halvorson - Crop Circles - 2017, FLAC (tracks+.cue), lossless

Sylvie Courvoisier & Mary Halvorson / Crop Circles Жанр: Avant-Garde Jazz, Free Improvisation Носитель: CD Страна-производитель диска (релиза): US Год издания: 2017 Издатель (лейбл): Relative Pitch Records Номер по каталогу: RPR1045 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 46:18 Источник (релизер): shiftingstill Наличие сканов в содержимом раздачи: frontТреклист:01. La Cigale (05:37) 02. Aftershock (05:09) 03. Eclats For Ornette (03:45) 04. Absent Across Skies (07:08) 05. Downward Dog (03:59) 06. Your Way (04:50) 07. Water Scissors (01:54) 08. Woman In The Dunes (06:56) 09. Double Vision (04:31) 10. Bitter Apple (02:23)Music by Mary Halvorson (tracks: 2, 4, 6-7, 9-10), Sylvie Courvoisier (tracks: 1, 3, 8, 10)Recored August 21, 2016, Brooklyn NY Mixed & Mastered October 2016  СоставPiano – Sylvie Courvoisier Guitar – Mary Halvorson  allaboutjazz.comSylvie Courvoisier/Mary Halvorson: Crop Circles ****1/2 By MARK CORROTO February 16, 2017 Crop Circles is the inevitable meeting of two remarkable female artists. Both pianist Sylvie Courvoisier and guitarist Mary Halvorson have distinguished careers. Courvoisier in her quartet, her large ensemble, and Mephista (a trio with Ikue Mori and Susie Ibarra). Halvorson leads a trio, quintet, septet, octet and is a member multiple bands including Thumbscrew, Anthony Braxton's ensembles and those of Taylor Ho Bynum. Both women often perform and record solo and in duo, Courvoisier with Mark Feldman and Evan Parker and Halvorson with Stephan Crump, Jessica Pavone, and Weasel Walter.Both artists wrote music for this session. What's significant here is that the music, designed for this duo, while complicated, and at times knotty, is made into child's play. That is, if the child was a member of Mensa International. "La Cigale" opens the disc. Playing in unison, the musicians quickly split a the fork in the road. Courvoisier applies some prepared piano sounds to Halvorson's guitar pedal contortions. Both musicians reminding us their instruments are first and foremost, machines. They are also joyful delivery systems for things of beauty. "Aftershock" caters to a most delicate chamber, dreamlike sound, and "Double Vision" plies a déjà vu-like telling and retelling of notes, the kind that easily become a song stuck in your brain. The taut, almost claustrophobic, space conjured on "Eclats for Ornette" and "Water Scissors," are a complex math problem the pair must work out. Like all the pieces on this disc, they come through with flying colors, earning an A+  freejazzblog.org****1/2 By Derek StoneSylvie Courvoisier’s new album with Mary Halvorson, called Crop Circles, marks the first time that the two have worked together, and it’s indeed a rare treat: a meeting between two of the most inventive musicians working in improvised music today, and an opportunity for listeners to hear the magnificent sounds that result. Recorded in August of 2016, Crop Circles is, as the title suggests, a sublime collection of shapes and figures, one that is alternately awe-inspiring and inscrutable. Sometimes repeating , sometimes spiralling off into new configurations, these shapes are irrefutable proof - not of extraterrestrial life, of course, but of the creative prowess of these two musical heavyweights.“La Cigale” (literally, “the cicada”) is an introduction that somewhat typifies the approach that Courvoisier and Halvorson take throughout the album: elliptical melodies, played in conjunction, that soon scatter off in oblique, sometimes unexpected, directions. What starts in “La Cigale” as a duet between the two that is slightly disjointed, soon becomes a frenetic dialogue - Courvoisier using the piano’s action as a way to evoke the distinctive vibrato of the insect after which the piece is named, and Halvorson running at a breakneck pace through a wide variety of chord shapes. The brief “Eclats for Ornette” follows a similar structure, but it is even more frenzied; here, Courvoisier issues rapid-fire sequences of notes that occasionally amass into violent, pounded bursts, while Halvorson holds her own with blazing runs up and down the neck. One of the most melodic pieces is “Double Vision,” which is based on an angular theme that is somewhere between whimsical and sinister - this is due to the fact that Courvoisier and Halvorson never