(Avant-Garde Jazz, Free Improvisation) Ballister (Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love) - Mechanisms - 2012, WEB, FLAC (tracks), lossless

BALLISTER Жанр: Avant-Garde Jazz, Free Improvisation Год издания: 2012 Издатель (лейбл): Clean Feed Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 64:43 Наличие сканов в содержимом раздачи: front Источник (релизер): WEB (я)Треклист: ➊ Release Levers ➋ Claplock ➌ Roller NutsDave Rempis - alto / tenor / baritone saxophone Fred Longberg-Holm - cello, electronic Paal Nilssen-Love - drums, percussion  Лог Audiochecker AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Started at: вторник, 24. 04. 2012. - 16:43.033 files found1 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\01 - Release Levers.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.2 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\02 - Claplock.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.3 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\03 - Roller Nuts.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.Finished at: вторник, 24. 04. 2012. - 16:50.48 (operation time: 0:07.44)  Об альбоме + фотоDave Rempis, Fred Lonberg-Holm and Paal Nilssen-Love present their association as a“free-wheeling trio” and that means everything. It means, for instance, aspecial attention to the process of music making, and this one deals with improvisation – jazz-flavored, for sure, but free in its creative resources. In the very powerful listening experience provided by “Mechanisms”, you’ll immediately identify those resources: driving grooves, noisy textures and occasional melodic interjections. Some of the references are in Julius Hemphill’s bands with cellist Abdul Wadud, in Ornette Coleman’s Prime Time, and in the electric Miles Davis groups of the seventies. But a distinguishing feature sets this band apart: these are the sounds of contemporary Chicago. Even if Nilssen-Love comes from Norway, he’s very much connected to that broad-shouldered sound through his frequent, varied,and long-standing collaborations with Chicago musicians. This common aestheticis what unites them; the rest is inventiveness, musicality and instrumental virtuosity.