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(Avant-Garde Jazz, Free Improvisation) [CD] Ask (Martin Archer, John Jasnoch, Charlie Collins, Angela Rosenfeld) - Acoustic Quartet 2006 - 2006, FLAC (tracks+.cue), lossless

Ask / Acoustic Quartet 2006 Жанр: Avant-Garde Jazz, Free Improvisation Носитель: CD Страна-производитель диска: UK Год издания: 2006 Издатель (лейбл): Discus Records Номер по каталогу: Discus 27CD Страна: UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 73:07 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. Untitled Improvisation 8:54 2. Untitled Improvisation 17:36 3. Untitled Improvisation 31:38 4. Untitled Improvisation 6:10 5. Untitled Improvisation 8:56  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 8. May 2014, 21:34ASK / Acoustic Quartet 2006Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:51.53 | 0 | 39877 2 | 8:51.53 | 17:35.22 | 39878 | 119024 3 | 26:27.00 | 31:38.37 | 119025 | 261411 4 | 58:05.37 | 6:07.46 | 261412 | 288982 5 | 64:13.08 | 8:53.71 | 288983 | 329028Track 1 Filename D:\zzz\01 - Untitled Improvisation.wav Pre-gap length 0:00:02.00 Peak level 98.2 % Extraction speed 5.2 X Track quality 100.0 % Test CRC 77553FF1 Copy CRC 77553FF1 Track not present in AccurateRip database Copy OKTrack 2 Filename D:\zzz\02 - Untitled Improvisation.wav Pre-gap length 0:00:04.57 Peak level 99.4 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 76B3EBEB Copy CRC 76B3EBEB Track not present in AccurateRip database Copy OKTrack 3 Filename D:\zzz\03 - Untitled Improvisation.wav Pre-gap length 0:00:04.57 Peak level 99.6 % Extraction speed 8.5 X Track quality 100.0 % Test CRC DF675D56 Copy CRC DF675D56 Track not present in AccurateRip database Copy OKTrack 4 Filename D:\zzz\04 - Untitled Improvisation.wav Peak level 99.9 % Extraction speed 8.9 X Track quality 100.0 % Test CRC A4F2D1C3 Copy CRC A4F2D1C3 Track not present in AccurateRip database Copy OKTrack 5 Filename D:\zzz\05 - Untitled Improvisation.wav Pre-gap length 0:00:04.57 Peak level 94.9 % Extraction speed 9.5 X Track quality 100.0 % Test CRC 5D6522F0 Copy CRC 5D6522F0 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum 7D7E46A3E9DA0F33259B0B9D878A895BC694767EB1F5FE991EE9DE4F72C1F867 ====  Содержание индексной карты (.CUE) REM GENRE "Free Improvisation"REM DATE 2006REM DISCID 4F112305REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "ASK"TITLE "Acoustic Quartet 2006"FILE "01 - Untitled Improvisation.wav" WAVE TRACK 01 AUDIO TITLE "Untitled Improvisation" PERFORMER "ASK" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Untitled Improvisation" PERFORMER "ASK" FLAGS DCP INDEX 00 08:46:71FILE "02 - Untitled Improvisation.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Untitled Improvisation" PERFORMER "ASK" FLAGS DCP INDEX 00 17:30:40FILE "03 - Untitled Improvisation.wav" WAVE INDEX 01 00:00:00FILE "04 - Untitled Improvisation.wav" WAVE TRACK 04 AUDIO TITLE "Untitled Improvisation" PERFORMER "ASK" FLAGS DCP INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Untitled Improvisation" PERFORMER "ASK" FLAGS DCP INDEX 00 06:02:64FILE "05 - Untitled Improvisation.wav" WAVE INDEX 01 00:00:00  Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Untitled Improvisation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [02. Untitled Improvisation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03. Untitled Improvisation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04. Untitled Improvisation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05. Untitled Improvisation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100% Доп. информация:  Album Info & ReviewsLive concert recording by John Jasnoch at Notes & Sounds, The Red Deer, Sheffield, 30th January 2006. Mastered by Ian Stead.Artwork by Abracadaver, laid to rest by Herve Perez.As the title suggests this is something of an evoluntionary leap for the largely electronic, studio based duo of Archer and Jasnoch. Here, an expanded ASK plays a live set of five lengthy, untitled improvisations, using exclusively acoustic instrumentation. It's a setting which seems to encourage some of the most "conventional" playing heard from Archer in a long time, and a definite nod toward the iconic peregrinations of Anthony Braxton: with its vibraphone tinkering and guttural alto bursts, the opener could almost be a lost cut from Braxton's This Time. There are plenty of delightful, spontaneous flowerings throughout - such as Archer's bluesy bluesy lick that takes off three minutes into the second piece or Jasnoch's middle eastern oud plucking joined by a slithering sopranino six minutes into track three. For admirers of both European improv and old-school Chicago free-jazz, this one is a must. - Daniel Spicer, JazzwiseArcher tends to sound acerbically assertive.....Jasnoch is tuneful and allusive.....Collins oddly raw on vibraphone.....Rosenfeld's contribution is subtle and cohesive. AACM values seem to provide the main springboard into this music - Julian Cowley, WIREUsually occupied with recording studio-intensive electronic music featuring synthesizers, sampling and sound manipulation, British reedist Martin Archer returns to his acoustic roots here. Concisely described by its title, the disc is 73 minutes of improv in the raw, that while a bit meandering, is as notable as Archer’s more self-consciously analytical electro-acoustic projects. Not only does Archer stick to sopranino and alto saxophones plus bass recorder, but long-time partner John Jasnoch eschews electricity to play acoustic 12-string guitar, oud, mandolin and frame drum. Angela Rosenfeld appends multiphonic cello lines and Charlie Collins adds a sound veneer with background and foreground vibraphone and percussion textures. Diffident and jaunty at junctures, the ongoing improvisations often rely on broken octave intersections, with say, Rosenfeld’s sul ponticello, tremolo rasps matched with Collins’ concussive vibe reverberations; or Archer’s repetitive flutter tonguing and slurs decorated by Jasnoch’s flanged yet decorous finger-picking. Surprisingly, for players wedded to technology, an extended section of the lengthiest – almost 32 minute – improvisation finds the group suggesting the sounds of nomads sitting around a desert fire rattling and rubbing percussion instruments. Nasal and cavernous near moose calls from the recorder plus dense scrawls and scrapes from the cello pulsate above hollow frame drum thumps until the piece finally turns more abstract. Guided by Collins’ plucking individual strings beneath the guitar’s bridge and the vibist’s ringing tones, an earlier theme is then recapped, until deciding that sounds can’t be further minimized, the players dissolve into guffaws. Impressively personal music, the CD proves that there are still many acoustic timbres to explore – even for those committed to studio-based, high-tech formats. - Ken Waxman, Jazz WordThis CD, on this listening, I love. There's a real sense of the sounds unfurling in the moment. Collins' percussion really makes it for me, and the other players exercise the discretion to shut up and just leave him to it from time to time. - MUSIC ARCADES  СоставMartin Archer: sopranino and alto saxophones, bass recorder John Jasnoch: 12 string guitar, mandolin, ud, frame drum Angela Rosenfeld: cello Charlie Collins: vibraphone, waterphone, mbiraAudience participation at end of track 3 by Dave Clayton: wood, glass, ceramics, narration
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