seem to fully adhere, leaving an uncanny valley of sorts between the lines that they produce.Not all of the pieces are so high-strung, of course. “Absent Across Skies,” while always seeming to teeter on the brink of eruption, maintains a kind of nervous tension - the central melody acts as a check, so to speak, for the wilder, more impulsive, stretches that occasionally bubble up. Although it’s the longest track, the sense of constant pressure pushing on all sides of the piece keeps the listener invested in what may or may not happen. Compared to a few of the other tracks, “Your Way” is downright lovely; rather than obliqueness, the musical motif here seems to be rooted in a whirling, dream-like impressionism. “Woman in the Dunes,” while not explicitly “beautiful,” is an exploration of the textures and tones that Courvoisier and Halvorson can conjure up. Courvoisier moves from notes that are knotted together in pristine, twinkling clusters, to rumbling undertones. Halvorson’s use of pedals to shape and alter the sound of her guitar is in full display here, with notes that bend, stretch, and moan.Calling the album Crop Circles was not a bad move by Courvoisier and Halvorson, as it captures some of the reasons that the recording is so special. First and foremost, the two musicians are masters of combining the familiar with the, well, unfamiliar; like flying over the commonplace sight of a corn-field, and seeing cryptic symbols laid out beneath you, the two always seem undercut their melodies with moments that are perplexing, unexpected, or slightly slanted. In addition, the rhythms and shapes that the two produce together are never straightforward or easy-to-read - as it would be in the event of having to decipher an alien language, the listener is expected to tilt their head, toss away their preconceptions, and open their ears.  Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016EAC extraction logfile from 19. 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2017 - Crop Circles\09 Double Vision.wav Peak level 98.8 % Extraction speed 8.3 X Track quality 100.0 % Test CRC 3C04A233 Copy CRC 3C04A233 Accurately ripped (confidence 1) [4BBFA3CD] (AR v2) Copy OKTrack 10 Filename C:\rips\Sylvie Courvoisier & Mary Halvorson - 2017 - Crop Circles\10 Bitter Apple.wav Pre-gap length 0:00:01.00 Peak level 78.2 % Extraction speed 7.6 X Track quality 100.0 % Test CRC 93EF6C49 Copy CRC 93EF6C49 Accurately ripped (confidence 1) [898190D2] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum B4F071D61152620EDADF070C5A7089F9F762FBFED544D9D0143BD78283674EF9 ====  Содержание индексной карты (.CUE) REM GENRE "Free Improvisation"REM DATE 2017REM DISCID 8C0AD90AREM COMMENT "ExactAudioCopy v1.3"PERFORMER "Sylvie Courvoisier & Mary Halvorson"TITLE "Crop Circles"REM COMPOSER ""FILE "01 La Cigale.wav" WAVE TRACK 01 AUDIO TITLE "La Cigale" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700001 INDEX 01 00:00:00FILE "02 Aftershock.wav" WAVE TRACK 02 AUDIO TITLE "Aftershock" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700002 INDEX 01 00:00:00FILE "03 Eclats for Ornette.wav" WAVE TRACK 03 AUDIO TITLE "Eclats for Ornette" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700003 INDEX 01 00:00:00FILE "04 Absent Across Skies.wav" WAVE TRACK 04 AUDIO TITLE "Absent Across Skies" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700004 INDEX 01 00:00:00FILE "05 Downward Dog.wav" WAVE TRACK 05 AUDIO TITLE "Downward Dog" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700005 INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Your Way" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700006 INDEX 00 03:59:03FILE "06 Your Way.wav" WAVE INDEX 01 00:00:00FILE "07 Water Scissors.wav" WAVE TRACK 07 AUDIO TITLE "Water Scissors" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700007 INDEX 01 00:00:00FILE "08 Woman in the Dunes.wav" WAVE TRACK 08 AUDIO TITLE "Woman in the Dunes" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700008 INDEX 01 00:00:00FILE "09 Double Vision.wav" WAVE TRACK 09 AUDIO TITLE "Double Vision" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700009 INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Bitter Apple" PERFORMER "Sylvie Courvoisier & Mary Halvorson" REM COMPOSER "" ISRC QMRAT1700010 INDEX 00 04:31:32FILE "10 Bitter Apple.wav" WAVE INDEX 01 00:00:00 Другие мои раздачи на трекере